PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Hradec Králové, Czech Republic, Muzeum Východních Čech, Knihovna, MS Hr-26 (II A 21) (olim 8707)

Manuscript type: partbook (single)

RISM siglum: CZ-HKm II.A.21

DIAMM Source Key: 1822

Image repositories: Manuscriptorium

Folio(s): All folios

Date: First half of 16th century

Location of origin: Hradec Králové, Czech Republic

Provenance

16th century. From the collection of a confraternity of literati at the Church of the Holy Spirit in Hradec Králové.

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe

Basis for description: high-quality image

Hradec Králové, Czech Republic, Muzeum Východních Čech, Knihovna, MS Hr-26 (II A 21) (olim 8707), All folios

Physical description

Material: paper

Number of leaves: B: 114

Format: upright

Page dimensions: 220 x 160

Quire structure: Text version

Other devices: Modern pagination partly stamped, partly retraced in ink, bottom middle, 1-228.

Page details (zoom):

Preparation and Copying

pp. 1-202

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid always,
vertical bounding lines only
Ruling pattern highly regular
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
hard point or lead point normally often hardly visible
Colour of staves Frequency Folios Note
brown always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
varies normally only on p. 1 staves indented, but subsequently deep indents over 1-3 ruled staves at the beginning of every new piece.
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid rarely
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
notation and staves extended into margin sometimes
other occasionally pp. 147-150 Inserted bifolium, much less regularly ruled, 5-7 staves, pp. 148-150 ruled with straightedge rather than rastrum , different hand(s)

Copying of text and music

Language(s) Czech, Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one or two texts bassus normally
partially texted with one text bassus occasionally
untexted bassus rarely
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note teardrop shaped, mostly one single scribe (except pp. 148-150)
Monophonic notation absent
Level of calligraphy fair
Text 1
Types of script cursive
Level of calligraphy high
Colour(s) of text black red brown
Multiple texts yes
occasionally
Text repetitions few
Abbreviations fairly many
Non underlaid vocal text none
Text 2
Types of script display script
Types of script size position large, in margins or above music
Level of calligraphy high
Colour(s) of text red
some with yellow wash
Liminary text liturgical rubrics

Decoration

Level of Decoration very poor
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
initials planned always Very substantial amount of space provided for initials at the beginning of every piece (usually 3 staves); no guide letter, but text begins with second letter of first word.
Other decoration frequency Folios Other decoration type(s) Size position Description Discrepancies
normally decorated letters, littera notabilior rubrics and some capitals in sung text rubric in large display script and in red ink. Capitals in sung text decorated with yellow wash
pp. 203-215

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid none visible
Ruling pattern fairly irregular
music notation combined with text, usually two staves at the top and/or the bottom of the page
Staves omitted from grid n/a
Incomplete staves often
Medium and colour of grid Frequency Folios Note
n/a always
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
single always
Extra space between voice parts Frequency Folios Note
variable space, not on grid always
Space provided for separate text Frequency Folios Note
provided, in dedicated space always

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one or two texts bassus normally
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note teardrop shape
Monophonic notation absent
Level of calligraphy fair
Later changes Folios
Music on pp. 203, 208, 210 and 211 not executed
Text
Types of script cursive
Level of calligraphy high
Colour(s) of text black
Multiple texts no
Text repetitions none
Abbreviations some
Non underlaid vocal text additional
liturgical texts, alternating with polyphonic sung verses

Decoration

Level of Decoration fair
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
penned initials normally calligraphic , flourished large red calligraphic initials with modest flourishing
pp. 216-223

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid never
Ruling pattern fairly irregular
Staves omitted from grid n/a
Incomplete staves never
Medium and colour of grid Frequency Folios Note
n/a always
Colour of staves Frequency Folios Note
brown always
Ruling medium Frequency Folios Note
single rastrum always same rastrum as the one used for pp. 1-202
Indentation for initials Frequency Folios Note
single always
Extra space between voice parts Frequency Folios Note
variable space, not on grid always
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
partial additional staves rarely p. 223
made for complete additional staves rarely p. 218

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one or two texts bassus normally
provided with one or two incipits bassus occasionally
untexted bassus occasionally
Music
Colour(s) of notation brown
Type(s) of notation void mensural
Type of notation note teardrop shape
Monophonic notation absent
Level of calligraphy fair
Text
Types of script cursive
Level of calligraphy fair
Colour(s) of text brown
Multiple texts yes
Text repetitions none
Abbreviations some
Non underlaid vocal text none

Decoration

Level of Decoration n/a