PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 20

Manuscript type: choirbook

RISM siglum: D-Ju 20

DIAMM Source Key: 1227

Image repositories: UrMEL

Folio(s): All folios

Date: c. 1515-20

After 1512, the death of Antoine de Févin (marked as deceased, ff. 37v, 43v) and before 1525, the death of Frederick the Wise.

Location of origin: Brussels, Belgium ; Mechelen, Belgium

Provenance

1) Prepared for Frederick the Wise, Elector of Saxony (1486-1525), probably at All Saints Church in Wittenberg (heraldic arms with motto 'Tant que je puis', f. 1v). 2) When a later Elector, Johann Friedrich I, was deposed in 1547, he retired to Weimar, taking with him the court library. The collection was transferred to Jena in the following year to become the foundation of the library of the Hochschule (later Jena University).

Artists/Scribes

Person: Scribe D, (member of Habsburg-Burgundian 'Alamire' workshop (Mechelen, Belgium))
Person type: scribe
Note: Scribe D copied the music and the text (<a href="/bibliography/#entry640" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Kiel, Jacobijn and Flynn Warmington, ‘Overview of the Scribes’, in Kellman 1999, 47–52 "><i class="fa fa-book"></i>Kiel/Warmington 1999</a>, 52).

Person: Anonymous, Anonymous
Person type: artist
Note: Anonymous (f. 1v).

Person: Anonymous, Anonymous
Person type: scribe
Note: inserted paper leaves, foliated as ff. 70-71, by a scribe not found elsewhere in the Alamire complex. Presumably a copyist of Frederick the Wise; the watermarks are the coat of arms of Saxony (<a href="/bibliography/#entry960" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550, eds Charles Hamm and Herbert Kellman, 5 vols, Renaissance Manuscript Studies 1 (Neuhausen/Stuttgart 1979-1988)"><i class="fa fa-book"></i>Census-Catalogue</a> I, 293)

Bibliography

Roediger 1935, I, 50-1, II, 29-38; Kellman 1976, 198-200, 209;  Census-Catalogue I, 293, IV, 414; Kapp 1987, 124; Heidrich 1993, XVIII-XIX; Kellman 1999, no. 19.

Basis for description: original

Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 20, All folios

Physical description

Material: parchment (with paper)

Number of leaves: 116

Format: upright

Page dimensions: 435 x 320

Quire structure: Text version

Other devices: Two added paper leaves, included in foliation as ff. 70-71. Modern Arabic foliation in ink: 1-51, 51a-115.

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking always,
in outer margins, but but pricked for 10 while normal maximum is 9 staves; top and bottom for vertical bounding lines
Ruled grid always,
single line to left and right, no horizontal ruling for text
Ruling pattern fairly regular
staves ruled freehand, sometimes varying in distance.
Staves omitted from grid often
Incomplete staves rarely,
13v, 17r, 24v, 35r, 40r, 42v, 43v, 63v
Medium and colour of grid Frequency Folios Note
lead point always
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
triple occasionally 13v, 19v, 25v, 31v, 37v, 43v, 49v, 54v, 60v, 66v, 74v, 80v, 86v, 92v, 98v, 104v at the beginning of the Magnificats after the first opening except for the second and the last Magnificat (ff. 7v, 110v)
double sometimes
single often
Extra space between voice parts Frequency Folios Note
staves not ruled on grid often
empty ruled staves on grid occasionally
Space provided for separate text Frequency Folios Note
no separate text never
Adhoc adaptation Frequency Folios Note
notation and staves extended into margin often

Copying of text and music

Language(s)
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts normally
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note slender and strongly pointed rhomboid shape
Monophonic notation absent
Level of calligraphy very high
Non verbal performance instructions Folios Note
signes-de-renvoi Cross with four dots arranged around its centre in red ink (ff. 2v-3r, 5v-6r, 11v-12r, 13r, 15v-16r, 17r, 36v-37r, 75v-76r, 76v-77r, 78v-79r, 79v-80r, 94v-95r, 95v-96r, 107v-108r, 108v-109r) and a cross with four dots arranged around its centre in black ink (ff. 101v-102r).
signa congruentiae in form of three pyramidal dots ending in a stroke
Line fillers Folios Note
few 80v some repeated custodes; staggered rests
Later changes Folios
voice-part added to empty staves (f. 21v) words added to text underlay (f. 40v) two inserted paper leaves with music and text (ff. 70v-71r) text underlay added to music (ff. 98v-104r); piece of paper with music and text by another hand sewn onto parchment (f. 103v)
Text 1
Types of script cursive (bastarda)
Level of calligraphy high
Colour(s) of text black red
red used for headers and partly for instructions and tacet inscriptions
Multiple texts no
Text repetitions few
Abbreviations few
Non underlaid vocal text none
Later changes voice-part added to empty staves (f. 21v); words added to text underlay (f. 40v); two inserted paper leaves with music and text (ff. 70v-71r); text underlay added to music (ff. 98v-104r); piece of paper with music and text by another hand sewn onto parchment (f. 103v)
Text 2
Types of script display script
Types of script size position for voice-names at the beginning of voice-parts, headers, tacet inscriptions and instructions
Level of calligraphy high
Colour(s) of text black red
Liminary text titles and/or composers' names (ff. 2r, 7v, 13v, 19v, 25v, 31v, 37v, 43v, 49v, 54v, 60v, 66v, 74v, 80v, 86v, 92v, 98v, 104v, 110v) tacet inscriptions (ff. 5r, 7r, 10r, 10v, 11r, 12r, 15r, 15v, 22v, 23r, 26v, 27v, 28r, 29v, 30r, 32v, 41r, 57v, 58r, 61v, 62r, 63v, 65r, 69v, 74v, 78v, 83r, 88v, 89v, 93v, 95r, 95v, 105v, 106v, 107r, 108r, 111v, 112r, 114r); voice designations; canon instructions; verte instructions

Decoration

Level of Decoration high
Decoration miniature frequency Folios Size position Description Discrepancies
rarely 1v one miniature, three staves high, at the beginning of the first opening heraldic arms of Frederick the Wise
Decoration border frequency Border type Folios Size Position Description Discrepancies
rarely None 1v partial borders: one-sided upper margin scroll which bears the motto 'Tant que je puis' of Frederick the Wise
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
painted initials never
initials planned rarely 35r
penned initials normally at the beginning of each voice-part initials partly decorated with grotesque heads in brown ink
penned initials occasionally at the beginning of each voice-part large calligraphic initials with white borders, at the beginning of some major divisions (ff. 19v, 31v, 37v, 43v, 49v, 66v-67r, 86v-87r)
penned initials rarely 2r at the beginning of each voice-part decorated initials developing grotesque heads, highlighted with coloured washes, at the beginning of the first opening (f. 2r)
Other decoration frequency Folios Other decoration type(s) Size position Description Discrepancies
never