PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F X 5-9

Manuscript type: partbooks (complete set)

RISM siglum: CH-Bu F.X.5-9

DIAMM Source Key: 1551

Folio(s): All folios

Date: c. 1510-1547

Note on the back of the B wrapper: 'Bonifacius Amorbacchius Basil M.D.X.'

Location of origin: Basel, Switzerland

Provenance

Part 1 given to the 15-year-old Bonifacius Amerbach in 1510, probably written in that year. Later expanded by Christoph Piperinus (and amended by Johannes Wannenmacher) and again given to Amerbach (Kmetz 1988, 254-5).

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe
Location of origin: Basel, Switzerland
Note: Part 1

Person: Piperinus, Christoph
Person type: scribe
Location of origin: Basel, Switzerland
Note: Part 2

Person: Wannenmacher, Johannes
Person type: scribe
Location of origin: Basel, Switzerland
Note: Added and edited parts

Bibliography

Kmetz 1988, 253-267

Basis for description: high-quality image

Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F X 5-9, All folios

Physical description

Material: paper

Number of leaves: D: i + 37; A: ii + 38; T: 35; B: i + 36; Vg: ii + 24

Format: oblong

Page dimensions: 96 x 155

Quire structure: Text version

Other devices: 1. Modern pencil foliation, top right;
2. Original piece numbering, ink in left margin, partial for second part (D partbook 1-30 = no. 9-38; A partbook 1-19 = no. 9-26);
3. Modern piece numbering, pencil in left margin

Page details (zoom):

Preparation and Copying

D: 1-7; A: 1-7; T: 1-8; B: 1-8

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid always
Ruling pattern fairly regular
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
red ink always double vertical lines to the left and right of the writing space. No text lines.
Colour of staves Frequency Folios Note
brown always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
none always
Extra space between voice parts Frequency Folios Note
left below voice parts as part of grid rarely
Space provided for separate text Frequency Folios Note
no separate text always

Copying of text and music

Language(s) Dutch, French, German, Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
untexted all voice parts occasionally
provided with single incipit all voice parts normally
provided with single incipit all except tenor rarely
fully texted with one text tenor rarely
Music
Colour(s) of notation brown
Type(s) of notation void mensural
Type of notation note teardrop-shaped notation
Monophonic notation absent
Level of calligraphy poor
Non verbal performance instructions Folios Note
signes-de-renvoi D f. 7v
repeat signs occasionally
Line fillers Folios Note
none
Text
Types of script cursive (humanistic)
Level of calligraphy fair
Colour(s) of text brown
Multiple texts no
Text repetitions none
Abbreviations some
Non underlaid vocal text none
Liminary text Author ascriptions (to 'H. I.' = Henricus Isaac), occasionally

Decoration

Level of Decoration fair
Decoration miniature frequency Folios Size position Description Discrepancies
rarely D, f. 2r; T, ff. 1v-2r Full-page, on separate pages at beginning of D and T partbook. D, f. 2r: Venus standing on a column above a pond with seven figures swimming in it. Surrounded by quotes from Horace, Propertius and Tibullus. T, f. 1v: Figure of a philosopher, with Latin proverbs written next to him. f. 2r: Figure of Death shooting arrows at the various Ages of Man and Estates, accompanied by verses from Horace. Coloured pen drawings.
D: 8-37; A: 8-38; T: 9-35; B: 9-36; Vg: 1-26

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid always
Ruling pattern highly irregular
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
none always
Colour of staves Frequency Folios Note
brown always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
none always
Extra space between voice parts Frequency Folios Note
none always
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
partial additional staves rarely

Copying of text and music

Language(s) French, German, Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
provided with single incipit all except discantus and tenor sometimes
fully texted with one text discantus and tenor sometimes
fully texted with one text discantus and altus rarely
provided with single incipit all except discantus and altus rarely
fully texted with one text discantus rarely
provided with single incipit all except discantus rarely
fully texted with one text altus rarely
provided with single incipit all except altus rarely
fully texted with one text tenor occasionally
provided with single incipit all except tenor occasionally
fully texted with one text all voice parts sometimes
provided with single incipit all voice parts sometimes
untexted all voice parts rarely
Music
Colour(s) of notation black brown
Type(s) of notation void mensural
Type of notation note teardrop-shaped notation
Monophonic notation absent
Level of calligraphy poor
Non verbal performance instructions Folios Note
signa congruentiae occasionally
Later changes Folios
passages of music corrected, crossed out. deleted or erased, occasionally
Text
Types of script cursive (humanistic)
Level of calligraphy poor
Colour(s) of text black brown
Multiple texts no
Text repetitions none
Abbreviations some
Non underlaid vocal text none
Liminary text Composer ascriptions, occasionally, rarely with date (e.g. T f. 19r, 20v, 25v) Remarks of local significance (e.g. T f. 9v: 'Hie Schwitz')

Decoration

Level of Decoration very poor