Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F X 5-9, All folios
Physical description
Material: paper
Number of leaves: D: i + 37; A: ii + 38; T: 35; B: i + 36; Vg: ii + 24
Format: oblong
Page dimensions: 96 x 155
Quire structure: Text version
Other devices: 1. Modern pencil foliation, top right;
2. Original piece numbering, ink in left margin, partial for second part (D partbook 1-30 = no. 9-38; A partbook 1-19 = no. 9-26);
3. Modern piece numbering, pencil in left margin
Page details (zoom):
Preparation and Copying
D: 1-7; A: 1-7; T: 1-8; B: 1-8Preparation
Disposition of Voice Parts Key
Pricking | none visible |
Ruled grid | always |
Ruling pattern | fairly regular |
Staves omitted from grid | never |
Incomplete staves | never |
Medium and colour of grid | Frequency | Folios | Note |
---|---|---|---|
red ink | always | double vertical lines to the left and right of the writing space. No text lines. | |
Colour of staves | Frequency | Folios | Note |
brown | always | ||
Ruling medium | Frequency | Folios | Note |
single rastrum | always | ||
Indentation for initials | Frequency | Folios | Note |
none | always | ||
Extra space between voice parts | Frequency | Folios | Note |
left below voice parts as part of grid | rarely | ||
Space provided for separate text | Frequency | Folios | Note |
no separate text | always |
Copying of text and music
Language(s) | Dutch, French, German, Latin |
---|---|
Order of Copying |
music first
always |
Presence/absence of text | Voice part | Frequency | Folios | Note |
---|---|---|---|---|
untexted | all voice parts | occasionally | ||
provided with single incipit | all voice parts | normally | ||
provided with single incipit | all except tenor | rarely | ||
fully texted with one text | tenor | rarely |
Music
Colour(s) of notation | brown |
Type(s) of notation | void mensural |
Type of notation note | teardrop-shaped notation |
Monophonic notation | absent |
Level of calligraphy | poor |
Non verbal performance instructions | Folios | Note |
---|---|---|
signes-de-renvoi | D f. 7v | |
repeat signs | occasionally | |
Line fillers | Folios | Note |
none |
Text
Types of script | cursive (humanistic) |
Level of calligraphy | fair |
Colour(s) of text | brown |
Multiple texts | no |
Text repetitions | none |
Abbreviations | some |
Non underlaid vocal text | none |
Liminary text | Author ascriptions (to 'H. I.' = Henricus Isaac), occasionally |
Decoration
Level of Decoration | fair |
Decoration miniature frequency | Folios | Size position | Description | Discrepancies | ||
---|---|---|---|---|---|---|
rarely | D, f. 2r; T, ff. 1v-2r | Full-page, on separate pages at beginning of D and T partbook. | D, f. 2r: Venus standing on a column above a pond with seven figures swimming in it. Surrounded by quotes from Horace, Propertius and Tibullus. T, f. 1v: Figure of a philosopher, with Latin proverbs written next to him. f. 2r: Figure of Death shooting arrows at the various Ages of Man and Estates, accompanied by verses from Horace. Coloured pen drawings. |
Preparation
Disposition of Voice Parts Key
Pricking | none visible |
Ruled grid | always |
Ruling pattern | highly irregular |
Staves omitted from grid | never |
Incomplete staves | never |
Medium and colour of grid | Frequency | Folios | Note |
---|---|---|---|
none | always | ||
Colour of staves | Frequency | Folios | Note |
brown | always | ||
Ruling medium | Frequency | Folios | Note |
single rastrum | always | ||
Indentation for initials | Frequency | Folios | Note |
none | always | ||
Extra space between voice parts | Frequency | Folios | Note |
none | always | ||
Space provided for separate text | Frequency | Folios | Note |
no separate text | always | ||
Adhoc adaptation | Frequency | Folios | Note |
partial additional staves | rarely |
Copying of text and music
Language(s) | French, German, Latin |
---|---|
Order of Copying |
music first
always |
Presence/absence of text | Voice part | Frequency | Folios | Note |
---|---|---|---|---|
provided with single incipit | all except discantus and tenor | sometimes | ||
fully texted with one text | discantus and tenor | sometimes | ||
fully texted with one text | discantus and altus | rarely | ||
provided with single incipit | all except discantus and altus | rarely | ||
fully texted with one text | discantus | rarely | ||
provided with single incipit | all except discantus | rarely | ||
fully texted with one text | altus | rarely | ||
provided with single incipit | all except altus | rarely | ||
fully texted with one text | tenor | occasionally | ||
provided with single incipit | all except tenor | occasionally | ||
fully texted with one text | all voice parts | sometimes | ||
provided with single incipit | all voice parts | sometimes | ||
untexted | all voice parts | rarely |
Music
Colour(s) of notation | black brown |
Type(s) of notation | void mensural |
Type of notation note | teardrop-shaped notation |
Monophonic notation | absent |
Level of calligraphy | poor |
Non verbal performance instructions | Folios | Note |
---|---|---|
signa congruentiae | occasionally | |
Later changes | Folios | |
passages of music corrected, crossed out. deleted or erased, occasionally |
Text
Types of script | cursive (humanistic) |
Level of calligraphy | poor |
Colour(s) of text | black brown |
Multiple texts | no |
Text repetitions | none |
Abbreviations | some |
Non underlaid vocal text | none |
Liminary text | Composer ascriptions, occasionally, rarely with date (e.g. T f. 19r, 20v, 25v) Remarks of local significance (e.g. T f. 9v: 'Hie Schwitz') |
Decoration
Level of Decoration | very poor |