PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
8
Belgium
24
Czech Republic
1
France
3
Germany
23
Great Britain
7
Italy
38
Spain
3
Switzerland
1
Cities
Antwerp
1
Arundel
2
Augsburg
4
Austria
1
Bologna
5
Bruges
1
Brussels
16
Burgundy
1
Cambrai
1
Catalonia
1
England
2
Eton
1
Ferrara
6
Florence
7
France
1
Germany (South)
6
Girona
1
Glarus, Switzerland
1
Halberstadt
1
Italy
1
Italy (North)
3
Leipzig
1
London
2
Lyons
1
Mantua
2
Mechelen
21
Milan
2
Munich
12
Munich, Germany
1
Naples
4
Netherlands
1
Padua
2
Paris
1
Portugal
1
Prague
1
Rome
6
Savoy, France
1
Siena
2
St Gall
1
Stirling
1
Torgau
1
Venice
4
Verona
2
Vic
1
Vienna
8
Windsor
1
Wittenberg
4
Zaragoza
1
Production method
Manuscript
107
Printed work
7
Physical type
choirbook
114
Material
paper
63
paper (with parchment)
6
parchment
40
parchment (with paper)
3
parchment and paper (mixed)
2
Format
oblong
12
upright
102
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
34
n/a
7
never
14
none visible
31
normally
10
occasionally
3
often
7
rarely
1
sometimes
10
Height of Staves
Colour of Staves
black
76
brown
28
dark brown
5
gold
1
light brown
3
red
4
reddish brown
2
Ruling Medium
double and single rastra
1
double rastrum
10
freehand
1
quadruple rastrum
1
single rastrum
87
straightedge
11
triple rastrum
3
Number of staves
1
3
10
58
11
32
12
24
13
11
14
6
15
5
16
2
17
2
2
16
3
17
4
28
5
38
6
47
7
43
8
53
9
52
Disposition of Voice Parts
1-part single page
14
10-part opening
1
12-part opening
1
19-part opening
1
2-part consecutive
2
2-part opening
40
2-part single page
16
3-part consecutive
6
3-part opening
67
3-part score
2
3-part single page
15
4-part consecutive
3
4-part opening
103
4-part single page
21
5-part consecutive
5
5-part opening
59
5-part single page
5
6-part consecutive
1
6-part opening
27
7-part consecutive
1
7-part opening
2
8-part consecutive
1
8-part opening
4
9-part consecutive
1
9-part opening
1
n/a
4
Indentation for Initials
all staves indented
1
double
51
none
42
quadruple
4
single
82
triple
22
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
81
left below voice parts as part of grid
2
left between voice parts as part of grid
4
none
8
staves not ruled
4
staves not ruled on grid
37
variable space, not on grid
27
Space Provided for Separate Text
no separate text
86
not in dedicated space
18
provided, in dedicated space
17
Adhoc Adaptation
Indentation for initials filled in
7
made for complete additional staves
28
notation and staves extended into margin
66
notation extended into margin
37
other
3
partial additional staves
37
staveline added
13
staves extended into margin
8
Copying of Music
Colour of Notation
black
114
blue
1
brown
11
dark brown
4
gold
2
red
11
reddish brown
1
Type of Notation
German hufnagel
2
chant (square)
6
full mensural
9
strene notation
1
void mensural
109
Monophonic Notation
absent
89
present
29
Level of Calligraphy
fair
39
high
46
n/a
7
poor
3
very high
24
Non-verbal Performance Instructions
coronae
14
custodes
2
end symbol
17
none
2
numbers to indicate note lengths
1
pointers
5
repeat signs
16
signa congruentiae
47
signes-de-renvoi
61
space-filler
3
Copying of Text
Language
Czech
1
Dutch
4
English
2
Flemish
5
French
26
German
5
Italian
14
Latin
104
Spanish
4
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
9
fully texted with one text
102
fully texted with two or more texts
20
fully texted with two texts
5
partially texted with one or two texts
3
partially texted with one text
11
provided with multiple incipits
2
provided with one or two incipits
10
provided with single incipit
29
provided with two incipits
1
untexted
26
varies
1
Type of Script
Italic
1
antiqua
5
cursive
11
cursive (Anglicana)
5
cursive (German)
4
cursive (Italianate)
1
cursive (bastarda)
33
cursive (humanistic)
10
cursive (italic)
4
display script
39
humanistic
2
hybrida
2
roman
2
rotonda
4
textura
37
Level of Calligraphy
fair
41
high
42
n/a
7
poor
5
very high
27
Colour of Text
black
101
blue
5
brown
18
dark brown
5
dark red
1
green
1
grey
1
red
58
reddish brown
1
yellow
1
Multiple Texts
no
70
yes
50
Decoration
Miniatures Frequency
always
1
never
7
none visible
1
normally
1
often
1
rarely
33
Borders Frequency
never
8
occasionally
4
often
1
rarely
30
Borders Size
full and partial borders
2
full borders
7
partial borders: one- and two-sided
4
partial borders: one-sided
11
partial borders: three-sided
1
partial borders: two- and three-sided
1
partial borders: two-sided
9
Painted Initials Frequency
always
2
never
6
normally
5
occasionally
4
often
7
rarely
27
sometimes
2
Painted Initials Type
calligraphic
1
calligraphic with decoration
2
decorated
18
decorated with grotesque heads
8
flourished
8
historiated
5
plain initials
3
trompe l'oeil
1
zoomorphic initial
4
Penned Initials Frequency
always
11
never
2
normally
46
occasionally
14
often
7
rarely
21
sometimes
12
Penned Initials Type
calligraphic
58
calligraphic with decoration
16
calligraphic with grotesque heads
17
decorated
5
decorated with grotesque heads
5
flourished
25
littera notabilior
2
plain initials
16
Planned Initials Frequency
always
4
never
13
normally
7
occasionally
7
often
10
rarely
18
sometimes
5
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
2
never
17
normally
11
occasionally
8
often
9
rarely
8
sometimes
10
Other Decoration Type
Voice-names
3
banner
6
decorated letters
1
decorative final long
17
embellished final barline
2
end-symbol
6
littera notabilior
9
ornament
2
signa congruentiae
1
signes-de-renvoi
2
vignette
1
Filters applied
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Adhoc adaptation: made for complete additional staves
Colour of notation: dark brown
Colour of staves: brown
Disposition of voice part: 3-part consecutive
Non verbal performance instructions: end symbol
Number of staves: 11
Search results
1
Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 215-216, between 1503-18, perhaps 1516, All folios
1