PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 33

Manuscript type: choirbook

RISM siglum: D-Ju 33

DIAMM Source Key: 1233

Image repositories: UrMEL

Folio(s): All folios

Date: 1495-1520

Location of origin: Germany (South), Germany ; Wittenberg, Germany

Provenance

Begun in Southern Germany during the visit of Frederick the Wise to Southern Germany in 1497/8; brought to Wittenberg in 1498, with additions made by local scribes; part of Bibliotheca electoralis

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe

Basis for description: original

Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 33, All folios

Physical description

Material: paper (with parchment)

Number of leaves: 221

Format: upright

Page dimensions: 440 x 295

Quire structure: Text version

Other devices: Modern foliation pencil top right, 1-221

Page details (zoom):

Preparation and Copying

1v-5r, 35v-37r, 211v-220r

Preparation

Disposition of Voice Parts Key

Pricking always,
in outer margin, bottom line of each stave
Ruled grid always,
single line to left and right, sometimes single line added for text
Ruling pattern highly regular
staves ruled on pricked grid, very even.
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
hard point and lead point always
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
single always 211v-216r staves 1 and 6 always indented, c. 15-20 mm.
none never 1v-5r, 216-221r no indents. Music and text indented over ruled staves to accommodate voice designations
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid often
Space provided for separate text Frequency Folios Note
no separate text never

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note even or slightly squat rhomboid shape (Heidrich scribe Q)
Monophonic notation absent
Level of calligraphy fair
Level of calligraphy note medium
Text
Types of script textura
Types of script note with humanist elements
Level of calligraphy fair
Colour(s) of text black red
Rubrics in red
Multiple texts no
Text repetitions none
Abbreviations few
Liminary text Voice designations fully written out in red, in indentations

Decoration

Level of Decoration n/a
44v-48r, 66v-89, 111v-121, 173v-184r, 188v-193

Preparation

Disposition of Voice Parts Key

Pricking always,
in outer margin, bottom line of each stave
Ruled grid always,
single line to left and right, sometimes single line added for text
Ruling pattern highly regular
all,
4-10 pentagrams, staves ruled on pricked grid, very even.
Staves omitted from grid often
Incomplete staves never
Medium and colour of grid Frequency Folios Note
hard point always
Colour of staves Frequency Folios Note
brown always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
single normally at beginning of every voice (often staves 1 and 6, but with many variations), c. 25-35 mm
double sometimes at beginning of every voice (often staves 1-2 and 6-7, but with many variations), c. 25-35 mm
Extra space between voice parts Frequency Folios Note
staves not ruled on grid often
Space provided for separate text Frequency Folios Note
no separate text never

Copying of text and music

Language(s) Latin
Higlighting none
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note even rhomboid shape, slender (Heidrich scribe R)
Monophonic notation absent
Level of calligraphy high
Line fillers Folios Note
sometimes repeated custodes
Text
Types of script textura
Level of calligraphy high
Colour(s) of text black red
Rubrics in red, normally
Multiple texts no
Text repetitions none
Abbreviations few
Liminary text Voice designation fully written out in red, in indentations

Decoration

Level of Decoration n/a
Decoration miniature frequency Folios Size position Description Discrepancies
never
Decoration border frequency Border type Folios Size Position Description Discrepancies
never None None
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
painted initials never
penned initials never
initials planned often
6-35r, 37v-44r, 48v-66r, 90-111r, 122-171r, 184v-188r, 194-211r

Preparation

Disposition of Voice Parts Key

Pricking always,
in outer margin, bottom line of each stave
Ruled grid always,
single line to left and right, sometimes single line added for text
Ruling pattern highly regular
3-10 pentagrams, staves ruled on pricked grid, very even.
Staves omitted from grid often
Incomplete staves never
Medium and colour of grid Frequency Folios Note
hard point and lead point always hard point, text lines in lead point
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
single always at beginning of every voice (often staves 1 and 6, but with many variations), c. 25-40 mm
Extra space between voice parts Frequency Folios Note
staves not ruled on grid often
Space provided for separate text Frequency Folios Note
no separate text never
Adhoc adaptation Frequency Folios Note
partial additional staves rarely 49v-50r added Alleluia, staves off grid

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note large rhomboid shape pointed at top and squat at bottom, straight stems slightly tapered at tip (Heidrich scribe H)
Monophonic notation present
intonations, black square notation, often
Level of calligraphy fair
Text
Types of script textura
Types of script note with bastarda elements
Level of calligraphy fair
Colour(s) of text black
Multiple texts no
Text repetitions none
Abbreviations few

Decoration

Level of Decoration poor
Decoration miniature frequency Folios Size position Description Discrepancies
rarely 6v: Mary with Child, 2 lines
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
initials planned sometimes
penned initials normally calligraphic , calligraphic with decoration large cadels, D cadel (top verso) often with additional penwork in red ink; also smaller cadels for internal sections, often in the middle of a stave over ruling. Entered after staves, but before music and text
painted initials rarely 90v, 144v fol. 90v, top left: Red M on blue with floral ornaments and border penwork, 1 line fol. 144v, top left: Golden C on blue with floral ornaments and border penwork, partly coloured