PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Czech Republic
3
France
3
Germany
6
Great Britain
2
Italy
26
Italy (North)
1
Netherlands
2
Portugal
1
Spain
3
Switzerland
8
Cities
Augsburg
1
Austria
1
Basel
7
Belgium
1
Bourges
1
Casale Monferrato
4
Catalonia
2
Cognac
1
Coimbra
1
Eton
1
Ferrara
1
Florence
4
France
8
Germany
5
Germany (South)
2
Girona
1
Halberstadt
1
Hradec Králové
3
Italy
3
Italy (North)
1
Leipzig
2
Maastricht
1
Mantua
1
Milan
1
Modena
6
Naples
3
Paris
1
Pisa
1
Rheinfelden
2
Rome
4
Segovia
1
Seville
1
Siena
2
Spain
1
St Gall
1
Staffarda
1
Stirling
1
Toledo
1
Torgau
1
Turin
1
Utrecht
1
Venice
1
Zwickau
1
Production method
Manuscript
66
Physical type
choirbook
48
choirbook (fragment(s))
3
choirbook (fragment)
1
choirbook (single quire(s))
1
music treatise(s) with appended monophony and polyphony
1
music treatise(s) with appended polyphony
1
partbook (fragment)
1
partbook (single)
4
partbooks (complete set)
2
partbooks (incomplete set)
1
poetry collection with some notated music
1
polyphonic music manuscript appended to polyphonic music print
1
printed treatise with added polyphony
1
Material
paper
52
paper (with parchment)
1
parchment
13
Format
upright
66
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
11
never
18
none visible
28
normally
4
occasionally
1
often
2
rarely
1
sometimes
4
Height of Staves
Colour of Staves
black
12
brown
45
dark brown
7
light brown
6
red
2
reddish brown
3
Ruling Medium
double and single rastra
2
double rastrum
4
freehand
4
single rastrum
53
straightedge
10
triple rastrum
2
Number of staves
10
26
11
13
12
8
13
4
14
3
15
1
16
1
17
1
2
3
3
2
4
6
5
7
6
20
7
18
8
15
9
16
Disposition of Voice Parts
1-part single page
18
10-part opening
1
19-part opening
1
2-part consecutive
1
2-part opening
21
2-part single page
13
3-part consecutive
6
3-part opening
39
3-part single page
17
4-part consecutive
5
4-part opening
49
4-part single page
17
5-part consecutive
2
5-part opening
19
5-part single page
2
6-part consecutive
1
6-part opening
8
7-part consecutive
1
8-part consecutive
1
8-part opening
3
9-part consecutive
1
9-part opening
1
n/a
2
Indentation for Initials
all staves indented
1
double
6
none
35
quintuple
1
single
37
triple
1
varies
3
Extra Space Between Voice Parts
empty ruled staves on grid
49
left below voice parts as part of grid
2
left between voice parts as part of grid
4
none
11
staves not ruled on grid
4
variable space, not on grid
4
Space Provided for Separate Text
no separate text
38
not in dedicated space
19
provided, in dedicated space
14
Adhoc Adaptation
Indentation for initials filled in
8
made for complete additional staves
25
none
2
notation and staves extended into margin
42
notation extended into margin
27
other
5
partial additional staves
26
staveline added
10
staves extended into margin
2
Copying of Music
Colour of Notation
black
21
brown
55
dark brown
3
light brown
2
red
2
reddish brown
1
Type of Notation
German hufnagel
1
chant (Central European)
1
chant (Gothic)
1
chant (square)
3
full mensural
4
void mensural
64
Monophonic Notation
absent
54
present
16
Level of Calligraphy
fair
38
high
21
poor
13
very high
2
Non-verbal Performance Instructions
coronae
6
cue notes
2
end symbol
9
none
3
numbers to indicate note lengths
1
pointers
5
repeat signs
15
signa congruentiae
22
signes-de-renvoi
30
space-filler
3
Copying of Text
Language
Czech
3
Dutch
5
Flemish
1
French
26
German
7
Italian
10
Latin
59
Spanish
7
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
14
fully texted with one text
56
fully texted with two texts
3
partially texted with one or two texts
7
partially texted with one text
22
partially texted with two texts
2
provided with multiple incipits
1
provided with one or two incipits
13
provided with single incipit
29
provided with two incipits
4
untexted
32
varies
2
Type of Script
cursive
23
cursive (Anglicana)
1
cursive (German)
8
cursive (bastarda)
13
cursive (humanistic)
7
cursive (italic)
3
display script
6
humanistic
1
hybrida
5
roman
1
rotonda
1
textura
11
various
2
Level of Calligraphy
fair
38
high
23
poor
15
very high
1
Colour of Text
black
16
blue
3
brown
66
dark brown
3
light brown
1
red
11
reddish brown
1
yellow
1
Multiple Texts
no
47
yes
28
Decoration
Miniatures Frequency
never
6
rarely
4
Borders Frequency
always
2
never
4
rarely
6
Borders Size
full borders
2
partial borders: one- and two-sided
2
partial borders: one-sided
1
partial borders: three-sided
1
partial borders: two- and three-sided
1
partial borders: two-sided
3
Painted Initials Frequency
always
3
never
2
normally
3
occasionally
1
often
1
rarely
4
sometimes
2
Painted Initials Type
calligraphic with decoration
1
decorated
9
decorated with grotesque heads
2
flourished
1
historiated
2
plain initials
1
zoomorphic initial
4
Penned Initials Frequency
always
5
never
1
normally
17
occasionally
10
often
7
rarely
14
sometimes
11
Penned Initials Type
calligraphic
33
calligraphic with decoration
15
calligraphic with grotesque heads
16
decorated
2
decorated with grotesque heads
3
flourished
15
historiated
1
littera notabilior
4
plain initials
14
zoomorphic initial
1
Planned Initials Frequency
always
5
normally
10
occasionally
5
often
9
rarely
6
sometimes
4
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
2
never
1
normally
4
occasionally
8
often
9
rarely
5
sometimes
8
Other Decoration Type
Voice-names
1
banner
1
decorated letters
7
decorative final long
11
embellished final barline
5
end-symbol
5
littera notabilior
6
ornament
1
signes-de-renvoi
1
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Colour of text: brown
Physical format: upright
Search results
2
Barcelona, Spain, Biblioteca de Catalunya, M. 681 (=PedC 386), c. 1525-1550, All folios
Tarazona, Spain, Archivo Capitular de la Catedral, MS 5, 16th century, All folios
1