PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 32

Manuscript type: choirbook

RISM siglum: D-Ju 32

DIAMM Source Key: 1232

Image repositories: UrMEL

Folio(s): All folios

Date: c. 1496-1498

Location of origin: Germany (South), Germany

Provenance

Made in Southern Germany and brought by Frederick the Wise to his court in Wittenberg in 1498; part of Bibliotheca electoralis

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe

Basis for description: original

Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 32, All folios

Physical description

Material: paper (with parchment)

Number of leaves: 282

Format: upright

Page dimensions: 436 x 288

Quire structure: Text version

Other devices: 1. Original quire signatures, a-z, A-E, brown ink bottom right, partly cut off
2. Modern foliation pencil top right, 1-282

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking always,
in outer margin, bottom line of each stave; occasionally visible at bottom for vertical bounding lines
Ruled grid always,
single line to left and right, sometimes single line added for text
Ruling pattern highly regular
1-11 pentagrams, staves ruled on pricked grid, very even.
Staves omitted from grid often
Incomplete staves never
Medium and colour of grid Frequency Folios Note
hard point and lead point always text lines in lead point
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
single always at beginning of every voice (often staves 1 and 6 or 7, but with many variations), c. 30-50 mm
Extra space between voice parts Frequency Folios Note
staves not ruled on grid often
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
notation and staves extended into margin rarely

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts normally some sections in the lower voices texted only partially or not at all
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note large rhomboid shape pointed at top and squat at bottom, straight stems slightly tapered at tip (Heidrich scribe H)
Monophonic notation absent
Level of calligraphy fair
Line fillers Folios Note
sometimes some extended final notes, but not obviously functioning as line-fillers some repeated custodes
Text
Types of script textura
Types of script note with bastarda elements
Level of calligraphy fair
Colour(s) of text black red
cantus firmus texts in red, 134v-138r
Multiple texts yes
134v-138r,
cantus firmus text above ordinary text
Text repetitions none
Abbreviations few
Liminary text Voice designations B, A, T as initials, not written out; Performance instructions (Canons, Tacet etc.), occasionally, in black

Decoration

Level of Decoration poor
Decoration border frequency Border type Folios Size Position Description Discrepancies
rarely decorated 1v partial borders: one-sided lower margin
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
initials planned occasionally
painted initials rarely 1v decorated 'K' gold on blue ground in red frame, 2 lines
penned initials normally calligraphic large cadels entered after staves, but before music and text