Bibliography

• Aber, Adolf, Die Pflege der Musik unter den Wettinern und wettinischen Ernestinern (Bückeburg and Leipzig, 1921)

• Adams, Courtney S., ‘The Three-Part Chanson during the Sixteenth Century: Changes in Its Style and Importance’ (Ph.D. dissertation, University of Pennsylvania 1974)

• Adler, Guido, et. al, (eds.), Denkmäler der Tonkunst in Österreich (Graz and Vienna, 1894–1970)

• Agee, Richard J., ‘Filippo Strozzi and the Early Madrigal’, Journal of the American Musicological Society, 38 (1985), 227-37

• Alden, Jane, Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers (New York, 2010)

• Allaire, Gaston, and Isabelle Cazeaux (eds.), Claudin de Sermisy: Opera omnia, CMM 52 (Neuhausen nr. Stuttgart, 1970)

• Andrés Escapa, Pablo, ‘Ex Biblioteca Gondomariensi: Vaivenes del Cancionero Musical de Palacio’, Avisos, 69 (2012), 5–8

• Anglès, Higinio, 'El 'Chansonnier Français' de la Colombina de Sevilla', Estudis Universitaris Catalans, 14 (1929), 227–58

• Anglès, Higinio, La Música a Catalunya fins al segle XIII (Barcelona, 1936)

• Anglès, Higinio, 'Un manuscrit inconnu avec polyphonie du Xve siècle conservé à la cathédrale de Ségovie (Espagne)', Acta Musicologica, 8 (1936), 6–17

• Anglès, Higinio, 'La Música Espanola desde la Edad Media hasta Nuestros Dias', Catálogo de la Exposición Histórica (Barcelona, 1941)

• Anglès, Higinio, 'La música conservada en la Biblioteca Colombina y en la Catedral de Sevilla', Anuário Musical, 2 (1947), 3–39

• Atkinson, Charles M (ed.), Recent Research in the Music of the Middle Ages and Early Renaissance (Madison, Wisconsin: A-R Editions, 1975–)

• Atlas, Allan W., ‘Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460–c. 1530’ (Ph.D. dissertation, New York University, 1971)

• Atlas, Allan W., The Capella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G. XIII. 27), Musicological Studies, 27 (Brooklyn, NY, 1975–6)

• Atlas, Allan W., ‘On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20)’, Musica disciplina, 31 (1977), 45–105

• Atlas, Allan W., ‘Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c.1465–c.1505’, in Fenlon 1981, 249–93

• Atlas, Allan W. (ed.), Robert Morton: The Collected Works, Masters and Monuments of the Renaissance, 2 (New York, 1981)

• Atlas, Allan W., 'Review of Perkins, Leeman L. and Garey, Howard (eds.): The Mellon Chansonnier (New Haven and London, 1979)', Journal of the American Musicological Society, 34 (1981), 132–43

• Auda, Antoine, ‘La transcription en notation moderne du “Liber missarum” de Pierre de la Rue’, Scriptorium, 1 (1946–7), 119–28

• Backhouse, Janet, 'A Salute to the Tudor Rose', Miscellanea Martin Wittek: Album de codicologie et de paléographie offert à Martin Wittek, eds. Anny Raman and Eugène Manning (Louvain, 1993), 1–13

• Backhouse, Janet, The Illuminated Page: Ten Centuries of Manuscript Painting in the British Library (Toronto, 1997)

• Baillie, Hugh, 'Nicholas Ludford (c. 1485–c. 1557)', Musical Quarterly, 44 (1958), 196–208

• Baillie, Hugh, 'Squares', Acta Musicologica, 32 (1960), 178–93

• Baillie, Hugh, and Philippe Oboussier, ‘The York Masses’, Music and Letters, 35 (1954), 19–30

• Baker, Norma Klein, ‘An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History’ (Ph.D. dissertation, University of Maryland, 1978)

• Banks, Jon, The Instrumental Consort Repertory of the Late Fifteenth Century (Aldershot, 2006)

• Barbieri, Francisco Asenjo (ed.), Cancionero Musical de los Siglos XV y XVI (Madrid, 1890)

• Barret, Charles E., ‘A Critical Edition of the Dijon Chansonnier: Dijon, Bibliothèque d la ville, MS 517’ (Ph.D. dissertation, Vanderbilt University, 1981)

• Bartoli, Adolfo, Il codici Panciatichiani della Biblioteca Nazionale di Firenze (Rome, 1887)

• Bartoš, František Michálek, Soupis rukopisů Národního Musea v Praze, 2 vols. (Prague, 1926–7)

• Baumann, Dorothea, 'Silben- und Wortwiederholungen im italienischen Liedrepertoire des späten Trecento und frühen Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 198, Göttinger Musikwissenschaftliche Arbeiten 10, eds. Ursula Günther and Ludwig Finscher (Kassel, 1984), 77–91

• Bayot, Alphonse, Les manuscrits de provenance savoisienne dans la Bibliothèque de Bourgogne, Mémoires et documents publiés par la Société savoisienne d'histoire et d'archéologie, 47 (1909), [337ff.]

• Beauvois, M. E., Un agent politique de Charles-Quint: Le Bourguignon Claude Bouton, seigneur de Corberon (Paris, 1882)

• Becherini, Bianca, 'Due canzoni di Dufay del Codice Fiorentino 2794', La Bibliofilia, 43 (1941), 124–35

• Becherini, Bianca, 'Alcuni canti dell'Odhecaton e del codice fiorentino 2794', Bulletin de l'Institut historique belge de Rome, 21 (1942–3), 327–48

• Becherini, Bianca, 'Tre incatenature del codice fiorentino Magi. XIX. 164-65-66-67', Collectanea Historiae Musicae I, Biblioteca Historiae Cultores, 2 (Florence, 1953), 79–96

• Becherini, Bianca, Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze (Kassel, 1959)

• Becherini, Bianca, 'I Manoscritti e le stampe rare della Biblioteca del Conservatorio 'L. Cherubini' di Firenze', La Bibliofilia, 66 (1964), 255–99
• Benham, Hugh, Latin Church Music in England c. 1460–1575 (London, 1977)
• Bent, Margaret, 'New and Little-Known Fragments of English Medieval Polyphony', Journal of the American Musicological Society, 21 (1968), 137–56
• Bent, Margaret, ‘Indexes in Late Medieval Polyphonic Music Manuscripts: A Brief Tour’, in Marrow/Linenthal/Noel 2010, 196–207
• Bent/Bent/Trowell 1970: Bent, Margaret, Ian Bent, and Brian Trowell (eds.), John Dunstable complete works, Musica Britannica, 8 (London, 1970) [2nd revised edn].
• Bente, Martin, Neue Wege der Quellenkritik und die Biographie Ludwig Senfls (Wiesbaden, 1968)
• Bent, Margaret, and Anne Hallmark (eds.), The Works of Johannes Ciconia, Polyphonic Music of the Fourteenth Century, 24 (Monaco, 1984)

• Bergsagel, John D., 'An Introduction to Ludford (c. 1485–c. 1557)', Musica Disciplina 14, (1960), 105–30

• Bergsagel, John D., 'On the Performance of Ludford's Alternatim Masses', Musica Disciplina, 16 (1962), 35–55

• Bergsagel 1963–77 Bergsagel, John D. (ed.), Nicholas Ludford (ca. 1485–1557): Collected Works, 2 vols., CMM, 27 (American Institute of Musicology, 1963–77)
• Bernstein, Jane Agar, ‘The Chanson in England 1530–1640: A Study of Sources and Styles’ (Ph.D. dissertation, University of California at Berkeley, 1974)
• Bernstein, Lawrence, F., ‘Cantus Firmus in the French Chanson for Two and Three Voices, 1500–1550’ (Ph.D. dissertation, New York University, 1969)
• Bernstein, Lawrence F., 'La Courone et fleur des chansons a troys: A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano', Journal of the American Musicological Society, 26 (1973), 1–68
• Bernstein, Lawrence F., 'French Duos in the First Half of the Sixteenth Century', Studies in Musicology in Honor of Otto E. Albrecht, ed. John Walter Hill (Kassel, Basel and London, 1980), 43–87
• Bernstein, Lawrence F., 'Notes on the Origin of the Parisian Chanson', The Journal of Musicology, 1 (1982), 275–326
• Bernstein, Lawrence F., 'A Florentine Chansonnier of the Early Sixteenth Century: Florence, Biblioteca Nazionale Centrale, MS Magliabechi XIX 117', Early Music History, 6 (1986), 1–107
• Besseler, Heinrich, 'Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, 7 (1925), 167–252
• Bezzel, Irmgard, Bayerische Staatsbibliothek München Bibliotheksführer: Geschichte und Bestände (Munich, 1967)
• Biblioteca Apostolica Vaticana. Liturgie und Andacht im Mittelalter, exh. cat., 9 October to 10 January 1993, Erzbischöfliches Diözesanmuseum, Cologne (Stuttgart, 1993)
• Biggie, Lloyd, Jr., ‘The Masses of Antoine Brumel’ (Ph.D. dissertation, University of Michigan, 1953)
• Birmingham, Hugh Myers, Jr., ‘A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance’ (Master's dissertation, North Texas State College, 1959)

• Blackburn, Bonnie J., ‘A Lost Guide to Tinctoris's Teachings Recovered’, Early Music History, 1 (1981), 29–116

• Blackburn, Bonnie J., 'Two 'Carnival Songs' Unmasked: A Commentary on MS Florence Magi. XIX. 121', Musica Disciplina, 35 (1981), 121–78

• Blackburn, Bonnie J., ‘For whom do the singers sing?’, Early Music, 25 (1997), 593–610
• Blackburn, Bonnie J., ‘The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV’, Journal of the Royal Musical Association, 124 (1999), 157–95
• Blackburn, Bonnie J., ‘Messages in Miniatures: Pictorial Programme and Theological Implications in the Alamire Choirbooks’, in Bouckaert et al. 2003, 161–84
• Blackburn, Bonnie J., ‘The Eloquence of Silence: Tacet Inscriptions in the Alamire Manuscripts’, Citation and Authority in Medieval and Renaissance Music Culture: Learning from the Learned (eds.) Suzannah Clark and Elizabeth Eva Leach (Woodbridge, 2005), 206–24
• Blume, Friedrich (ed.), Das Chorwerk (Berlin and Wolfenbüttel, 1929–)
• Boom, Ghislaine de, Marguerite d’Autriche-Savoie et la Pre-Renaissance (Paris and Brussels, 1935)
• Boorman, Stanley, 'Limitations and Extensions of Filiation Technique', Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, ed. Iain Fenlon (Cambridge, 1981), 319–46
• Boorman, Stanley, 'Notational Spelling and Scribal Habit', Datierung und Filiation von Musikhandschriften der Josquin-Zeit, ed. Ludwig Finscher, Wolfenbütteler Forschungen, 26 (Wiesbaden, 1983), 65–109
• Boorman, Stanley, 'Early Music Printing: an Indirect Contact with the Raphael Circle', Renaissance Studies in Honor of Craig Hugh Smyth, 2 vols., ed. Andrew Morrogh, vol. 1 (Florence, 1985), 533–53
• Boorman, Stanley, 'The 500th Anniversary of the First Music Printing: a History of Patronage and Taste in the Early Years', Muzikološki Zbornik, 37 (2001), 33–49
• Boorman, Stanley, ‘The Purpose of the Gift: For Display or for Performance?’, in Bouckaert et al. 2003 107–15
• Bouckaert, Bruno, Eugeen Schreurs, Ivan Asselman and Patrick Lenaers (eds.), The Burgundian-Habsburg Court Complex of Music Manuscripts (1500–1535) and the Workshop of Petrus Alamire, Colloquium Proceedings, Leuven, 25–28 November 1999, Yearbook of the Alamire Foundation, 5 (Leuven and Neerpelt, 2003)
• Bousmanne, Bernard, Hanno Wijsman and Sandrine Thieffry (eds.), Philippe Le Beau (1478–1506): Les trésors du dernier duc de Bourgogne, exh. cat., Bibliothèque Royale, 3 November 2006–27 January 2007 (Brussels, 2006)
• Roger Bowers, ‘Early Tudor courtly song: an evaluation of the Fayrfax book (BL, Additional MS 5465)’, The reign of Henry VII, ed. Benjamin Thompson (Stamford, 1995), 188–212
• Bragard, Anne-Marie, 'Un manuscrit florentin du quattrocento: le Magi. XIX, 59 (B.R. 229)', Revue de Musicologie, 52 (1966), 56–72
• Braithwaite, James Roland, ‘The Introduction of Franco-Netherlandish Manuscripts to Early Tudor England: The Motet Repertory’ (Ph.D. dissertation, Boston University, 1967)
• "Breviario Grimani, vol. 1: Facsimili delle miniature
• Brewer, Charles Everett, ‘The Introduction of the Ars Nova into East Central Europe: A Study of Late Medieval Polish Sources’ (Ph.D. dissertation, City University of New York, 1984)

• Bridgman, Nanie, 'Un Manuscrit Italien du Début du XVIe Siècle à la Bibliothèque Nationale (Département de la musique, Rés. Vm.' 676)', Annales Musicologiques, 1 (1953), 177–267; 4 (1956), 259–60

• Bridgman, Nanie, 'Manuscrits Clandestins: A propos du Ms. Rés. 862 de la Bibliothèque nationale de Paris, fonds du Conservatoire', Revue de Musicologie, 53 (1967), 21–7
• Bridgman, Nanie, 'La vie de cour au Quattrocento à Ferrare et à Mantoue à Travers la Musique: essai de localisation du Ms. Rés. Vm7 676 de la Bibliotheque nationale de Paris', Quadrivium, 15 (1974), 137–45
• Bridgman, Nanie, 'Paroles et Musique dans le Manuscrit Latin 16664 de la Bibliothèque Nationale de Paris', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, eds. Ursula Günther and Ludwig Finscher, Göttinger Musikwissenschaftliche Arbeiten 10, (Kassel, 1984), 383–409
• Brooks, Catherine V., ‘Antoine Busnois as a Composer of Chansons’ (Ph.D. dissertation, New York University, 1951)
• Brown, Howard Mayer, 'The Genesis of a Style: The Parisian Chanson, 1500–1530', Chanson & Madrigal 1480-1530: Studies in Comparison and Contrast. A Conference at Isham Memorial Library, Septmeber 13–14, 1961, ed. James Haar (Cambridge, Mass., 1964), 1–50, 141–72

• Brown, Howard Mayer, ‘Chansons for the Pleasure of a Florentine Patrician: Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442’, in Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese (New York, 1966), 56–66

• Brown, Howard Mayer, ‘The Music of the Strozzi Chansonnier (Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442’, Acta Musicologica, 40 (1968), 115–29

• Brown, Howard Mayer, 'Words and Music in Early l6th-Century Chansons: Text Underlay in Florence, Biblioteca del Conservatorio, Ms Basevi 2442', in Finscher 1981, 7–141

• Brown, Howard Mayer (ed.), A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229, 2 vols., Monuments of Renaissance Music, 7 (Chicago and London, 1983)

• Brown, Howard Mayer, ‘In Alamire’s Workshop: Notes on Scribal Practice in the Early Sixteenth Century’, in Finscher 1983, 15–63

• Brown, Howard Mayer (ed.), Florence MS Magl. IXI. 164-167, Facsimile reproduction, with introduction, Renaissance Music in Facsimile, 5 (New York and London, 1987)
• Brown, Howard Mayer (ed.), Cambridge, Magdalene College, Pepys MS 1760 (London, 1988)
• Bruchet, Max, and E. Lancien (eds.), L’itinéraire de Marguerite d’Autriche, gouvernante des Pays-Bas (Lille, 1934)

• Büchi, Albert, ‘Eine Motette des Berner Kantors Bartholomäus Frank 1494-95’, Zeitschrift für Schweizerische Kirchengeschichte, 8 (1914), 241-51

• Bukofzer, Manfred F., Studies in Medieval and Renaissance Music (New York, 1950)
• "Bukofzer, Manfred, Margaret Bent, Ian Bent, and Brian Trowells (eds.), John Dunstable Complete Works, Musica Britannica, 8 (London, 1953
• Burger, Combertus Pieter, Jr., 'Lofzangen en prententer verheerlijking van Keizer Maximiliaan', Het Boek, 17 (1928), 23–47
• Calahorra, Pedro, ‘Los fondos musicales en el siglo XVI de la Catedral de Tarazona’, Anuario musical, 26 (1961), 149–76
• Cammaert, Gustave, ‘Margareta van Oostenrijk en de muziek’, Handelingen van de Koninklijke Kring voor Oudheidkunde, Letteren en Kunst van Mechelen, 61 (1957), 39–46
• Campagnolo, Stefano, 'Il codice Panciatichi 26 della Biblioteca Nazionale di Firenze nella tradizione delle opere di Francesco Landini', Col dolce suon che da te piove: Studi su Francesco Landini e la musica del suo tempo: In memoria di Nino Pirrotta, ed. Antonio Delfino (Florence, 1999), 77–119
• Carley, James P. (ed.), The Libraries of King Henry VIII, Corpus of British Medieval Library Catalogues, 7 (London, 2000)
• Carley, James P., The Books of King Henry VIII and His Wives (London, 2004)
• Cattin, Giulio, 'II Presbyter Johannes de Quadris', Quadrivium, 10 (1969), 5–47

• Cattin, Giulio, ‘Tradizione e Tendenze Innovatrici nella Normativa e nella Pratica Liturgico-Musicale della Congregazione di S. Giustina’, Benedictina, 17 (1970), 254–99

• Cattin, Giulio, 'Le Poesie del Savonarola nelle Fonti Musicali', Quadrivium, 12 (1971), 259–81
• Cattin, Giulio (ed.), Johannis de Quadris: Opera, Antiquat Musicae Italicae, Monumenta Veneta Sacra, 2 (Bologna, 1972)
• Cattin, Giulio, 'Un Processionale Fiorentino per la Settimana Santa: Studio Liturgico-Musicale sul Ms. 21 dell'Opera di S. Maria del Fiore', Quadrivium 15/2 (1974), 53–204 [with 11-page unpaginated musical supplement]
• Cattin, Giulio (ed.), Italian Laude & Latin Unica in MS Capetown, Grey 3. b. 12, CCM, 76 (American Institute of Musicology, 1977)

• Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550, eds Charles Hamm and Herbert Kellman, 5 vols, Renaissance Manuscript Studies 1 (Neuhausen/Stuttgart 1979-1988)

• Černý, Jaromír, ‘Soupis hudebních rukopsů Muzea v Hradci Králové’ (‘Inventory of Musical Manuscripts in the Museum at Hradec Králové’), Miscellanea musicologica, 19 (1966), 1–240
• Černý, Jaromír, ‘Die Ars Nova Musik in Böhmen’, Miscellanea musicologica, 21–3 (1970), 47–106
• Černý, Jaromír, ‘K nejstarším dějinám moteta v českých zemích’, Miscellanea musicologica, 24 (1971), 7–90
• Černý, Jaromír, ‘Die mehrtextige Motette des 14. und 15. Jahrhunderts in Böhmen’, in Pečman 1972, 71–88
• Černý, Jaromír, ‘Petrus Wilhelmi de Grudencz: Neznámy skladatel doby Dufayovy v českých pramenech’, Hudební věda, 12 (1975), 195–238
• Černý, Jaromír, ‘Stredověky vicehlas v Českých zemích’, Miscellanea musicologica, 27–8 (1975), 9–116
• Černý, Jaromír, ‘Vícehlasé pisně konduktového typu v českých pramenech 15. století’, Miscellanea musicologica, 31 (1984), 39–142
• Černý, Jaromír, Motetti medii aevi: Vicetextová moteta 14. a 15. století , Thesaurus musicae bohemicae (Prague, 1989)
• Černý, Jaromír, ‘Zur Frage der Entstehungs- und Verwandlungensprozesse der mehrstimmigen Repertoires in Böhmen’, Atti del XIV Congresso della Società Internazionale di Musicologia, Bologna 1987: Trasmissione e recenzione delle forme di cultura musicale:, 3 vols., ed. Angelo Pompilio et al. (Turin, 1990), i, 168–74
• Černý, Jaromír (ed.), Petrus Wilhelmi de Grudencz: Magister Cracoviensis, Opera musica (Cracow, 1993)
• Černý, Jaromír, and Jaroslav Mikan, Pearls of Old Parchments: Musical Manuscripts of East Bohemia (Klenoty starých pergamena: Hudební rudebni rukopisy východních Čech) (Hradec Králové, 1967)
• Chaillon, Paul, 'Le Chansonnier de Françoise (Ms. Harley 5242, Br. Mus.)', Revue de Musicologie, 35 (1953), 1–31
• Chapman, Catherine Weeks, 'Andrea Antico' (Ph.D. Dissertation, Harvard University, 1964)

• Chappell, William, 'Some account of an Unpublished Collection of Songs and Ballads by King Henry VIII and his Contemporaries', Archaeologia: Or, Miscellaneous Tracts Relating to Antiquities, 41 (1867), 371–86

• Charles, Sydney R., 'Hillary-Hyllayre: How Many Composers?', Music and Letters, 55 (1974), 61–9
• Chase, Robert, Dies Irae: A Guide to Requiem Music (Lanham, 2003)

• Chew, Geoffrey, ‘The Provenance and Date of the Caius and Lambeth Choir-Books’, Music and Letters, 51 (1970), 107–17

• Christoffersen, Peter Woetmann, French Music in the Early Sixteenth Century: Catalogue (Copenhagen 1994)

• Clercx, Suzanne, Johannes Ciconia, un musicien liégois et son temps, 2 vols., Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. 10, fasc. 1a/1b (Brussels, 1960)

• Clinkscale, Edward H., ‘The Complete Works of Antoine de Févin’ (Ph.D. dissertation, New York University, 1965)

• Clinkscale, Edward (ed.), Les oeuvres complètes d'Antoine de Févin, Collected Works, 9 (Henryville, Ottawa and Binningen, 1980–)
• Closson, Ernest, and Charles van den Borren, La musique en Belgique du moyen âge à nos jours (Brussels, 1950)

• Constant, John George, ‘Renaissance Manuscripts of Polyphony at the Cathedral of Padua’ (Ph.D. dissertation, University of Michigan, 1975)

• Couchman, Jonathan Paul, 'The Lorraine Chansonnier: Antoine de Lorraine and the Court of Louis XII', Musica Disciplina, 34 (1980), 85–157

• Coussemaker, E. de, Scriptorum de Musica Medii Aevi. (Paris, 1864-76) Hildesheim, 1963 (reprint)

• Cross, Ronald (ed.), Matthaeus Pipelare: Opera Omnia, CMM, 34 (American Institute of Musicology, 1966–)

• Cross, Ronald, ‘The Chansons of Matthaeus Pipelare’, Musical Quarterly, 55 (1969), 500–20
• Cummings, Anthony M., 'Medici Musical Patronage in the Early Sixteenth Century: New Perspectives', Studi Musicali, 10 (1981), 197–216

• Cummings, Anthony M., 'A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History', Acta Musicologica, 55 (1983), 267–332

• Cummings, Anthony M., 'Giulio de'Medici's Music Books', Early Music History, 10 (1991), 65–122
• ???
• Curtis, Gareth, and Andrew Wathey, ‘Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory’, RMA Research Chronicle, 27 (1994), 1–69
• Cusick, Suzanne G., Valerio Dorico: Music printer in sixteenth-century Rome, Studies in Musicology, 43 (Ann Arbor, 1981)
• Cuthbert, Michael Scott, Trecento fragments and Polyphony beyond the codex (Ph.D. dissertation, Harvard University, 2006)
• Cuyler, Louise, The Emperor Maximilian I and Music (London, 1973)
• D'Accone, Frank, 'Bernardo Pisano, an introduction to his life and works', Musica Disciplina, 17 (1963), 115–35
• D'Accone, Frank A., 'Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance', Analecta Musicologica, 4 (1967), 38–76
• D'Accone, Frank A (ed.), Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and three anonymous works, CMM, 32 (Neuhausen nr. Stuttgart, 1967)

• D'Accone, Frank A., ‘Some Neglected Composers in the Florentine Chapels, ca. 1475–1525’, Viator, 1 (1970), 263–88

• D'Accone, Frank, 'Transitional text forms and settings in an early 16th-century Florentine manuscript', Words and Music: The Scholar's View, A Medley of Problems and Solutions Compiled in Honor of A. Tillman Merritt By Sundry Hands, ed. Laurence Berman (Cambridge, Mass., 1972), 29–58

• D'Accone, Frank A. (ed.), Florence, Biblioteca Nazionale Centrale, MS Banco Rari 230 (olim Magi. XIX, 141), Renaissance Music in Facsimile, 4 (New York, 1986)

• Damilano, Don Piero, ‘Fonti musicali della lauda polifonica intorno alla metà del sec. XV’, Collectanea Historiae Musicae, 3 (1963), 59-89

• Davidson, Nigel St. John, J. Evan Kreider, and T. Herman Keahey (ed.), Pierre de la Rue, Opera Omnia, CMM 97 (Stuttgart, 1990–)
• Davis, Bertran Earl, The Works of Johannes Vincenet (Ph.D. dissertation, University of North Carolina, 1960)
• Davis, Dennis Michael, The Structure and Contents of Munich, Bayerische Staatsbibliothek Codex Lat. Mon. 5023 (Master's dissertation, University of Illinois at Urbana-Champaign, 1979)
• Dean, Jeffrey J., 'The Scribes of the Sistine Chapel, 1501–1527' (Ph.D. Dissertation, University of Chicago, 1984)
• Debae, Marguerite, La Librairie de Marguerite d’Autriche, exh. cat., 18 September to 5 December 1987, Bibliothèque Royale Albert Ier (Brussels, 1987)
• Debae, Marguerite, La Bibliothèque de Marguerite d’Autriche: Essai de reconstitution d’après l’inventaire de 1523–1524 (Louvain-Paris, 1995)
• de Elústiza, Juan B and Gonzalo Castrillo Hernandez, Antología Musical. Siglo de Oro de la Música Litúrgica en España. Polifonía Vocal de los siglos XV y XVI (Barcelona, 1933)
• Dekeyzer, Brigitte, ‘The Decoration of the Alamire Music Manuscripts: Function and Meaning’, in Bouckaert et al. 2003, 125–48
• Delisle, Léopold Victor, Bibliothèque Impériale: étude sur la formation de ce dépôt, comprenant les éléments d'une histoire de la calligraphie, de la miniature, de la reliure, et du commerce des livres à Paris avant l'invention de l'imprimerie, 3 vols. (Paris 1868–81)
• Delisle, Léopold, 'L'Inventaire des manuscrits latins de la Sorbonne, conservés à la Bibliothèque Impériale sous les n°s 15176-16718 du fonds latin', Bibliotheque de l'Ecole des Chartes, 31 (1870), 1–50, 135–61
• Delisle, Leopold, Bibliothèque Nationale. Manuscrits Latins et Français Ajoutés aux Fonds des Nouvelles Acquisitions pendant les Années 1875–1891 (Paris, 1891)
• Destrée, Jules, ‘Recherches sur les enlumineurs flamands’, Bulletin des Commissions royales d’art et d’archéologie, 37 (1898), 80–137
• Destrée, Joseph, Les Heures de Notre-Dame dites de Hennessy (Brussels, 1923)
• de Van, Guillaume and Heinrich Besseler (eds.), Guillaume Dufay: Opera Omnia, CMM, 1 (1948–66)
• Vegiano, M. de, Sr. d’Hovel and J. de Herckenrode, Nobiliaire des Pays-Bas et du Comté de Bourgogne, 2 vols. (Ghent, 1862–5)
• Diehl, George Karl, ‘The Partbooks of a Renaissance Merchant: Cambrai, Bibliothèque municipale, MSS 125–128’ (Ph.D. dissertation, University of Pennsylvania, 1974)
• Dixon, Helen M., ‘The Manuscript Vienna, National Library, 1783’, Musica Disciplina, 23 (1969), 105–16
• Dogaer, Georges, Flemish Miniature Painting in the 15th and 16th Centuries (Amsterdam, 1987)

• Dondi, Antonio, Notizie Storiche ed Artistieke del Duomo di Modena (Modena, 1896)

• Doran, Susan (ed.), Henry VIII: Man and Monarch (London, 2009)
• Douglas, Conrad, ‘The Motets of Johannes Prioris with a Prefatory Bio-bibliographical Study’ (Ph.D. dissertation, University of Illinois at Urbana-Champaign, 1969)
• Drake, George Warren James, ‘The First Printed Books of Motets: Petrucci's Motetti a numero trentatre A (Venice, 1502) and Motetti de passione, de cruce de sacramento, de beata virgine et huiusmodi B (Venice, 1503): A Critical Study and Complete Edition’ (Ph.D. dissertation, University of Illinois at Urbana-Champaign, 1972)
• ???
• Duffy, Kathryn Ann Pohlmann, ‘The Jena Choirbooks: Music and Liturgy at the Castle Church in Wittenberg under Frederick the Wise, Elector of Saxony’ (Ph.D. dissertation, University of Chicago, 1995)

• Dumitrescu, Theodor, 'Constructing a Canonic Pitch Spiral: The Case of Salve radix', Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History, eds. Katelijne Schiltz and Bonnie J. Blackburn (Leuven, 2007), 141–70

• Dumitrescu, Theodor, The Early Tudor Court and International Musical Relations (Aldershot, 2007)

• Dunning, Albert, Die Staatsmotette 1480–1555 (Utrecht, 1970)
• Edwards, Warwick, 'The Instrumental Music of Henry VIII’s Manuscript', The Consort, 34 (1978), 274–82
• Edwards, Warwick, ‘Text Underlay in Marguerite of Austria's Chanson Album Brussel 228’, Muziek aan het hof van Margaretha van Oostenrijk, Jaarboek van het Vlaamse centrum voor oude muziek, 3 (Peer, 1987), 33–47

• Ehmann, Wilhelm, Adam von Fulda als Vertreter der ersten deutschen Komponistengeneration (Berlin, 1936)

• Einstein, Alfred, 'A Supplement: An Old Music Print at the J. P. Morgan Library at New York', The Musical Quarterly, 25 (1939), 507–9
• Eitner, Robert,‘Ein Liederbuch des XV. Jahrhunderts: Kgl. Bibliothek in Berlin, Musikalische Abteilung, Ms. Z. 8037, quer 40’, Monatshefte für Musik-Geschichte, 6 (1874), 67–74
• Eitner, Robert, ‘Kgl. Bibliothek zu Brüssel’, Monatshefte für Musikgeschichte, 24 (1892), 31–3
• Elders, Willem (ed.), Gaspar van Weerbeke, Missa Princesse d'amourettes 4 vx, Exempla musica neerlandica, 7 (Amsterdam, 1974)
• Elders, Willem, ‘The Masses of Josquin in the Manuscripts of the Burgundian-Habsburg Court: A Preliminary Report’, in Bouckaert et al. 2003, 325–35
• Elders, Willem, et al., New Josquin Edition, 30 vols. (Utrecht, 1987–2007)

• Elliott, Kenneth, ‘The Carver Choir-Book’, Music and Letters, 41 (1960), 349-57

• Ewerhart, Rudolf, Die Handschrift 322/1994 der Stadtbibliothek Trier als musikalische Quelle, Kölner Beiträge zur Musikforschung, 7 (Regensburg,1955)

• Exposition de documents musicaux (manuscrits, imprimés, éstampes), exh. cat., 11-30 September 1955, Bibliothèque royale de Belgique (Brussels, 1955)
• Fábregas, Emilio Ros, ‘The Manuscript Barcelona, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition’, 2 vols. (Ph.D. dissertation, City University of New York, 1992)
• Fallows, David, 'The Fayrfax Manuscript', Musical Times, 117 (1976), 127–30
• Fallows, David, ‘Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century’ (Ph.D. dissertation, University of California at Berkeley, 1978)
• Fallows, David, 'Henry VIII as a Composer', Sundry Sorts of Music Books: Essays on the British Library Collections Presented to O.W. Neighbour on his 70th Birthday, eds. Chris Banks, Arthur Searle and Malcolm Turner (London, 1993), 27–39
• Fallows, David, Josquin (Turnhout, 2009)
• Fässler, Ewald, ‘Zur Lebensgeschichte des Nicolaus Leopold aus Innsbruck’, Festschrift Walter Senn zum 70. Geburtstag (Munich and Salzburg, 1975), 29–35
• Fehr, Bernhard, 'Die Lieder des Fairfax Ms. (Add. 5465 Brit. Mus.)', Archiv für das Studium der Neueren Sprachen und Litteraturen, 106 (1901), 48–70
• Feicht, Hieronim,‘Quellen zur mehrstimmigen Musik in Polen vom späten Mittelalter bis 1600’, Musica antiqua Europae orientalis, Bydgoszcz 1966: Acta scientifica congressus I (Warsaw, 1966), 281–93
• Feldmann, Fritz, ‘Zwei weltliche Stücke des Breslauer Codex Mf. 2016’, Zeitschrift für Musikwissenschaft, 13 (1930–1), 211–13
• Feldmann, Fritz, Der Codex Mf. 2016 des Musikalischen Instituts bei der Universität Breslau: Eine palaeographische und stilistische Beschreibung, 2 vols., Schriften des Musikalischen Instituts bei der Universität Breslau, 2 (Wrocław, 1932)

• Feldmann, Fritz, Musik und Musikpflege im mittelalterlichen Schlesien, Darstellungen und Quellen  zur schlesischen Geschichte, 37 (Wrocław, 1938; 2^nd, rev. edn Hildesheim, 1973)

• Feldmann, Fritz, ‘Alte und neue Probleme um Cod. 2016 des Musikalischen Instituts bei der Universität Breslau’, Festschrift Max Schneider zum achtzigsten Geburtstage, ed. W. Vetter (Leipzig, 1955), 49–66
• Feldmann, Fritz, Die schlesische Kirchenmusik im Wandel der Zeiten, Das ewangelische Schlesien, 6/2 (Lübeck, 1975)
• Fenlon, Iain (ed.), Music in Medieval and Early Modern Europe: Patronage, Sources and Texts (Cambridge, 1981)
• Fenlon, Iain (ed.), Cambridge Music Manuscripts 900-1700 (Cambridge, 1982)

• Fenlon, Iain, and James Haar, ‘A Source for the Early Madrigal’, Journal of the American Musicological Society, 33 (1980), 164–80

• Ferer, Mary Tiffany, ‘The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony’ (Ph.D. dissertation, University of Illinois at Urbana-Champaign, 1976)
• Feurich, Hans Jürgen,Die deutschen weltlichen Lieder der Glogauer Handschrift (ca 1470), Neue musikgeschichtliche Forschungen, 4 (Wiesbaden, 1970)
• Fiedler, Eric F., Die Messen des Gaspar van Weerbeke (ca. 1445–nach 1517), Frankfurter Beiträge zur Musikwissenschaft, 26 (Tutzing, 1997)
• Filocamo, Gioia, ‘Il repertorio profano con testo italiano del codice Panciatichi 27’ (Ph.D. dissertation, Università degli Studi di Pavia, 2000)
• Filocamo, Gioia (ed.), Florence, BNC, Panciatichi 27: text and context, Monumenta musica Europea, II Renaissance, vol. 1 (Turnhout: Brepols, 2010)
• Finscher, Ludwig (ed.), Loyset Compère: Opera omnia, 5 vols., CMM 15 (Rome, 1958–72)
• Finscher, Ludwig, 'Der Medici-Kodex-Geschichte und Edition', Die Musikforschung, 30 (1977), 468–81
• Finscher, Ludwig (ed.), Quellenstudien zur Musik der Renaissance, I: Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen, 6 (Munich, 1981)
• Finscher, Ludwig (ed.), Quellenstudien zur Musik der Renaissance, II: Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, 26 (Munich, 1983)
• Fischer, Kurt von, ‘Zum Repertoire der böhmischen Mehrstimmigkeit vom 14. bis zum 16. Jahrhundert: Die Verbreitung des böhmischen Repertoires ausserhalb Böhmens’, in Pečman 1972, 55–61

• Fitch, Fabrice, Johannes Ockeghem: Masses and Models (Paris, 1997)

• Fitch, Fabrice (ed.), Colinet de Lannoys: Masses and Songs (Paris, 1999)

• Fitch, Fabrice (ed.)., Choirbook for Philip the Fair and Juana of Castile, c. 1504–6: Brussel, Koninklijke Bibliotheek MS. 9126 (Peer, 2000)

• Fitch, Fabrice, ‘Alamire versus Agricola: The Life of the Sources’, in Bouckaert et al. 2003, 299–308
• Fojtíková, Jana, ‘Hudební doklady Husova kultu z 15. a 16. stoleti’, Miscellanea musicologica, 29 (1981), 51–145
• Frere, Walter Howard, Bibliotheca Musico-Liturgica: A Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland, 2 vols. (London, 1894–1932, repr. Hildesheim, 1967)
• Friebel, Michael, ‘Die Handschriften Wien, Österreichische Nationalbibliothek, Ms. 11883 und Vatikan, Biblioteca Apostolica Vaticana, Ms. Chigi C VIII 234 als Vorlagen am Burgundisch-Habsburgischen Hof’, in Bouckaert et al. 2003, 59–96

• Fuller, Sarah, ‘Additional Notes on the 15th-century Chansonnier Bologna Q16’, Musica Disciplina, 23 (1969), 81–103

• Gallico, Claudio, Un Canzionere Musicale Italiano del Cinquecento (Bologna, Conservatorio di Musica ""G. B. Martini"" Ms. Q 21), (Florence, 1961)
• Gallico, Claudio, 'Per la Compilazione di un Inventario di Poesia e Musica Italiana del Primo Rinascimento', Revista Italiana di Musicologia, 1 (1966), 88–93
• Gallo, F. Alberto, 'Cantus planus binatim', Quadrivium, 7 (1966), 78–89

• Gallucci, Joseph J., Jr, ‘Festival Music in Florence, ca. 1480-ca. 1520: Canti carnascialeschi, Trionfi and Related Forms’ (Ph.D. dissertation, Harvard University, 1966)

• Gancarczyk, Paweł,‘Uwagi o genezie śpiewnika głogowskiego (ca 1480)’, Muzyka, 44/3 (1999), 25–40
• Gancarczyk, Paweł, Musica scripto: Kodeksy menzuralne II połowy XV wieku na wschodzie Europy Łacińskiej (Warsaw, 2001)
• Gancarczyk, Paweł,‘Chansons w śpiewniku głogowskim’, Europejski repertuar muzyczny na ziemiach Polski, ed. Elżbieta Wojnowska (Warsaw, 2003), 53–60
• Gancarczyk, Paweł,‘The Neapolitan Repertory in the Glogauer Liederbuch’, in Helman 2004, 38–48
• Gancarczyk, Paweł,‘Związki kodeksu Strahov z Austrią i dworem cesarza Fryderyka III’, Muzyka, 49/2 (2004), 79–88
• Gancarczyk, Paweł, ‘Petrus Wilhelmi de Grudencz (b. 1392): A Central European Composer’, De musica disserenda, 2/1 (2006), 103–112
• Gancarczyk, Paweł, ‘Abbot Martin Rinkenberg and the Origins of the “Glogauer Liederbuch”’, Early Music, 37 (2009), 27–36
• Gandolfi, Riccardo, 'Intorno al Codice membranaceo di ballate et di canzoncine di autori diversi nella Biblioteca del R. Instituto Musicale di Firenze, N. 2440', Revista Musicale Italiana, 18 (1911), 537–48 (and supplement)

• Gandolfi, Riccardo et al., Città di Firenze: Biblioteca del R. Conservatorio di Musica (Parma, 1929)

• Geering, Arnold, Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert (Bern, 1952)

• Geering, Arnold, et al. (eds.), Das Erbe Deutscher Musik (Leipzig, Kassel, Wolfenbüttel, and Wiesbaden, 1935)

• Geering, Arnold, et al. (eds.): Ludwig Senfl: Sämtliche Werke (Wolfenbüttel and Zürich, 1949–; first four volumes published as vols. 5, 10, 13, and 15 of EDMR)

• Gentile, Luigi, I Codici palatini della Biblioteca Nazionale Centrale di Firenze, 2 vols. (Rome, 1885–90)
• Gerber, Rudolf, 'Zur italienischen Hymnenkomposition im 15. Jahrhundert', Acta Musicologica, 28 (1956), 75–86
• Gerber, Rudolf (ed.), Der Mensuralkodex des Nikolaus Apel, 3 vols., EDM, 32–4 (Kassel, 1956–75)

• Ghisi, Federico, Canti Carnascialeschi nette Fonti Musicali del XV e XVI Secolo (Florence, 1937)

• Ghisi, Federico, 'Un processionale inedito per la settimana santa nell'opera del duomo di Firenze', Revista Musicale Italiana, 55 (1953), 362–9
• Gierschik, J., ‘Skladby s černou mensurální notací ve Speciálníku králové-hradeckém’ (Habilitationsschrift, Charles University, Prague, 1965)
• Giesbert, Franz Julius (ed.), Ein altes Spielbuch aus der Zeit um 1500: Pergament Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek zu St. Gallen (Mainz, 1936)
• Goldberg, Clemens, 'Werk, Quelle, Analyse, Chansonnier Nivelle de la Chaussée', Quellenstudium und musikalische Analyse: Festschrift Martin Just zum 70. Geburtstag, ed. Peter Niedermüller (Würzburg, 2001), 1–22
• Göllner, Theodor, Die mehrstimmigen liturgischen Lesungen, 2 vols., Münchner Veröffentlichungen zur Musikgeschichte, 15 (Tutzing, 1969)
• Gore, Glenn Leon, ‘The Works of Philippe Basiron (Philippon?): Transcription and Commentary’ (Ph.D. dissertation, West Virginia University, 1978)

• Gottwald, Clytus (ed.), Johannes Ghiselin- Verbonnet: Opera Omnia, CMM, 23 (American Institute of Musicology, 1961–8)

• Gottwald, Clytus, Codices Musici (Cod. Mus. Fol. I 1-71), Die Handschriften der Württembergischen Landesbibliothek Stuttgart, Reihe I, Band 1 (Wiesbaden, 1964)
• Gottwald, Clytus, ‘”In dulci jubilo”: Morphogenese eines Weihnachtsliedes,’ Jahrbuch für Liturgik und Hymnologie, 9 (1964), 133–43
• Gottwald, Clytus, Die Musikhandschriften der Universitätsbibliothek München, Die Handschriften der Universitätsbibliothek München, Band 2 (Wiesbaden, 1968)

• Gottwald, Clytus, Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg, Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg, Band 1 (Wiesbaden, 1974)

• Gottwald, Clytus (ed.), Johannes Ghiselin- Verbonnet: Opera omnia, 4 vols., CMM, 23 (American Institute of Musicology, 1961–8)
• Graham, Barry F. H., Bohemian and Moravian Graduals 1420–1620 (Turnhout, 2006)
• Graham, Barry F. H., ‘The Evolution of the Utraquist Mass, 1420–1620’, Catholic Historical Review, 92 (2006), 553–73
• Greene, Richard Leighton, A Selection of English Carols (Oxford, 1962)
• Gröber, Gustav, 'Zu den Liederbüchern von Cortona', Zeitschrift für Romanische Philologie, 11 (1887), 371–404
• Gülke, Peter (ed.), Johannis Pullois opera omnia, CMM 41 (American Institute of Musicology, 1967)
• Günther, Ursula, 'Die 'anonymen' Kompositionen des Manuskripts Paris, B.N., fonds it. 568 (Pit)', Archiv für Musikwissenschaft, 23 (1966), 73–92

• Gutiérrez-Denhoff, Martella, ‘Untersuchungen zu Gestalt, Entstehung und Repertoire des Chansonniers Laborde’, Archiv für Musikwissenschaft, 41 (1984), 113–46

• Gutiérrez-Denhoff, Martella, Der Wolfenbütteler Chansonnier Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav.: Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises, Wolfenbütteler Forschungen, 29 (Wiesbaden, 1985)
• H, Mara, ???
• Haar, James, ‘Some Remarks on the “Missa La sol fa re mi”’, in Lowinsky 1976, 564-88
• Haberkamp, Gertraut, Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften, Münchner Veröffentlichungen zur Musikgeschichte, 12 (Tutzing, 1968)
• Haggh, Barbara, ‘Charles de Clerc, Seigneur de Bouvekercke, and Two Manuscripts: Brussels, Bibliothèque royale de Belgique, MS 215-16, and Naples, Biblioteca Nazionale, MS VI E 40’, in Bouckaert et al. 2003, 185–202
• Hamburger, Jeffry F., ‘Magdalena Kremer, Scribe and Painter of the Choir and Chapter Books of the Dominican Convent of St Johannes-Baptista in Kirchheim unter Teck’, in Marrow/Linenthal/Noel 2010, 124–49
• Hanen, Martha K., The Chansonnier El Escorial IV. a.24: Commentary and Edition, 3 vols., Musicological Studies, 36 (Henryville, Ottawa and Binningen, 1983)
• Hardie, Jane Morlet, ‘The Motets of Francisco de Pehalosa and Their Manuscript Sources’ (Ph.D. dissertation, University of Michigan, 1983)

• Harrison, Frank Llewellyn, 'The Eton College Choirbook (Eton College MS 178)', International Musicological Society: Report of the 4th Congress, Utrecht 1952 (Kassel, 1952), 224–32

• Harrison, Frank Llewellyn, 'The Eton Choirbook: Its Background and Contents (Eton College Library ms. 178)', Annales Musicologiques, 1 (1953), 151–75

• Harrison, Frank Llewellyn, Music in Medieval Britain (London, 1963)

• Heidrich, Jürgen, Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen, Sammlung Musikwissenschaftlicher Abhandlungen, 84 (Baden-Baden 1993)
• Hell, Helmut, ‘Zwei weitere Blätter zum Fragment Mus. ms. 3224 in der Bayerischen Staatsbibliothek aus der Dufay-Zeit’, Musik in Bayern, 27 (1983), 43–9
• Helman, Zofia (ed.), Polish Musical Culture within the European Context, Musicology Today, 1 (Warsaw, 2004)

• Hernon, Michael A., ‘Perugia MS 431 (G20): A Study of the Secular Italian Pieces’ (Ph.D. dissertation, George Peabody College for Teachers, 1972)

• Hewitt, Helen (ed.), Harmonice Musices Odhecaton A (Cambridge, Mass., 1942)
• Hewitt, Helen (ed.), Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502, Monuments of Renaissance Music, 2 (Chicago and London, 1967)
• Higgins, Paula (ed.), Chansonnier Nivelle de la Chaussée (Bibliothèque Nationale, Paris, Rés. Vmc. ms. 57, ca. 1460) (Geneva, 1984)
• Higgins, Paula,‘Tracing the Careers of Late Medieval Composers: The Case of Philippe Basiron of Bourges’, Acta musicologica, 62 (1990), 1–28
• Higgins, Paula, Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (Oxford, 1999)
• Hoffmann-Erbrecht, Lothar, ‘Die Chorbücher der Stadtkirche zu Pirna’, Acta musicologica, 27 (1955), 121–37
• Hoffmann-Erbrecht, Lothar, ‘Ein Frankfurter Messencodex’, Archiv für Musikwissenschaft, 16 (1959), 328–34
• Hoffmann-Erbrecht, Lothar, Heinricus Finck: Musicus excellentissimus (1445–1527) (Cologne, 1982)
• Hoffmann-Erbrecht, Lothar, Musikgeschichte Schlesien (Dülmen, 1986)
• Hoffmann-Erbrecht, Lothar, ‘Auf den Spuren des Schreibers der Glogauer Handschrift (ca 1480)’ Augsburger Jahrbuch für Musikwissenschaft, 7 (1990), 19–29
• Hoffmann-Erbrecht, Lothar, ‘“Probitate eminentem/Ploditando exarare”: Eine Scherzkomposition in der Glogauer Handschrift (um 1480)’, Festschrift Klaus Hortschansky zum 60. Geburtstag, ed. Axel Beer and Laurenz Lütteken (Tutzing, 1995), 1–8
• Holoman, D. Kern, ‘The Performance and Interpretation of Josquin’s Masses [Workshop]’, in Lowinsky 1976, 696–719
• Hoppin, Richard H., Medieval Music (New York, 1978)
• Horyna, Martin, ‘Die Kompositionen von Peter Wilhelmi von Graudencz als Teil der spätmittelalterlichen Polyfonie-Tradition in Mitteleuropa und insbesondere im Böhmen des 15. und 16. Jahrhunderts’, Hudební věda, 40/4 (2003), 291–328
• Horyna, Martin, ‘Utwory Piotra Wilhelmiego z Grudziądza w tradycji polifonii późnośredniowiecznej w Europie Środkowej a zwłaszcza w Czechach XV i XVI wieku’, Muzyka, 49/2 (2004), 21–56
• Horyna, Martin, ‘Vícehlasá hudba v Čechách v 15. a 16. století a její interpreti’, Hudební věda, 43 (2006), 117–34
• Horyna, Martin, ‘Czeska twórczość polifoniczna 1470–1620: Muzyka w życiu religijnie zróżnicowanego królestwa czeskiego’, Muzyka, 52/4 (2007), 27–44
• Hudson, Barton (ed.), Opera omnia Antonii Brumel, 6 vols., CMM, 5 (American Institute of Musicology, 1969–72)

• Hudson, Barton, ‘A Neglected Source of Renaissance Polyphony: Rome, Santa Maria Maggiore JJ. III. 4’, Acta Musicologica, 48 (1976), 166–80

• Hudson, Barton (ed.), Hayne van Ghizeghem: Opera Omnia, CMM, 74 (American Institute of Musicology, 1977)
• Hudson, Barton, ‘A Glimpse into a Scribal Workshop: Vienna, Österreichische Nationalbibliothek, Ms. 11883’, From Ciconia to Sweelinck: Donum natalicium Willem Elders, eds. Albert Clement and Eric Jas, Chloe, 21 (Amsterdam, 1994), 179–214

• Hughes, Dom Anselm, 'The Eton Manuscript', Proceedings of the Royal Musical Association, 53 (1926–7), 67–83

• Hughes, Dom Anselm, Catalogue of the Musical Manuscripts at Peterhouse, Cambridge (Cambridge, 1953)

• Hughes, Dom Anselm, and Gerald Abraham, Ars nova and the Renaissance 1300–1540, New Oxford History of Music, 3 (London and Oxford, 1960)

• Huys, Bernard, De Grégoire le Grand à Stockhausen: Douze siècles de notation musicale, exh. cat., 10 September – 8 October 1966, Bibliothèque de Belgique (Brussels, 1966)
• Huys, Bernard, Trésors musicaux de la Bibliothèque Royale Albert 1er 1220–1800, exh. cat., Brussels, Bibliothèque Royale, 6–27 September 1975, Bibliothèque Royalede Belgique (Brussels, 1975)
• Indestege, Luc, ‘Schmuckformen auf flämischen Einbänden im ausgehenden Mittelalter: Beschriftete Rankenplatten’, Gutenberg Jahrbuch (1958), 271–87
• Ingram, Sonja S., ‘The Polyphonic Salve Regina, 1425–1550’ (Ph.D. dissertation, University of North Carolina, 1973)

• James, Montague Rhodes, A Descriptive Catalogue of the Manuscripts in the Library of Eton College (Cambridge, 1895)

• James, Montague Rhodes, Bibliotheca Pepysiana, A Descriptive Catalogue of the Library of Samuel Pepys: Part III: Mediaeval Manuscripts (London, 1923)
• Janini, José, and Ramón Gonzálvez, Catálogo de los Manuscritos Litúrgicos de la Catedral de Toledo (Toledo, 1977)
• Jas, Eric, ‘The Repertory of the Manuscripts’, in Kellman 1999, 28–34

• Jeppesen, Knud (ed.), Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig (Copenhagen and Leipzig, 1927)

• Jeppesen, Knud: Die Mehrstimmige Italienische Laude um 1500 (Leipzig and Copenhagen, 1935)

• Jeppesen, Knud (ed.), Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig (Copenhagen and Leipzig, 1927; repr. New York, 1965)

• Jeppesen, Knud, 'The Manuscript Florence Biblioteca Nazionale Centrale, Banco Rari 230: An Attempt at a Diplomatic Reconstruction', Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, ed. Jan LaRue (New York, 1966), 440–7

• Jeppesen, Knud, La Frottola, 3 vols., Acta Jutlandica 40.2, 41.1, and 42.1 (Copenhagen, 1968–70)

• Jickeli, Carl F., Textlose Kompositionen um 1500 (Frankfurt am Main, 1994)
• Jonas, Luise, Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg: Edition und Kommentar, 2 vols., Berliner Musikwissenschaftliche Arbeiten, 21 (Munich and Salzburg, 1983)

• Jones, George Morton, ‘'The ''First'' Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing 16th-Century Music’ (Ph.D. dissertation, New York University, 1972)

• Josephson, Nors S. (ed.), Nicolas Champion: Collected Works, CMM, 60 (Neuhausen, 1973)
• Josephson, Nors S, ‘Agnus Dei I from Robert de Févin, Missa La sol mi fa re’, Musica disciplina, 28 (1974), 77–80
• Josephson, Nors S., ‘Some Remarks on the Music of Nicolas Champion’, Musica disciplina, 29 (1975), 149–63
• Just, Martin, Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts, 2 vols., Würzburger musikhistorische Beiträge, 1 (Tutzing, 1975)
• Just, Martin,‘Bemerkungen zu den kleinen Folio-Handschriften deutscher Provenienz’, Quellenstudien zur Musik der Renaissance, i: Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, ed. Ludwig Finscher, Wolfenbütteler Forschungen, 6 (Munich, 1981), 25–43
• Just, Martin, ‘Zur Examinatio von Varianten’, Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, 26 (Wiesbaden, 1983), 129–52
• Just, Martin,‘Polyphony Based on Chant in a Late Fifteenth-Century German Manuscript’, Music in the German Renaissance: Sources, Styles, and Contexts, ed. John Kmetz (Cambridge, 1994), 129–51
• Just, Martin, ‘Das Salve-Regina-Repertoire von Pierre de la Rue in den Handschriften Brüssel, Bibliothèque Royale de Belgique, Ms. 9126 und München, Bayerische Staatsbibliothek, Musiksammlung, Musica Ms. 34’, in Bouckaert et al. 2003, 337–48
• Kabis, Mary Elise, ‘The Works of Jean Richafort, Renaissance Composer (1480?–c. 1548)’ (Ph.D. dissertation, New York University, 1957)
• Kade, Otto, 'Ein handschriftlicher Codex in der Bibliothek Maglibechiana zu Florenz', Monatshefte für Musikgeschichte, 9 (1877), 31–6

• Kahmann, B., ‘Antoine de Fevin: A Bio-bibliographical Contribution’, Musica disciplina, 4 (1950), 153–62

• Kahmann, Bernhard, 'Über Inhalt und Herkunft der Handschrift Cambridge Pepys 1760', Bericht über den Internationalen Musikwissenschaftlichen Kongress Hamburg 1956, ed. Walter Gerstenberg (Kassel, 1957), 126–8
• Kanazawa, Masakata (ed.), Antonii Janue: Opera Omnia, CMM, 70 (American Institute of Musicology, 1974)

• Kanazawa, Masakata, ‘Two Vesper Repertories from Verona, ca. 1500’, Revista Italiana di Musicologia, 10 (1975), 155–73

• Kapp, Maria, Musikalische Handschriften des burgundischen Hofes in Mecheln und Brüssel ca. 1495–1530: Studien zur Entwicklung Gerard Horenbouts und seiner Werkstatt (Darmstadt, 1987)
• Kapp, Maria, 'Das Chorbuch der Margarete von Oesterreich im Stadtarchiv von Mecheln', Codices manuscript, 13 (1987), Heft 4, 117–143
• Kast, Paul, ‘Studien zu den Messen des Jean Mouton’ (Ph.D. dissertation, Johann Wolfgang Goethe-Universität, Frankfurt am Main, 1955)
• Keahey, T. Herman, and Conrad Douglas (eds.), Johannes Prioris: Opera Omnia, CMM, 90 (American Institute of Musicology, 1982–5)

• Kellman, Herbert, ‘The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234’, Journal of the American Musicological Society, 11 (1958), 6–19

• Kellman, Herbert, 'Musical Links between France and the Empire, 1500–1530', Abstracts of Papers read at the Thirty-Sixth Annual Meeting of the American Musicological Society, Toronto, Canada, November 5-8, 1970 (Toronto, 1970)

• Kellman, Herbert, ‘Josquin and the Courts of the Netherlands and France: The Evidence of the Sources’, in Lowinsky 1976, 181–216

• Kellman, Herbert (ed.), London, British Library, Royal 8 G. VII, Renaissance Music in Facsimile, 9 (New York, 1987)

• Kellman, Herbert (ed.), Vatican, BAV, MS Chigi C VIII 234, Renaissance Music in Facsimile, 22 (New York, 1988)

• Kellman, Herbert, ‘Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court’, Early Music History, 9 (1989)

• Kellman, Herbert (ed.), The Treasury of Petrus Alamire: Music and Art in Flemish Court Manuscripts 1500–1535 (Leuven, 1999)

• Kellman, Herbert, ‘Alamire, Petrus’, in The New Grove Dictionary of Music and Musicians, 2nd ed. (London, 2001)
• Kellman, Herbert, ‘Openings: The Alamire Manuscripts After Five Hundred Years’, in Bouckaert et al. 2003, 11–29
• Kemp, Walter H., 'The Manuscript Escorial V.III.24', Musica Disciplina, 30 (1976), 97–129
• Kenney, Sylvia W. (ed.), Walter Frye: Collected Works, CMM, 19 (Rome, 1960)
• Kiel, Jacobijn and Flynn Warmington, ‘Overview of the Scribes’, in Kellman 1999, 47–52
• Kirkman, Andrew, The Three-Voice Mass in the Later Fifteenth and Early Sixteenth Centuries (New York, 1995)
• Kirnbauer, Martin, Hartmann Schedel und sein ‘Liederbuch’ (Bern, 2001)
• Kirsch, Winfried, Die Quellen der mehrstimmigen Magnificat- und Te Deum Vertonungen bis zur Mitte des 16. Jahrhunderts (Tutzing, 1966)
• Kirsch, Winfried, Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert, Frankfurter Beiträge zur Musikwissenschaft, 2 (Tutzing, 1977)
• Knighton, Tess, ‘Transmisión, difusión y recepción de la polifonía franco-neerlandesa en el reino de Aragón a principios del siglo XVI’, Artigrama, 12 (1996–7), 19–38
• Kozachek, L., ‘Codex Speciálník’, Die Musik in Geschichte und Gegenwart (Kassel, 1994), viii, cols. 1682–4
• Krása, Josef, České iluminované rukopisy 13.–16. století (Prague, 1990)
• Kreitner, Kenneth Richard, ‘Franco-Flemish elements in Tarazona 2 and 3’, Revista de Musicologia, 16 (1993), 2567–86
• Kren, Thomas and Scot McKendrick, Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, exh. cat., The J. Paul Getty Museum, Los Angeles, 17 June–7 September 2003 and Royal Academy of Arts, London, 29 November 2003–22 February 2004 (Los Angeles, 2003)
• Krieger, Michaela, Gerard Horenbout und der Meister Jakobs IV. von Schottland (Vienna, 2012)
• Kvochová, Jana, ‘Anonymí moteta v kodexu Speciálník: Příspěvek k problematice tenorového moteta na konci 15, století ’ (MA dissertation, Charles University, Prague, 2005)

• Lama de la Cruz, Victor de (ed.), Cancionero musical de la Catedral de Segovia (Junta de Castilla Y Leon, 1994)

• Landau, David, and Peter Parshall, The Renaissance Print: 1470–1550 (New Haven and London, 1994)
• Laube, Daniela, 'The Stylistic Development of German Book Illustration', A Heavenly Craft: The Woodcut in the Early Printed Books. Illustrated books purchased by Lessing J. Rosenwald at the sale of the library of C.W. Dyson Perrins, ed. Daniel De Simone (New York and Washington, 2004), 47–74
• Lawes, Robert Clement, Jr., ‘The Seville Concionerò: Transcription and Commentary’ (Ph.D. dissertation, North Texas State University, 1960)
• Le Glay, André J. G. (ed.), Correspondance de l’empereur Maximilien et de Marguerite d’Autriche (Paris, 1839)
• Le Glay, André J.G. (ed.), Correspondance de l’empereur Maximilien et de Marguerite d’Autriche (Paris, 1839)
• Lehmann, Paul Joachim Georg, ‘Blätter, Seiten, Spalten, Zeilen’ (1936), repr. In Erforschung des Mittelalters: Ausgewählte Abhandlungen und Aufsätze, 5 vols. (Stuttgart, 1959–62), iii (1960), 1–59
• Lenaerts, René Bernard, 'Les Manuscrits Polyphoniques de la Bibliothèque Capitulaire de Tolède', International Musicological Society: Report of the 4th Congress, Utrecht 1952 (Kassel, 1953), 276–81
• Lenaerts, René Bernard, ‘Niederländische Polyphone Musik in der Bibliothek von Montserrat’, Festschrift Joseph S-Görg zum 60. Geburtstag, ed. Dagmar Weise (Bonn, 1957), 196–201
• Lenaerts, René Bernard, ‘Polyphonische Missen op Nederlandse Liederen', Organicae Voces: Festschrift Joseph Smits van Waesberghe, ed. Pieter Fischer (Amsterdam, 1963), 101–5
• Lerner, Edward R. (ed.), Alexandri Agricola: Opera omnia, 5 vols., CMM, 22 (American Institute of Musicology, 1961–70)
• "Lerner, Edward R. (ed.), Henrici Isaac (ca. 1450–1517): Opera omnia, CMM, 65 (Neuhausen, 1974–)

• Lesure, François, Manuscrit Italien de Frottole (1502): Facsimile du Ms de la Bibliothèque nationale, Paris, Rés. Vm7 676 (Geneva, 1979)

• Levenson, Jay A., Konrad Oberhuber and Jacquelyn L. Sheenan, Early Italian Engravings from the National Gallery of Art (Washington, 1973)
• Leverett, Adelyn Peck, ‘Paleographical and Repertorial Study of the Manuscript Trento, Castello del Buonconsiglio, 91 (1378)’ (Ph.D. dissertation, Princeton University, 1990
• Leverett, Adelyn Peck, ‘Song Masses in the Trent Codices: The Austrian Connection’, Early Music History, 14 (1995), 205–56
• Levi d'Ancona, Mirella, The iconography of the Immaculate Conception in the Middle Ages and Early Renaissance (New York, 1957)
• Lieb, Norbert, Die Fugger und die Kunst im Zeitalter der hohen Renaissance (Munich, 1958)
• Liechtenstein, Heinrich Karl, Das Gebetbuch Karls V.: Vollständige Faksimile-Ausgabe im Originalformat des Codex Vindobonensis 1859 der Österreichischen Nationalbibliothek, Codices selecti, 57 (Graz, 1976)
• Lipphardt, Walther, ‘Studien zur Musikpflege in den mittelalterlichen Augustiner-Chorherrenstiften des deutschen Sprachgebietes’, Jahrbuch des Stiftes Klosterneuburg, 7 (1971), 7–102
• Litterick, Louise, ‘The Manuscript Royal 20. A. XVI of the British Library’ (Ph.D. dissertation, New York University, 1976)

• Litterick, Louise, 'The revision of Ockeghem's “Je n'ay dueil” ', Musique naturelle et musique artificielle: In Memoriam Gustav Reese, ed. Mary Beth Winn, Le Moyen Francais, 5 (Montreal, 1979), 29–48

• Litterick, Louise, ‘Performing Franco-Netherlandish Secular Music of the Late 15th Century: Texted and Untexted Parts’, Early Music, 8 (1980), 474–85
• Litterick, Louise, ‘On Italian Instrumental Ensemble Music in the Late Fifteenth Century’, in Fenlon 1981, 117–30
• Litterick, Louise, ‘Vocal or Instrumental? A Methodology for Ambiguous Cases’, Le concert des voix et des instruments à la Renaissance, ed. Jean-Michel Vaccaro (Paris, 1995), 157–78

• Llorens Cisteró, and José Maria, ‘Miniaturas de Vincent Raymond en los Manuscritos Musicales de la Capilla Sixtina,’ in  Miscelânea en Homenaje a Monsenor Higinio Angles (Barcelona, 1958–61), 475–98

• Loach, Donald Glenn, ‘Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean’ (Ph.D. dissertation, University of California at Berkeley, 1969)
• Lockwood, Lewis, ‘Josquin at Ferrara: New Documents and Letters’, in Lowinsky 1976, 103–37

• Lockwood, Lewis, ‘Jean Mouton and Jean Michel: New Evidence on French Music and Musicians in Italy, 1505–1520’, Journal of the American Musicological Society, 32 (1979), 191–246

• Lockwood, Lewis, Music in Renaissance Ferrara 1400–1505: The Creation of a Musical Center in the Fifteenth Century (Cambridge, Massachusetts, 1984)

• Loge, Eckhard, Eine Messen- und Motettenhandschrift des Kantors Matthias Krüger aus der Musikbibliothek Herzog Albrechts von Preussen, Königsberger Studien zur Musikwissenschaft, 12 (Kassel, 1931)

• Lowinsky, Edward E., 'A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome', Journal of the American Musicological Society, 3 (1950), 173–232

• Lowinsky, Edward E., 'The Medici Codex: A Document of Music, Art, and Politics in the Renaissance', Annales Musicologiques, 5 (1957), 61–178

• Lowinsky, Edward E. (ed.), The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino, 3 vols., Monuments of Renaissance Music, 3–5 (Chicago and London, 1968)

• Lowinsky, Edward E., ‘A music book for Anne Boleyn’, in Florilegium Historiale: Essays presented to Wallace K. Ferguson (Toronto, 1970), 161–235

• Lowinsky, Edward E., 'A music book for Anne Boleyn', Florilegium Historiale: Essays presented to Wallace K. Ferguson, eds. J.G. Rowe and W.H. Stockdale (Toronto, 1970), 161–235

• Edward E. Lowinsky (ed.), Josquin des Prez: Proceedings of the International Josquin Festival-Conference, 21–25 June 1971 (London, New York and Toronto, 1976)
• Ludolphy, Ingetraut, Friedrich der Weise: Kurfürst von Sachsen 1463–1525 (Göttingen, 1984)
• Ludwig, Friedrich, ‘Die Quellen der Motetten ältesten Stils’, Archiv für Musikwissenschaft, 5 (1923), 185–222, 273–315

• Maas, Chris et al. (eds.), New Obrecht Edition (Utrecht, 1983–)

• Madden, Frederic, et al., Catalogue of Additions to the Manuscripts in the British Museum (1843–)

• Maier, Julius Josef, Die musikalischen Handschriften der k. Hof- und Staatsbibliothek in Muenchen (Munich, 1879), 19–22
• Mandlík, Tomáš, ‘Polyfonní skladby notované bílou menzurální notací v Kodexu Franus’ (PhD dissertation, Charles University, Prague, 2008)
• Manion, Margaret, ‘Uncommon Images in the Common of the Saints of Italian Choir Books’, in Marrow/Linenthal/Noel 2010, 98–108
• Mantuani, Joseph, Codicum musicorum pars II: Cod. 17501–19500, Tabulae codicum manu scriptorium praetor Graecos et Orientales in Bibliotheca Palatine Vindobonensi asservatorum, 10 (Vienna, 1899)
• Marchal, François Joseph Ferdinand, Catalogue des manuscrits de la Bibliothèque Royale des ducs de Bourgogne (Brussels and Leipzig, 1842)
• Marix, Jeanne, 'Hayne van Ghizeghem, Musician at the Court of the 15th-century Burgundian Dukes', Musical Quarterly, 28 (1942), 276–87
• Marrow, James H., Richard A. Linenthal and William Noel (eds.), The Medieval Book: Glosses from Friends and Colleagues of Christopher de Hamel (Houten, 2010)
• Mauchter ?
• Mauser, Siegried (ed.), Handbuch der musikalischen Gattungen (Laaber, 1998)
• McKendrick, Scot, John Lowden and Kathleen Doyle, Royal Manuscripts: The Genius of Illumination (London, 2011)
• McMurtry, William M., ‘The British Museum Manuscript Additional 35087: A Transcription of the French, Italian, and Latin Compositions with Concordance and Commentary’ (Ph.D. dissertation, North Texas State University, 1967)

• McMurtry, William M., Selected chansons from British Library, ms. Additional 35087, Recent Research in the Music of the Renaissance, 68 (Madison, 1985)

• Meconi, Honey, ‘Style and Authenticity in the Secular Music of Pierre de la Rue’ (Ph.D. dissertation, Harvard University, 1986)

• Meconi, Honey, ‘Another look at Absalon’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 48 (1998), 3-29

• Meconi, Honey, ‘Pierre de la Rue, ca. 1452–1518’, in Kellman 1999, 35–7

• Meconi, Honey, ‘The Function of the Habsburg-Burgundian Court Manuscripts’, in Bouckaert et al. 2003, 117–24

• Meconi, Honey, Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court (Oxford, 2003)

• Meconi, Honey, ‘Margaret of Austria, Visual Representation, and Brussels, Royal Library, Ms. 228’, Journal of the Alamire Foundation, 2 (2010), 11–36, 129–130
• Meier, Bernhard (ed.), Jacobi Barbireau: opera omnia, CMM, 7 (1954–7)

• Merkley, Paul A. and Lora L. M. Merkley, Music and Patronage in the Sforza Court, Studi sulla storia della musica in Lombardia: Collana di testi musicologici, 3 (Turnhout, 1999)

• Merritt, Arthur Tillman, 'A Chanson Sequence by Fevin', Essays on Music in Honor of Archibald Thompson Davison by his Associates, ed. Randall Thompson (Cambridge, Mass., 1957), 91–9
• Michelant, M. (ed.), ‘Inventaire des vaicelles d’or et d’argent … appartenans à ma très redoubtée Dame Madame Marguerite’, Compte-rendu des séances de la Commission Royale d’Histoire, Académie Royale des Sciences … de Belgique, 3e sér., 12 (1871), 26

• Miller, Catharine Keyes, 'A Fifteenth Century Record of English Choir Repertory: B.M. Add. Ms. 5665; A Transcription and Commentary’, 2 vols. (Ph.D. dissertation, Yale University, 1948)

• Milsom, John, 'The Date of Ludford's Lady Masses: A Cautionary Note', Music and Letters, 66 (1985), 367–8
• Minor, Andreas C. (ed.), Joannes Mouton: Opera omnia, CMM 43 (Neuhausen nr. Stuttgart, 1967–)
• Mitchell, Robert J., ‘Reconstructing a Fragmentary Gloria’, Plainsong and Medieval Music, 4 (1995), 149–84
• Moerk, Alice Anne, ‘The Seville Chansonnier: An Edition of Sevilla 5-I-43 & Paris N.A. Fr. 4379’ (Ph.D. dissertation, West Virginia University 1971)
• Montagna, Gerald, ‘Johannes Pullois in the Context of his Era’, Revue belge de musicologie, 42 (1988), 83–117
• Moser, Hans Joachim, Geschichte der deutschen Musik, 2 vols. (Stuttgart and Berlin, 1920–4)
• Mráčková, Lenka, ‘Části mešního ordinaria v kodexu Speciálník a jejich evropský kontext’ (M.A. dissertation, Charles University, Prague, 1998)
• Mráčková, Lenka, ‘Kodex Speciálník: Eine kleine Folio-Handschrift böhmischer Provenienz’ (‘The Speciálník Codex: A Manuscript in Small-Folio Format of Bohemian Origin’), Hudební věda, 39 (2002), 163–84
• Mráčková, Lenka, ‘Kodex Speciálník a Evropa: Příspěvek ke studiu kulturního života v Čechách na konci 15. Století’ (‘The Speciálník Codex and Europe: A Contribution to the Study of Czech Cultural Life at the End of the 15th Century’), Evropa a Čechy na konci středověku: Sborník příspěvků věnovaných Františku Šmahelovi, ed. Eva Doležalová, Robert Novotný and Pavel Soukup (Prague, 2004), 125–31
• Mráčková, Lenka, ‘Polyfonní mešní ordinarium v Kodexu Speciálník’ (‘The Polyphonic Mass Ordinary in the Speciálník Codex’) (Ph.D. dissertation, University of Prague, 2004)
• Mráčková, Lenka, ‘Części mszalne z określeniem “sociorum” w kodeksie Speciálník: Studium polifonii końca XV wieku w Czechach’, Muzyka, 49/3 (2004), 89–110

• Mráčková, Lenka, ‘Patrem Yacten—Sanctus Elezanger: A Fragment of an Unknown Mass Ordinary from Codex Speciálník and its Milanese Context’ (‘Patrem Yacten—Sanctus Elezanger: Fragment neznámého mešního ordinaria z Kodexu Speciálník a jeho souvislosti s milánským dvorem’), Hudební věda, 43 (2006), 147–64

• Mráčková, Lenka, ‘Kodeks wrocławski v kontekście życia muzycznego utrakwistycznych Czech około 1500 roku’,Muzyka, 52/2 (2007), 3−20
• Mráčková, Lenka, ‘Hudební život v Čechách 2. poloviny 15. století ve světle pramenů polyfonie’, Hudobnohistorický výskum na Slovensku začiatkom 21. storočí, ed. Marta Hulková (Bratislava 2007), 79–84
• Mráčková, Lenka, ‘Hudební kultura významných evropských dvorů a její recepce v českých pramenech 2. poloviny 15. století’, Dvory a rezidence ve středověku, ii, Mediaevalia historica bohemica (Prague, 2008), 453−8
• Mráčková, Lenka, ‘Behind the Stage: Some Thoughts on the Codex Speciálník and the Reception of Polyphony in Late 15th-Century Prague’, Early Music, 37 (2009), 37–48
• Mráčková, Lenka, ‘Codex Franus: A Mirror of the Musical Practice of the Bohemian Utraquist Church around 1500?’, Journal of the Alamire Foundation, 1 (2009), 79–88
• Mráčková, Lenka, ‘Die Kompositionen Johannes Tourouts in böhmischen Musikhandschriften: Zur musikalischen Kultur am Hofe Kaiser Friedrichs III. und ihrer Rezeption in den böhmischen Ländern’, Böhmen und das Deutsche Reich: Ideen- und Kulturtransfer im Vergleich (13.−16. Jahrhundert), eds. Eva Schlotheuber and Hubertus Seibert (Munich, 2009), 103−11
• "Nejedlý, Zdeněk, Dějiny husitského zpěvu za válek husitských (Prague, 1913
• Nemes, Balázs J., ‘Das 'Heltauer Marienlied', Grundlagen: Forschungen, Editionen und Materialien zur deutschen Literatur und Sprache des Mittelalters und der Frühen Neuzeit, eds. Rudolf Bentzinger, Ulrich-Dieter Oppitz and Jürgen Wolf (Stuttgart 2013), 329–47
• Nettehoven, Ina, and Caroline Zöhl, Horae B.M.V. 158 Studenbuchdrucke der Sammlung Bibermühle, 1490–1550, 3 vols. (Rotthalmünster, 2003)
• Newes, Virginia E., 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, eds. Ursula Günther and Ludwig Finscher, Göttinger Musikwissenschaftliche Arbeiten, 10 (Kassel, 1984), 121–54
• Newton, Caroline (ed.), Invention and Inspiration: Early Italian Prints: 9 August–16 October (Oxford, 2005)
• Nieuwdorp, Hans, and Brigitte Dekeyzer, Breviarium Mayer Van Den Bergh, Alle Miniaturen (Ghent, 1997)
• Nijhoff, Wouter, [Een corte verhalinge, etc.] Lofzangen ter eere van Keizer Maximiliaan en ... Karel den Vijfde ... Antwerpen, Jan de Gheet, 1515. [The letter-press signed: R. K. D. N., i.e. Rutger Kynen de Novimagio. A facsimile.] ('s-Gravenhage, 1925)

• Noble, Jeremy, 'a review of CR Lowinsky, The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici...' The Musical Times, 113 (1972), 75-6

• Noblitt, Thomas L., ‘The Motetti Missales of the Late Fifteenth Century’ (Ph.D. dissertation, University of Texas at Austin, 1963)
• Noblitt, Thomas L., ‘Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium’, Archiv für Musikwissenschaft, 26 (1969), 169–208
• Noblitt, Thomas, ‘Die Datierung der Handschrift Mus. Ms. 3154 der Staatsbibliothek München’, Die Musikforschung, 37 (1974), 36–56
• Noblitt, Thomas, ‘Problems of Transmission in Obrecht’s Missa Je ne demande’, Musical Quarterly, 63 (1977), 211–23
• Noblitt, Thomas, ‘Textual Criticism of Selected Works Published by Petrucci’, in Finscher 1981, 201–44
• Noblitt, Thomas L., 'Obrecht's Missa Sine nomine and its Recently Discovered Model', Musical Quarterly, 68 (1982), 102–27
• Noblitt, Thomas L., Der Kodex des Magister Nicolaus Leopold : Staatsbibliothek München Mus. ms. 3154, 4 vols., Das Erbe deutscher Musik, 80–3 (Kassel, 1987–96)
• Norton-Smith, John (ed.), Bodleian Library MS Fairfax 16 (London, 1979)
• Nowacki, Edward, ‘The Latin Psalm Motet 1500–1535’, Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft, 11 (Tutzing, 1979)
• Nowak, Leopold, ‘Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek’, in Stummvoll 1948, 505–15
• Nugent, Bill Allen, ‘The Life and Works of Antonius Divitis’ (Ph.D. dissertation, North Texas State University, 1970)

• O'Donoghue, Valerie W., ‘A Music Manuscript from the Spanish College of Bologna: A Study of the Manuscript Bologna, Civico Museo Bibliografico Musicale, MS A 71 (olim 159)’, (Masters thesis, University of Illinois, 1972)

• Oldham, John B., Blind Panels of English Binders (Cambridge, 1958)
• Olivar, Alexandre, Catàleg dels Manuscrits de la Biblioteca del Monestir de Montserrat (Montserrat, 1977)

• Omont, Henri, et al. (eds.), Bibliothèque Nationale: Catalogue Général des Manuscrits Français (Paris, 1868–1902)

• Onghena, M. J. , De iconographie van Philips de Schone, Koninklijke Academie van Belgie, Klasse der Schone Kunsten, Verhandelingen, 10/5 (Brussels, 1959)
• Orel, Dobroslav, ‘Der Mensuralkodex “Speciálník”: Ein Beitrag zur Geschichte der Mensuralmusik und Notenschrift in Böhmen bis 1540’ (Ph.D. dissertation, University of Vienna, 1914)
• Orel, Dobroslav, Počátky umělého vícehlasu v Čechách, Sborník Filozofické Fakulty Univerzity Komenského v Bratislave, 1/8 (Bratislava, 1922)
• Orel, Dobroslav, Kancionál Franusův z roku 1505: Příspěvek k vývoji notace a k dějinám zpěvu jednohlasého doby Jagellovců v Čechách (Prague, 1922)
• Orel, Dobroslav, ‘Stilarten der Mehrstimmigkeit des 15. und 16. Jahrhunderts in Böhmen’, Studien zur Musikgeschichte: Festchrift für Guido Adlerzum 75. Geburtstag (Vienna, 1930), 87–91
• Osthoff, Helmuth, Josquin Desprez, 2 vols. (Tutzing, 1962)

• Osthoff, Helmuth, Die Niederländer und das deutsche Lied (1400–1640), (Tutzing, 1967)

• Osthoff, Wolfgang, Theatergesang und Darstellende Musik in der Italienischen Renaissance, Münchner Veröffentlichungen zur Musikgeschichte, 14 (Tutzing, 1969)
• Owens, Jessie Ann (ed.), Kraków, Biblioteka Jagiellońska, Glogauer Liederbuch, Renaissance Music in Facsimile, 4 (New York, 1979)
• Owens, Jessie Ann, Composers at Work: The Craft of Musical Compositionm 1450–1600 (Oxford, 1996)
• Pächt, Otto, and Jonathan J.G. Alexander, Illuminated Manuscripts in the Bodleian Library, 3 vols. (Oxford, 1966–73)
• Pannella, Liliana, 'Le composizioni profane di una raccolta fiorentina del cinquecento', Revista Italiana di Musicologia, 3 (1968), 3–47
• Paoletti, John T., and Gary M. Radke, Art in Renaissance Italy, (London, 1997)
• Paris, Gaston, and Auguste Gevaert (eds.), Chansons du XVe Siècle (Paris, 1875)

• Parker, Robert L., ‘The Motets of Adam Rener (C.1485-C.1520)’ (Ph.D. dissertation, University of Texas, 1963)

• Parker, Robert L. (ed.), Collected Works of Adam Rener (Brooklyn, 1964–)

• Parrish, Carl, 'A Curious Use of Coloration in the Pixérécourt Codex', Essays on Music in Honor of Archibald Thompson Davison by his Associates, ed. Randall Thompson (Cambridge, Mass., 1957), 83–90

• Parsons, Anna, and Nick Sandon, The Crowned Rose: Motets for Henry VIII from London, British: Library, Royal MS 11 E. XI (Moretonhampstead, 2005)
• Parton, Kenton, 'On Two Early Tudor Manuscripts of Keyboard Music', Journal of the American Musicological Society, 17 (1964), 81–3
• Pátková, Hana, Bratrstvie ke cti božie: Poznámky ke kultovný činnosti bratrstev a cechů ve středověkých Čechách, Clavis monumentorum litterarum (Regnum Bohemiae), 5, Monographia, 1 (Prague, 2000)
• Pätzig, Gerhard-Rudolf, ‘Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs “Choralis Constantinus”’ (Ph.D. dissertation, Eberhard-Karls-Universität Tübingen, 1956)
• Pease, Edward, ‘An Edition of the Pixérécourt Manuscript: Paris, Bibliothèque nationale, Fonds Fr. 15123’, 3 vols. (Ph.D. dissertation, Indiana University, 1959)
• Pease, Edward (ed.), Music from the Pixérécourt Manuscript: A Modern Edition of Twelve Compositions from Paris, Bibliothèque Nationale, Ms. fonds français 15123 (Ann Arbor, 1960)
• Pease, Edward, ‘A Report of Codex Q16 of the Civico Museo Bibliografico Musicale’ Musica disciplina, 20 (1966), 57–94
• Pečman, Rudolf (ed.), Colloquium musica bohemica et europaea, Brno 1970, Colloquia on the History and Theory of Music at the International Musical Festival in Brno, 5 (Brno, 1972)

• Pedrell, Filip, Catàlech de la Biblioteca Musical de la Diputació de Barcelona (Barcelona, 1908–9)

• Perales de la Cal, Ramón (ed.), Concionerò de la Catedral de Segovia: Edición Facsimilar del Còdice de 1a Santa Iglesia Catedral de Segovia (Segovia, 1977)

• Perkins, Leeman L., ‘Review of CR Lowinsky, The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici...', in The Musical Quarterly, 55 (1969), 255-69

• Perkins, Leeman L., and Howard Garey (eds.), The Mellon Chansonnier (New Haven and London, 1979)
• Perz, Mirosław, ‘Fragmenty lwowskie: Źródło dzieł Dufaya, Josquina, Piotra de Domarto i Piotra z Grudziądza w Polske XV wieku’, Muzyka, 34/3 (1989), 3–46
• Petrusová, Jitka, ‘Rozbor tzv. Speciálníku královéhradeckého (rkp. II A 7 Muzea v Hradci Králové) s přihlédnutím k dalším hudebním pramenům z doby okolo r. 1500’ (M.A. dissertation, Charles University, Prague, 1994)
• Petrusová, Jitka , ‘Kodex Speciálník v kontextu soudobé světské tvorby’ (M.A. dissertation, University of Prague, 1996)
• Picker, Martin, ‘Polyphonic Settings c. 1500 of the Flemish Tune “In minen sin”’, Journal of the American Musicological Society, 12 (1959), 94–5
• Picker, Martin (ed.), The Chanson Albums of Marguerite of Austria: MSS 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels (Berkeley and Los Angeles, 1965)
• Picker, Martin, 'Newly Discovered Sources for In Minen Sin', Journal of the American Musicological Society, 17 (1964), 133–43
• Picker, Martin, The Chanson Albums of Marguerite of Austria: MSS 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels: ACritical Edition and Commentary (Berkeley and Los Angeles, 1965)
• Picker, Martin, 'More 'Regret' Chansons for Marguerite d'Autriche', Musique naturelle et musique artificielle: In Memoriam Gustav Reese, ed. Mary Beth Winn, Le Moyen Francais, 5 (Montreal, 1980), 81–101
• Picker, Martin (ed.), Album de Marguerite d'Autriche : Brussel, Koninklijke Bibliotheek, Ms. 228 (Peer, 1986)
• Picker, Martin, 'The Alamire Scriptorium and the Dissemination of the 'New' Franco-Flemish Chanson in the Early Sixteenth Century', in Bouckaert et al. 2003, 285–98
• Pinchart, Alexandre, Archives des arts, sciences et lettres: documents inédits (Ghent, 1860)
• Pirrotta, Nino, and Ettore LiGotti, 'Paolo Tenorista, fiorentino 'extra moenia'', Estudios Dedicados a Menéndez Pidal, 3 (Madrid, 1952), 577–606

• Plamenac, Dragan, Dijon: Bibliothèque Publique: Manuscrit 517, Publications of Mediaeval Musical Manuscripts, 12 (Brooklyn, n.d.)

• Plamenac, Dragan, 'Review of Monumentos de la Musica Española, I', Musical Quarterly, 34 (1948), 289–93

• Plamenac, Dragan, ‘A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville’, Musical Quarterly, 37 (1951), 501–42, and 38 (1952), 85–117, 245–77

• Plamenac, Dragan, 'New light on the Codex Faenza 117', Bericht über den internationalen Kongress für Kirchenmusik in Bern, 30. August bis 4. September 1952, Publikationen der Schweizerischen Musikforschenden Gesellschaft, 2, vol. 3 (Bern, 1953), 310–26

• Plamenac, Dragan, 'The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356)', Annales Musicologiques, 2 (1954), 105–87
• Plamenac, Dragan, 'An Unknown Composition by Dufay?', Musical Quarterly, 40 (1954), 190–200
• Plamenac, Dragan, 'Une Composition Inconnue de Dufay?', Revue Belge de Musicologie, 8 (1954), 75–83
• "Plamenac, Dragan, 'A Postscript to 'The ""Second"" Chansonnier of the Biblioteca Riccardiana’’, Annales Musicologiques, 4 (1956), 261–5"
• Plamenac, Dragan, ‘Music Libraries in Eastern Europe: A Visit in the Summer of 1961’, Notes, 19 (1961–2), 217–34, 411–20, 584–98
• Plamenac, Dragan, Facsimile Reproduction of the Manuscripts Sevilla 5-1-43 & Paris N. A. Fr. 4379 (Pt. 1), Publications of Medieval Musical Manuscripts, 8 (Brooklyn, 1962)
• Plamenac, Dragan, 'The Two-Part Quodlibets in the Seville Chansonnier', The Commonwealth of Music: In Honor of Curt Sachs eds. Gustave Reese and Rose Brandel (New York, 1965), 163–8

• Plamenac, Dragan, 'On Reading Fifteenth-Century Chanson Texts', Journal of the American Musicological Society, 30 (1977), 320–4

• Plamenac, Dragan, and Richard Wexler (eds.), Johannes Ockeghem: Collected Works (American Musicological Society, 1947–92)
• Plocek, Václav, Catalogus codicum notis musicis instructorum (Prague, 1973)
• Pohanka, Jaroslav, Dějiny české hudby v příkladech (Prague, 1958)

• Pope, Isabel, and Masakata Kanazawa, 'The musical manuscript Montecassino N879 [sic; recte 871]', Anuário Musical, 19 (1964), 123–5

• Pope, Isabel, and Masakata Kanazawa (eds.), The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century (Oxford, 1978)
• Powers, Wendy Jane, ‘The Music Manuscript Fondo Magliabechi XIX.178 of the Biblioteca Nazionale Centrale, Florence: A Study in the Changing Role of the Chanson in Late Fifteenth-Century Florence’ (Ph. D. dissertation, Columbia University, 1994)
• Prizer, William Flaville, ‘Marchetto Cara and the North Italian Frottola’ (Ph.D. dissertation, University of North Carolina at Chapel Hill, 1974)
• Prizer, William F., ‘Music and Ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece’, Early Music History, 5 (1985), 113–53
• Prizer, William, 'Paris, Bibliotheque Nationale MS Res Vm7 676 and Music at Manrua', Trasmissione e recezione delle forme di cultura musicale, Atti del XIV congresso della Società internazionale di musicologia, ed. Angelo Pompilio (Turin 1990), 235–9
• Prizer, William, 'Instrumental Music/Instrumentally Performed Music ca. 1500: The Genres of Paris Bibliotheque Nationale MS Res Vm7 676', Les concert des voix et des instruments a la Renaissance. Actes du XXXIVe Colloque International d’Études Humanistes, Tours 1991, ed. Jean-Michel Vaccaro (Paris, 1995), 170–98
• Pujol, David, ‘Maniscritos de Mùsica Neerlandesa conservados en 1a Biblioteca del Monasterio de Montserrat’, Atti del Congresso Internazionale di Musica Sacra (Roma, 25-30 Maggio 1950), ed. Higinio Anglès (Tournai, 1952), 319–22
• Querol, Miguel, 'La producción musical de Juan del Encina (1469-1529)', Anuário Musical, 24 (1969), 121–31
• Reaney, Gilbert, 'The Manuscript Oxford, Bodleian Library, Canonici Misc. 213', Musica Disciplina, 9 (1955), 73–104
• Redmond, Mary, ‘A Set of Part-Books for Giuliano de' Medici: Cortona, Biblioteca Comunale, Mss. 95, 96 and Paris, Bibliothèque Nationale, Nouvelle Acquisition 1817’ (Master's dissertation, University of Illinois, 1970)
• Reese, Gustave, ‘Maldeghem and his Buried Treasure: A Bibliographical Study’, Notes, 6 (1948–9), 75–117
• Reese, Gustav, Music in the Renaissance (Londom, 1959)

• Reynolds, Christopher, ‘The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory’, Early Music History, (1981), 257–304

• Reynolds, Christopher A., ‘The Music Chapel at San Pietro in Vaticano in the Later Fifteenth Century’ (Ph.D. dissertation, Princeton University, 1982)

• Riedel, Johannes, ‘Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation’ (Ph.D. dissertation, University of Southern California, 1951)

• Riemann, Hugo, Handbuch der Musikgeschichte (Leipzig, 1904–13; repr. of the 2nd edition, New York and London, 1972)

• Rifkin, Joshua, ‘A 'New' Renaissance Manuscript’, paper read at the Thirty-Seventh Annual Meeting of the American Musicological Society, held at Chapel Hill and Durham, N.C. (1971)

• Rifkin, Joshua, 'Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries', Journal of the American Musicological Society, 26 (1973), 305–26
• Rifkin, Joshua, 'Pietrequin Bonnel and Ms. 2794 of the Biblioteca Riccardiana', Journal of the American Musicological Society, 29 (1976), 284–96
• Rifkin, Joshua, ‘Ein römisches Messenrepertoire am bayerischen Hof—Bemerkungen zum Wolfenbütteler Chorbuch A Aug. 2° und zu seinem Umkreis’, paper read at colloquium Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, held at Wolfenbüttel, September 14–17, 1976
• Rifkin, Joshua, ‘Munich, Milan, and a Marian Motet: Dating Josquin’s Ave Maria … virgo serena’, Journal of the Amercian Musicological Society, 56 (2003), 239–350
• Ringmann, Heribert,‘Das Glogauer Liederbuch (um 1480)’, Zeitschrift für Musikwissenschaft, 15 (1932–3), 49–60
• Ringmann, Heribert, and Joseph Klapper (eds.), Das Glogauer Liederbuch, 2 vols. (1–2), EDM 4, 8 (Kassel, 1936–7)

• Robijns, Jozef, ‘Eine Musikhandschrift des frühen 16. Jahrhunderts im Zeichen der Verehrung unserer Lieben Frau der Sieben Schmerzen (Brüssel, Kgl. Bibliothek, Hs. 215-216)’, Kirchenmusikalisches Jahrbuch, 44 (1960), 28–43

• "Robinson, Alexander, ‘Le manuscrit Magdalene College ""Pepys 1760"" de Cambridge: un miroir de la cour française pendant le règne de Louis XII (1498-1515)’ (Master 2 Dissertation, Université Paris IV Sorbonne, 2009)"
• Robyns, Josef, Pierre de la Rue (Circa 1460–1518): Een bio-bibliographische Studie (Brussels, 1954)
• Roediger, Karl Erich, Die geistlichen Musikhandschriften der Universitätsbibliothek Jena (Jena, 1935)
• Rosenauer, Artur, andAlfred Koehler (eds.), Hispania Austria: Die katholischen Könige Maximilian I. und die Anfänge der Casa de Austria in Spanien, exh. cat., Innsbruck, 3 July– 20 September 1992 (Milan, 1992)
• Roth, Adalbert, ‘Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484): Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana’ (Ph.D. dissertation, Johann Wolfgang Goethe-Universität, Frankfurt am Main, 1982)

• Roth, Adalbert, Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV (1471-1484): Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana, Capellae apostolicae sixtinaeque collectanea acta monumenta, 1 (Vatican City State, 1991) 

• Royer, Louis, 'Catalogue des Écrits des Théoriciens de la Musique conservés dans le Fonds Latin des Manuscrits de la Bibliothèque Nationale', L'année Musicale, 3 (1913), 206–46
• Rubio Piqueras, Felipe, Música y Músicos toledanos: Estudio artísticocritico (Toledo, 1922–3)
• Rubio Piqueras, Felipe, Códices Polifónicos Toledanos (Toledo, 1925)
• Ruiz, Justo Sevillano, ‘Catálogo musical del Archivo Capitular de Tarazona’, Anuario Musical, 16 (1961), 149–76
• Ruiz, Justo Sevillano et al., Biblioteca de la iglesia catedral de Tarazona: Catálogo de libros manuscritos, incunables y de música, Fuentes Historicas Aragonesas, 12 (Zaragoza, 1984)
• Russell, Theodore C., 'Cantus Firmus Technique in the Music of Fifteenth Century Manuscripts of English Provenance', Student Musicologists at Minnesota, 2 (1967), 52–77

• Sáez Guillén, José Francisco, Catálogo de manuscritos de la Biblioteca Colombina de Sevilla, 2 vols. (Seville, 2002)

• Sandberger, Adolf, et al. (eds.), Denkmäler der Tonkunst in Bayern [= Denkmäler Deutscher Tonkunst: Zweite Folge] (Braunschweig, 1900–38)

• S-Beste, Thomas, ‘Textunterlegung in den Alamire-Handschriften’, in Bouckaert et al. 2003, 37–57
• S-Beste, Thomas, ‘Über Quantität und Qualität von Musikhandschriften des 16. Jahrhunderts’, Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext , eds. Theodor Göllner and Bernhold Schmid, (Munich, 2006), 191–211
• S-Beste, Thomas, and Hanna V, ‘Mise-en-Page in Choirbooks, ca. 1450–1550’, Gazette du livre medieval, 55 (2009), 31–42
• Schavran, Henrietta, ‘The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440–1480’ (Ph.D. dissertation, New York University, 1978)

• Schmitz, Arnold, et al. (eds.), Musikalische Denkmäler (Mainz, 1955–)

• Schneider, Màrius, 'Existen elementos de música popular en el 'Cancionero Musical de Palácio'?', Anuário Musical, 8 (1953), 177–92
• Schoop, Hans, Entstehung und Verwendung der Handschrift Oxford Bodleian Library, Canonici misc. 213, Publikationen der Schweizerischen Musikforschenden Gesellschaft, 2, vol. 24 (Bern and Stuttgart, 1971), 72–85
• Schreurs, Eugeen, ‘Petrus Alamire: Music Calligrapher, Musician, Composer, Spy’, in Kellman 1999, 15–27
• Schreurs, Eugeen and Bruno Bouckaert, ‘The Dutch Song Mijn Hert Altijt Heeft Verlanghen as a Model’, in Bouckaert et al. 2003, 259–84
• Searle, Arthur, Music Manuscripts (London, 1987)
• Searle, Arthur, A Canon in Honour of Henry VIII, A.D. 1516 (London, 1990)

• Seay, Albert, ‘Florence: The City of Hothby and Ramos’, Journal of the American Musicological Society, 9 (1956), 193-5

• Seay, Albert (ed.), Johannis Octobi: Tres Tractatuli contra Bartholomeum Ramum, Corpus Scriptorum de Musica, 10 (American Institute of Musicology, 1964)

• Seay, Albert (ed.), Elziarii Geneti (Carpentras): Opera Omnia, CMM 58, (American Institute of Musicology, 1972–3)

• Sevillano, Justo, 'Catálogo musical del Archivo Capitular de Tarazona', Anuário Musical, 16 (1961), 149–76

• Sherr, Richard J., ‘The Papal Chapel ca. 1492–1513 and its Polyphonic Sources’ (Ph.D. dissertation, Princeton University, 1975)

• Shipp, Clifford Marion, ‘A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597’ (Ph.D. dissertation, North Texas State College, 1960)

• Silbiger, Alexander, ‘An Unknown Partbook of Early Sixteenth Century Polyphony’, Studi Musicali, 6 (1977), 43–67

• Skinner, David, and Nicolas Bell (eds.), Music for King Henry: BL Royal MS II E XI, 2 vols. (London, 2009)

• Slim, H. Colin, A Gift of Madrigals and Motets (Chicago and London, 1972)
• Smeyers, Maurits, and Jan Van der Stock, Flemish Illuminated Manuscripts 1475–1550 (Ghent and Amsterdam, 1996)
• Smijers, Albert (ed.), Werken van Josquin des Prez: Motetten (Amsterdam, 1926–64)

• Smijers, A. (ed.), Werken van Josquin des Prez: Missen (Amsterdam, 1927–56)

• Smijers, Albert, 'Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten', Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 14 (1935), 165–81
• Smijers, Albert, ‘Meerstemmige muziek van de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch’, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16 (1940–6), 1–30

• Smijers, Albert, M. Antonowycz and W. Elders (eds.), Werken van Josquin des Prés: Supplement (Amsterdam, 1969)

• Smijers, Albert, and M. van Crevel (eds.), Jacobus Obrecht, Opera Omnia (Amsterdam, 1953–)

• Snížková, Jitka, Česká polyfonní tvorba (Prague, 1958)
• Snížková, Jitka, ‘Solnicky Gradual Samuela Soukenika’, Casopis Národního Muzea, 136 (1967), 21
• Snow, Robert Joseph, ‘The Manuscript Strahov D.G.IV.47’ (Ph.D. dissertation, University of Illinois, 1968)
• Snow, Robert J., 'Toledo Cathedral Ms. Reservado 23: A Lost Manuscript Rediscovered', Journal of Musicology, 2 (1983), 246–77

• Catalogue of Printed Books, Illuminated Manuscripts etc. which will be sold by auction by Messrs. Sotheby. London, 1939 [March 7] (1939), 49–50

• Sparks, Edgar H., The Music of Noel Bauldeweyn (American Musicological Society, 1972)
• Spratt, John F., ‘The Masses of Antoine de Févin’ (Ph.D. dissertation, Florida State University, 1960)
• Squire, William Barclay, 'On an early Sixteenth Century MS. of English Music in the Library of Eton College', Archaeologia, 56 (1898), 89–102

• Staehelin, Martin, ‘Pierre de la Rue in Italien’, Archiv für Musikwissenschaft, 27 (1970), 128–37

• Staehelin, Martin, ‘Zum Schicksal des alten Musikalien-Fonds von San Luigi dei Francesi in Rom, Fontes Artis Musicae, 17 (1970), 120–7

• Staehelin, Martin, Der Grüne Kodex der Viadrina: Eine wenig beachtete Quelle zur Musik des späten 15. und frühen 16. Jahrhunderts in Deutschland, Abhandlungen der Akademie der Wissenschaften und der Literatur (Geistes- und Sozialwissenschaftlichen Klasse), 10 (Jg. 1970) (Mainz, 1971)

• Staehelin, Martin, ‘Eine Florentiner Musik-Handschrift aus der Zeit um 1500: Quellenkundliche Bemerkungen zur Frottola-Sammlung Ms. Egerton 3051 des British Museum und zum 'Wolffheim-Manuskript' der Library of Congress’, Schweizer Beiträge zur Musikwissenschaft, 1 (1972), 55–81

• Staehelin, Martin, ‘Neues zu Bartholomeus Frank’, Festschrift Arnold Geering zum 70. Geburtstag: Beiträge zur Zeit und zum Begriff des Humanismus vorwiegend aus dem Bereich der Musik, ed. Victor Ravizza (Bern and Stuttgart, 1972), 119–28

• Staehelin, Martin, ‘Obrechtiana’, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25 (1975), 1–37

• Staehelin, Martin (ed.), Die Messen Heinrich Isaacs, 3 vols., Publikationen der Schweizerischen Musikforschenden Gesellschaft, II/28 (Bern and Stuttgart, 1977)
• Staehelin, Martin, ‘Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich,’ in Finscher 1981, 71–94
• Staehelin, Martin (ed.), Gestalt und Entstehung musikalischer Quellen im 15. und 16. Jahrhundert, Quellenstudien zur Musik der Renaissance, 3 (Wiesbaden, 1998)
• Staehelin, Martin, Neues zu Werk und Leben von Petrus Wilhelmi: Fragmente des mittleren 15. Jahrhunderts mit Mensuralmusik im Nachlaß von Friedrich Ludwig, Kleinüberlieferung mehrstimmiger Musik vor 1550 im deutschen Sprachgebiet, 3 (Göttingen, 2001)
• Staehelin, Martin et al., Musikalischer Lustgarten: Kostbare Zeugnisse der Musikgeschichte (Catalogue of exhibition at Herzog August Bibliothek, Wolfenbüttel, May–December 1985)
• Instituto de Valencia de Don Juan, Status du Thoison. Insigne Ordendel Toison de Oro, Valencia, 1999.
• Stevens, John, ‘Early Tudor Songbooks’ (Ph.D. dissertation, University of Cambridge, 1952)
• Stevens, John, Music and Poetry in the Early Tudor Court (Cambridge, 1961)
• Stevens, John, Music at the Court of Henry VIII, Musica Britannica, 18 (London, 1962)
• Stevenson, Robert, Spanish Music in the Age of Columbus (The Hague, 1960)
• Stevenson, Robert, Spanish Cathedral Music in the Golden Age (Berkeley and Los Angeles, 1961)
• Stevenson, Robert, 'The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources', Fontes Artis Musicae, 20 (1973), 87–107

• Strohm, Reinhard, 'Die Missa super “Nos amis” von Johannes Tinctoris', Die Musikforschung, 32 (1979), 34–51

• Strohm, Reinhard, Music in Late Medieval Bruges (Oxford, 1985)

• Strohm, Reinhard, ‘Messzyklen iiber deutsche Lieder in den Trienter Codices’, Liedstudien: Wolfgang Osthoff zum 60. Geburtstag, ed. Martin Just and Reinhard Wiesend (Tutzing, 1989), 77–106
• Strohm, Reinhard, The Rise of European Music, 1380–1500 (Cambridge, 1993)
• Strohm, Reinhard, ‘European Cathedral Music and the Trent Codices’, I codici musicali trentini: Nuove scoperte e nuovi orientamenti della ricerca, ed. Peter Wright (Trent 1996), 15–29
• Stummvoll, Josef (ed.), Die Österreichische Nationalbibliothek: Festschrift hrsg. zum 25jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick (Vienna, 1948)
• Swing, Peter Gram, ‘Parody and Form in Five Polyphonic Masses by Mathieu Gascongne’ (Ph.D. dissertation, University of Chicago, 1969)
• Thannabaur, Peter Josef, Das einstimmige Sanctus der römischen Messe in der handschriftlichen Überlieferung des 11. bis 16. Jahrhunderts, Erlanger Arbeiten zur Musikwissenschaft, 1 (Munich, 1962)
• Thibault, Geneviéve, 'Le Chansonnier Nivelle de la Chaussée', Annales Musicologiques, 7 (1964–77), 11–16
• Thomson, James, An Introduction to Philippe(?) Caron, Musicological Studies, 9 (New York, 1964)
• Thomson, James (ed.), Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson (Brooklyn, 1976)
• Thoss, Dagmar, Flämische Buchmalerei: Handschriftenschätze aus dem Burgunderreich, exh. cat., Österreichische Nationalbibliothek, 21 May–26 October 1987 (Graz, 1987)

• Thoss, Dagmar, ‘Flemish Miniature Painting in the Alamire Manuscripts’, in Kellman 1999, 53–62

• Tirro, Frank, ‘La Stesura del Testo nei Manoscritti di Giovanni Spataro’, Revista Italiana di Musicologia, 15 (1980), 31–70

• Todd, R. Larry, ‘Retrograde, Inversion, Retrograde-Inversion, and Related Techniques in the Masses of Jacobus Obrecht’, Musical Quarterly, 64 (1978), 50–78
• Trowell, Brian (ed.), Four Motets by John Plummer (Banbury, 1968)
• Truhlář, Joseph, Catalogus manu scriptorum latinorum qui in C. R. Bibliotheca Publica atque Universitatis Pragensis asservantur, 2 vols. (Prague, 1905–6)

• Urchuegúia, Cristina, Die mehrstimmige Messe im ‘Goldenen Jahrhundert’: Überlieferung und Repertoirebildung in Quellen aus Spanien und Portugal (ca. 1490–1630), Würzburger musikhistorische Beiträge, 25 (Tutzing, 2003)

• Urkevich, Lisa, 'The Wings of the Bourbon: The Early Provenance of the Chansonnier London, British Library, Ms. Royal 20 A. XVI', Journal of the Alamire Foundation, 4 (2012), 91–113

• Urquhart, Peter, ‘Forbidden Intervals in Josquin: Evidence from the Alamire Sources’, in Bouckaert et al. 2003, 233–45
• Van Benthem, Jaap, ‘Einige wiederbekannte Josquin-Chansons im Codex 18746 der Österreichischen Nationalbibliothek’, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 22 (1971–2), 18–42

• van Benthem, Jaap, ‘Josquin’s Three-part ‘Chansons rustiques’: A Critique of the Readings in Manuscripts and Prints’, in Lowinsky 1976, 421–45

• Van den Bergen-Pantens, Christiane, L’héraldique dans les manuscrits antérieurs à 1600, exh. cat., Brussels, Bibliothèque Royale,8 May–15 June 1985 (Brussels, 1985)

• Van den Borren, Charles, ‘Inventaire des manuscrits de musique polyphonique qui se trouvent en Belgique’, Acta musicologica, 5 (1933), 66–71

• Van den Borren, Charles, ‘Inventaire des manuscrits de musique polyphonique qui se trouvent en Belgique’, Acta musicologica, 6 (1934), 116–21

• van der Heide, Klass Dirk, ‘Polytekstuele religieuze muziek aan het Bourgondisch-Habsburgse hof als spiegel van het laat-Middeleeuws wereldbeeld’ (Ph.D dissertation, University of Utrecht, 1998)
• Van der Stock, Jan, Printing images in Antwerp: the introduction of printing in a city: fifteenth century to 1585, Studies in Prints and Printmaking, 2 (Rotterdam, 1998)
• Van der Straeten, Edmond, La musique au Pays-Bas avant le XIXe siècle, 8 vols. (Brussels, 1867–88)
• Van Doorslaer, Georges, ‘Calligraphes de musique à Malines au XVIe siècle’, Bulletin du Cercle Archéologique, Littéraire & Artistique de Malines (1928), 91–102
• Van Doorslaer, Georges, ‘Antonius Divitis: Maître de chapelle-compositeur 1475–1526?’, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 13 (1929–32), 1–11
• Van Doorslaer, Georges, ‘La chapelle musicale de Philippe le Beau’, Revue belge d’archéologie et d’histoire de l’art, 4 (1934), 21–57, 139–65
• Vanišová, Dagmar, ‘Vícehlasé písňové skladby z 2. poloviny 15. a počátku 16. století ve Speciálníku královéhradeckém’, 2 vols. (MA dissertation, Charles University, Prague, 1981)
• Vanišová, Dagmar (ed.), Codex Speciálník, Thesaurus musicae Bohemiae, Series A (Prague, 1990)
• Van Maldeghem, Robert-Julien, Trésor musical: Collection authentique de musique sacrée & profane des anciens maîtres belges [...]Musique religieuse (Brussels, 1865–93)
• Väterlein, Christian (ed.), Das Glogauer Liederbuch, 2 vols. (3–4), EDM, 85–6 (Kassel, Basle and London, 1981)
• Verheyden, Prosper, Verheyden, Prosper, ‘Het Gezangboek van Margaretha van Oostenrijk’, Tijdschrift voor Boek- en Bibliotheekwezen, 2 (1904), 22–32, 74–84
• Verheyden, Prosper, ' De drukker en de componist van het Maximiliaanboek', Antwerpsch Archievenblad, 3 (1928), 268–82
• Verlivet, H.D.L. (ed.), Post-incunabula and their Publishers in the Low Countries (The Hague, 1978)
• Voelkle, William M. (ed.), Masterpieces of Medieval Painting: The Art of Illumination (Chicago, 1980)

• Waesberghe, Jos. Smits van (ed.), Guidonis Aretini: Micrologus, Corpus Scriptorum de Musica, 4 (American Institute of Musicology, 1955)

• Waesberghe, Jozef Smits van, ‘Een 15de Eeuws Muziekboek van de Stadsminstrelen van Maastricht?’, Renaissance-Muziek 1400-1600: Donum Natalicium René Bernard Lenaerts, ed. Jozef Robijns (Louvain, 1969), 247–73

• Wagner, Peter, Geschichte der Messe (1913)
• Wahlgren-Smith, Lena, 'Heraldry in Arcadia: The Court Eclogue of Johannes Opicius', Renaissance Studies, 14 (2000), 210–34
• Wangermée, Robert, Flemish Music and Society in the Fifteenth and Sixteenth Centuries (New York, 1968)
• Wanley, Humphrey, et al., A Catalogue of the Harleian Manuscripts in the British Museum (London, 1808–12)
• Ward, John, 'The Lute Music of MS Royal Appendix 58', Journal of the American Musicological Society, 13 (1960), 117–25
• Ward, Tom Robert, ‘The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century’ (Ph.D. dissertation, University of Pittsburgh, 1969)
• Ward, Tom R., 'The Polyphonic Office Hymn and the Liturgy of Fifteenth Century Italy', Musica Disciplina, 26 (1972), 161–88
• Ward, Tom R., ‘Another Mass by Obrecht?’, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 27 (1977), 102-8
• Ward, Tom R., [review of Just 1975], Journal of the American Musicological Society, 30 (1977), 524–31
• Ward, Tom R., The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory, Renaissance Manuscript Studies, 3 (American Institute of Musicology, 1979)
• Ward, Tom R., ‘A Central European Repertory in Munich, Bayerische Staatsbibliothek, Clm 14274’, Early Music History, 1 (1981), 325–43
• Warmington, Flynn, ‘Review of Huys, Bernard and Sebastian A.C. Dudok Van Heel (eds.), Occo Codex (Brussels, Royal Library, Albert I, MS. IV. 922 (Buren, 1979)’, Notes, second series, 38.2 (1981), 406–9
• Warmington, Flynn, ‘A Master Calligrapher in Alamire’s Worskshop: Towards a Chronology of his Work’, Abstracts of Papers read at the Annual Meeting of the American Musicological Society, Ann Arbor, 1982 (Philadephia 1982), 21
• Warmington, Flynn, ‘A Survey of Scribal Hands in the Manuscripts’, in Kellman 1999, 41–6
• Warner, S. Townsend, 'The Point of Perfection in XVI Century Notation', Proceedings of the Royal Musical Association, 45 (1918–19), 53–74
• Warner, George F. and Julius P. Gilson, Catalogue of Western Manuscripts in the Old Royal and King’s Collections, 4 vols. (London, 1921)
• Watson, Andrew G., Catalogue of Dated and Datable Manuscripts c. 700–1600 in The Department of Manuscripts: The British Library, 2 vols. (London, 1979)

• Weiss, Susan F., 'The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento' (Ph.D. dissertation, University of Maryland, 1985)

• Wexler, Richard, 'The Complete Works of Johannes Prioris' (Ph.D. dissertation, New York University, 1974)

• Wexler, Richard, 'Music and Poetry in Renaissance Cognac', Musique naturelle et musique artificielle: In Memoriam Gustav Reese, ed. Mary Beth Winn, Le Moyen Francais, 5 (Montreal, 1980), 102–14
• Wieck, Roger S., Painted Prayers: The Book of Hours in Medieval and Renaissance Art (New York, 1997)
• Wieczorek, Ryszard,‘Breslauer Kodex 2016: Ein Zwischenbericht’, Musikgeschichte zwischen Ost- und Westeuropa: Symphonik – Musik – Sammlungen: Tagungsbericht Chemnitz 1995, ed. Helmut Loos, Deutsche Musik im Osten, 10 (Sankt Augustin, 1997), 357–70
• Wieczorek, Ryszard, ‘Wrocławski kodeks menzuralny WarU 2016 (PL-Wu 5892, olim Mf. 2016): Stan i perspektywy badań’, Staropolszczyzna muzyczna: Księga konferencji, Warszawa 18–20 października 1996, ed. Jolanta Guzy-Pasiakowa, Agnieszka Leszczyńska and Mirosław Perz (Warsaw, 1998), 83–116
• Wieczorek, Ryszard, Musica figurata w Saksonii i na Śląsku u schyłku XV wieku: Studia nad repertuarem kodeksów menzuralnych Berlin 40021, Leipzig 1494 i Warszawa 5892, Uniwersytet im. Adama Mickiewicza w Poznaniu, seria muzykologia, 7 (Poznań, 2002)
• Wieczorek, Ryszard,‘Fakty o kontrafaktach: Muzyka niderlandzko-włoska w źródłach sasko-śląskich przełomu XV/XVI wieku’, Europejski repertuar muzyczny na ziemiach Polski, ed. Elżbieta Wojnowska (Warsaw, 2003), 39–52
• Wieczorek, Ryszard,‘Italienische Musik in Mitteleuropa in der 2. Hälfte des 15. Jahrhunderts’, Early Music: Context and Ideas: International Conference in Musicology, Kraków, 18 September 2003(Cracow, 2003), 21–35
• Wieczorek, Ryszard,‘Facts about Contrafacta: Netherlandish-Italian Music in Saxo-Silesian Sources from Late Fifteenth Century’, in Helman 2004, 16–37
• Wiesflecker, Hermann, Kaiser Maximilian I. Das Reich, Österreich und Europa an der Wende zur Neuzeit, vol. IV: Gründung des habsburgischen Weltreiches, Lebensabend und Tod 1508–1519 (Vienna, 1981)
• Wijsman, Hanno (ed.), Books in Transition at the Time of Philip the Fair, Burgundica, 15 (Turnhout, 2010)

• Willetts, Pamela J., Handlist of Music Manuscripts Acquired 1908-67 [by the British Museum] (Oxford, 1970)

• Williams, Carol J., 'The Salve Regina Settings in the Eton Choirbook' Miscellanea Musicologica [Adelaide], 10 (1979), 28–37

• Williamson, Magnus, The Eton Choirbook, Facsimile with introductory study (Oxford, 2010)

• Winkler, Friedrich, ‘Studien zur Geschichte der niederländischen Miniaturmalerei des XV. und XVI. Jahrhunderts‘, Jahrbuch der Kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses, 32.3 (1915), 279–342
• Winkler, Friedrich, Die flämische Buchmalerei des XV. und XVI. Jahrhunderts: Künstler und Werke von den Brüdern Van Eyck bis zu Simon Bening (Leipzig, 1925)
• Winkler, Heinz-Jürgen, ‘Bemerkungen zur Handschrift Vatikan, Biblioteca Apostolica Vaticana, Chigi C VIII 234’, in Staehelin 1998, 65–74
• Winn, Mary Beth, ‘Some Texts for Chansons by Loyset Compere', Musica Disciplina, 33 (1979), 43–54
• Wittek, Martin, and Therese Glorieux-De Gand, Manuscrits datés conservés en Belgique, v: 1481–1540, Manuscrits conservés à la Bibliothèque Royale Albert 1er (Brussels, 1987)
• "Wolf, Johannes, Geschichte der Mensural-Notation von 1250–1460 nach den theoretischen und praktischen Quellen, 3 vols. (Leipzig, 1904

• Wolf, Johannes (ed.), Werken van Jacob Obrecht (Leipzig and Amsterdam, 1908–21

• Wolf, Johannes (ed.), 25 Driestemmige Oud-Nederlandsche Liederen uil het einde der vijftiende eeuw naar den Codex London British Museum Add. Mss. 35087 (Amsterdam and Leipzig, 1910)

• Wolf, Johannes, Handbuch der Notationskunde (Leipzig, 1913–19)

• Wolff, Hellmuth Christian, Die Musik der alten Niederländer (15. und 16. Jahrhundert) (Leipzig, 1956)

• Wolff, Arthur S. ‘The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose, and Music’ (Ph.D. dissertation, North Texas State University, 1970)

• Wright, Cyril Ernest, Fontes Harleiani: A Study of the Sources of the Harleian Collection of Manuscripts in the British Museum (London, 1972)
• Youens, Laura, ‘Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50’ (Ph.D. dissertation, Indiana University, 1978)
• Zenatti, Albino, 'Andrea Antico da Montona', Archivio storico per Trieste, l'Istria e il Trentino, 4 vols., eds. Salomone Morpurgo, and Albino Zenatti, vol. 3 (Rome, 1881–2), 167–99

• Ziino, Agostino, Documenti di Polifonia in Abruzzo (Rome, 1974)

• Zilynskij, B., ‘K starší fázi vývoje literátských bratrstev na Novém Městě Pražském’, Hudební věda, 24 (1987), 147–53