PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
2
Cities
Florence
1
Naples
1
Rome
1
Production method
Manuscript
3
Physical type
choirbook
2
composite manuscript with interpolated polyphony
1
Material
paper
1
parchment
1
parchment and paper (mixed)
1
Format
upright
3
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
1
sometimes
1
Height of Staves
Colour of Staves
brown
2
dark brown
1
Ruling Medium
quadruple rastrum
1
single rastrum
2
triple rastrum
1
Number of staves
6
1
7
3
8
1
9
1
Disposition of Voice Parts
2-part opening
1
2-part single page
3
3-part opening
3
3-part single page
1
4-part opening
3
4-part single page
2
Indentation for Initials
none
1
single
3
Extra Space Between Voice Parts
empty ruled staves on grid
3
Space Provided for Separate Text
no separate text
1
not in dedicated space
3
Adhoc Adaptation
made for complete additional staves
2
notation and staves extended into margin
2
notation extended into margin
2
partial additional staves
1
staveline added
1
staves extended into margin
3
Copying of Music
Colour of Notation
black
3
brown
1
red
1
Type of Notation
void mensural
3
Monophonic Notation
absent
3
present
1
Level of Calligraphy
fair
3
Non-verbal Performance Instructions
end symbol
2
pointers
1
repeat signs
2
signa congruentiae
2
signes-de-renvoi
3
Copying of Text
Language
Dutch
1
French
3
German
1
Italian
3
Latin
2
Spanish
2
Presence or Absence of Text
fully texted with one or two texts
3
fully texted with one text
2
partially texted with one or two texts
2
partially texted with one text
3
provided with one or two incipits
1
provided with single incipit
3
provided with two incipits
1
untexted
3
Type of Script
cursive (humanistic)
1
display script
1
hybrida
1
textura
1
Level of Calligraphy
fair
3
high
1
Colour of Text
black
3
brown
1
dark brown
1
red
2
yellow
1
Multiple Texts
no
2
yes
3
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
normally
1
often
1
rarely
1
sometimes
1
Penned Initials Type
calligraphic
2
calligraphic with decoration
1
calligraphic with grotesque heads
1
littera notabilior
1
Planned Initials Frequency
normally
1
occasionally
1
often
1
rarely
1
sometimes
1
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
often
1
rarely
1
Other Decoration Type
decorative final long
2
Filters applied
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Extra space: left between voice parts as part of grid
Adhoc adaptation: notation and staves extended into margin
Number of staves: 6
Monophonic notation: absent
Presence absence of text: provided with single incipit
Ruling medium: straightedge
Search results
1
Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni, Lyons, France, 1528, , August 1528, 90
1