Munich, Germany, Bayerische Staatsbibliothek, Musica MS 5 (olim H.C.50; = MaiM 10), All folios
Physical description
Material: paper
Number of leaves: 204
Format: upright
Page dimensions: 560 x 400
Quire structure: Text version
Other devices: 1. Modern pencil foliation recto top right, 1-203 (by J. J. Maier) (last folio unnumbered).
2. Original quire signatures in ink, bottom right of every first recto, partially trimmed off.
Page details (zoom):
Preparation and Copying
All foliosPreparation
Disposition of Voice Parts Key
Pricking |
occasionally,
mostly for bounding lines only; also single prickings for staves from f. 140 |
Ruled grid | rarely |
Ruling pattern |
fairly irregular
Staves ruled flexibly to accommodate music |
Staves omitted from grid | n/a |
Incomplete staves |
often,
length of staves adjusted to amount of music |
Medium and colour of grid | Frequency | Folios | Note |
---|---|---|---|
lead point | normally | 1-41, 95-204 | |
hard point | occasionally | 42-94 | |
Colour of staves | Frequency | Folios | Note |
black | always | ||
Ruling medium | Frequency | Folios | Note |
single rastrum | always | ||
Indentation for initials | Frequency | Folios | Note |
single | normally | first stave of each voice-part on each opening nearly always indented for initial, voice name or visual separation; depth of indentation very variable | |
Extra space between voice parts | Frequency | Folios | Note |
variable space, not on grid | often | ||
Space provided for separate text | Frequency | Folios | Note |
no separate text | always | ||
Adhoc adaptation | Frequency | Folios | Note |
notation and staves extended into margin | rarely |
Copying of text and music
Language(s) | Latin |
---|---|
Order of Copying |
music first
always |
Presence/absence of text | Voice part | Frequency | Folios | Note |
---|---|---|---|---|
fully texted with one text | all voice parts | always |
Music
Colour(s) of notation | black |
Type(s) of notation | void mensural |
Type of notation note | rhomboid-shaped notation |
Monophonic notation | absent |
Level of calligraphy | high |
Text 1
Types of script | textura |
Colour(s) of text | black |
Multiple texts | no |
Text repetitions | fairly many |
Abbreviations | fairly few |
Non underlaid vocal text | none |
Liminary text | Rubrics, voice designations (at beginning of pieces incorporating initials, within pieces usually only to indicate reduced textures); composer ascriptions. Tacet inscriptions, canonic inscriptions. |
Text 2
Types of script | display script |
Types of script size position | Rubrics, voice designations (at beginning of pieces incorporating initials, within pieces usually only to indicate reduced textures); composer ascriptions; all in red ink. Tacet inscriptions, canonic inscriptions, some in red, some in black. |
Types of script note | Textura, only slightly bigger and more elaborate than sung text. Sometimes large Roman capitals |
Level of calligraphy | high |
Colour(s) of text | black red |
Decoration
Level of Decoration | fair |
Decoration initial type | Frequency | Folios | Initial type(s) | Size position | Description | Discrepancies |
---|---|---|---|---|---|---|
penned initials | occasionally | 1v-2r, 41v-42r, 87v-88r, 119v-120r | calligraphic | Initials in blue, green, purple, red. Referring to text in D, to voice names in other voices. |