PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
1
Spain
1
Cities
Casale Monferrato
1
Catalonia
1
England
1
Segovia
1
Toledo
1
Production method
Manuscript
4
Physical type
choirbook
4
Material
paper
3
parchment and paper (mixed)
1
Format
upright
4
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
none visible
2
normally
2
Height of Staves
Colour of Staves
brown
3
dark brown
1
Ruling Medium
double and single rastra
1
freehand
1
single rastrum
3
straightedge
1
Number of staves
10
3
11
4
6
1
7
1
8
2
9
4
Disposition of Voice Parts
1-part single page
2
2-part opening
2
2-part single page
3
3-part consecutive
1
3-part opening
4
3-part score
1
3-part single page
3
4-part opening
4
4-part single page
2
5-part opening
4
5-part single page
1
6-part opening
2
8-part opening
1
Indentation for Initials
double
1
none
1
single
3
Extra Space Between Voice Parts
empty ruled staves on grid
4
left below voice parts as part of grid
1
none
1
Space Provided for Separate Text
no separate text
1
not in dedicated space
4
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
4
notation and staves extended into margin
4
notation extended into margin
3
other
1
partial additional staves
4
staveline added
3
staves extended into margin
1
Copying of Music
Colour of Notation
black
1
brown
2
dark brown
2
red
1
Type of Notation
chant (square)
3
full mensural
2
strene notation
1
void mensural
4
Monophonic Notation
absent
1
present
4
Level of Calligraphy
fair
3
high
1
Non-verbal Performance Instructions
coronae
2
end symbol
3
pointers
2
repeat signs
3
signa congruentiae
3
signes-de-renvoi
3
space-filler
2
Copying of Text
Language
English
1
Flemish
1
French
1
Latin
4
Spanish
2
Presence or Absence of Text
fully texted with one or two texts
3
fully texted with one text
4
fully texted with two or more texts
1
fully texted with two texts
1
partially texted with one text
3
provided with one or two incipits
1
provided with single incipit
3
untexted
4
Type of Script
cursive
2
cursive (Anglicana)
1
hybrida
1
textura
1
various
1
Level of Calligraphy
fair
4
poor
1
Colour of Text
black
1
brown
3
dark brown
2
red
1
Multiple Texts
no
2
yes
4
Decoration
Miniatures Frequency
never
3
Borders Frequency
never
3
Borders Size
Painted Initials Frequency
sometimes
1
Painted Initials Type
flourished
1
plain initials
1
Penned Initials Frequency
occasionally
2
rarely
3
sometimes
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
2
calligraphic with grotesque heads
1
decorated
1
flourished
1
plain initials
4
Planned Initials Frequency
always
1
normally
2
often
1
rarely
1
Planned Initials Type
Other Decoration Frequency
never
1
often
1
rarely
2
sometimes
1
Other Decoration Type
decorative final long
3
end-symbol
2
littera notabilior
1
Filters applied
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Adhoc adaptation: partial additional staves
Level of calligraphy text: fair
Penned initials type: plain initials
Physical format: upright
Presence absence of text: untexted
Separate text: not in dedicated space
Search results
1
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
1