PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Vatican, Biblioteca Apostolica Vaticana, MS Santa Maria Maggiore 26 (olim JJ.III.4)

Manuscript type: choirbook

RISM siglum: CV-Vbav SMM 26

DIAMM Source Key: 1495

Image repositories: Biblioteca Apostolica Vaticana

Folio(s): All folios

Date: c. 1516-20

Roth 1982. With additions to ca. 1550 (Hudson 1976).

Location of origin: Rome, Italy

Provenance

Copied in Rome, possibly for the church of Santa Maria Maggiore. Came into BAV as part of the Biblioteca Liberiana

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe

Basis for description: original

Vatican, Biblioteca Apostolica Vaticana, MS Santa Maria Maggiore 26 (olim JJ.III.4), All folios

Physical description

Material: paper

Number of leaves: i + 283

Format: upright

Page dimensions: 550 x 425

Quire structure: Text version

Other devices: 1. Modern foliation pencil recto bottom centre, 1-283

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid always,
single line to left and right, no lines for text (except 257v-283 with text between double lines 3-5 mm apart)
Ruling pattern highly regular
10 pentagrams, very even and parallel.
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
hard point or lead point always
Colour of staves Frequency Folios Note
brown always
Ruling medium Frequency Folios Note
double rastrum always 24+24 mm (lower stave very slightly smaller than upper one) 20 mm apart
Indentation for initials Frequency Folios Note
double always First two staves on every page, c. 4-6 cm deep; often filled in. Lower voices music and text indented over ruled staves to accommodate initials
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid often
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
Indentation for initials filled in often
notation and staves extended into margin occasionally
notation extended into margin often custodes almost always in right margin

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note rhomboid, variable shapes according to scribe
Monophonic notation absent
Level of calligraphy high
Non verbal performance instructions Folios Note
signes-de-renvoi sometimes
signa congruentiae rarely
Line fillers Folios Note
often repeated custodes, normally, sometimes even after final barline of a section
Text
Types of script cursive
Types of script note various types (several scribes)
Level of calligraphy fair,
variable
Colour(s) of text black brown
Multiple texts no
occasionally cantus firmus text interleaved with ordinary text
Text repetitions fairly few
Abbreviations some
Non underlaid vocal text none
Liminary text Tacet and verte instructons, some. Voice designations rare (initials relate to sung text).

Decoration

Level of Decoration fair
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
painted initials occasionally
penned initials sometimes calligraphic cadel-type, some very elaborate
initials planned often