PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Rome, Italy, Biblioteca Casanatense, MS 2856 (olim O.V. 208)

Manuscript type: choirbook

RISM siglum: I-Rc 2856

DIAMM Source Key: 1457

Image repositories: Biblioteca Casanatense

Folio(s): All folios

Date: c. 1479-81

1485-90 (Wolff 1970); c. 1479-81 (Lockwood 1984).

Location of origin: Ferrara, Italy

Provenance

Copied in Ferrara; prepared as gift for Isabella d'Esté, honoring her betrothal (1480) and marriage (1490) to Gian Francesco Gonzaga, Marquis of Mantua. Possibly the "libro da canto figurato che scripse e notò Don Alessandro Signorello a la pifaresca" which Èrcole I d'Esté, Duke of Ferrara, commissioned for illumination by workshop of Andrea de le Viese in 1485 (Wolff 1970). Later owned by Giuseppe Ottavio Pitoni (1657-1743), director of the Cappella Giulia; willed to the Jesuit Collegio Germanico in Rome. After suppression of the order, the musical library dispersed. Next known owner of manuscript was the musicologist Giuseppe Baini (1775-1844); bequeathed by Baini to Biblioteca Casanatense. (CCM)

Artists/Scribes

Person: Signorello, Alessandro
Person type: scribe
Note: Earliest layer probably copied by Alessandro Signorello, employed by Este court at Ferrara (<a href="/bibliography/#entry997" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Wolff, Arthur S. &lsquo;The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose, and Music&rsquo; (Ph.D. dissertation, North Texas State University, 1970)"><i class="fa fa-book"></i>Wolff 1970</a>); new 131v-145r and 145v-146r, respectively, copied by two additional scribes.

Basis for description: original

Rome, Italy, Biblioteca Casanatense, MS 2856 (olim O.V. 208), All folios

Physical description

Material: parchment

Number of leaves: ii + 164 + ii

Format: upright

Page dimensions: 270 x 202

Quire structure: Text version

Title page / Frontispiece: on front pastedown (pasted in from earlier flyleaf of pastedown): "O. V. 208. in cc. Musica | Cod. 2856", further below: "Ex dono Baini"

Index / Table of Contents: Original index on ff. 2r-2v groups pieces alphabetically by first letter of text or title, with subgrouping under each letter by order of appearance. Index now incomplete (A-M pieces only) due to lost folio following new f. 2.

Colophon:

Other devices: 1. Original numbering of pieces, ink recto top right, 1-101 (ff. 3-131), 102-111 (ff. 147v-164r); ff. 131v-146r interpolated after first two sections completed.
2. Modern stamped foliation recto bottom right, 1-164, includes paper flyleaf preceding first parchment folio.

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking often,
for vertical bounding lines, top and bottom, very often trimmed off. None visible for staves in outer margins
Ruled grid always,
single line to left and right, lines for text added ad hoc of present at all
Ruling pattern highly regular
7 pentagrams, very parallel and even
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
brown ink and hard point always
Colour of staves Frequency Folios Note
reddish brown always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
none always no indentation of notation, initials where present in left margin
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid often
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
notation and staves extended into margin occasionally
notation extended into margin sometimes

Copying of text and music

Language(s) French, Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
provided with single incipit all voice parts normally
untexted all voice parts occasionally
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note rhomboid shaped notation, very large noteheads, stems drawn separately
Monophonic notation absent
Level of calligraphy high
Non verbal performance instructions Folios Note
signes-de-renvoi ornamental and flamboyant signes-de-renvoi from verso to recto on many pages (in red/brown ink, with birds, floral motifs etc.)
Line fillers Folios Note
often repeated custodes
Text
Types of script humanistic
Level of calligraphy high
Colour(s) of text brown
Multiple texts no
Text repetitions n/a
Abbreviations some
Non underlaid vocal text none
Liminary text Composer names, normally; voice designations, as initials except D, initials and fully written out afterwards below stave

Decoration

Level of Decoration fair
Decoration border frequency Border type Folios Size Position Description Discrepancies
rarely decorated 3v partial borders: two-sided lower margin, outer margin Vine and floral motifs, filigree work, and circular discs, in white and gold on deep blue ground decorated with light green, crimson, gold, silver, and black; combined coats of arms of Este and Gonzaga families incorporated into bottom border
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
penned initials normally plain initials Plain block style initials in red, blue, and gold
Other decoration frequency Folios Other decoration type(s) Size position Description Discrepancies
often signes-de-renvoi ornamental and flamboyant signes-de-renvoi from verso to recto on many pages (in red/brown ink, with birds, floral motifs etc.)