PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Tarazona, Spain, Archivo Capitular de la Catedral, MS 2-3

Manuscript type: choirbook

RISM siglum: E-TZ 2-3

DIAMM Source Key: 2021

Folio(s): All folios

Date: Early 16th century

Provenance

1) Probably copied in Seville (Census-Catalogue) or Toledo (Urchuegúia 2010)

Bibliography

Anglès 1941, 29; Anglès 1941-71, I, 122-124; Sevillano 1961, 150–5; MGG1, I, 1383-4; II, 1344; XII, 985; Census-Catalogue 1979-88, III, 194-195, IV, 477; Hardie 1983, 42-52, 128ff, 169-70, 184, 196ff, 270ff, 316ff; Ruiz et al. 1984, 110-115; Kreitner 1993; Urchuegúia 2003, 109-115.

Basis for description: original

Tarazona, Spain, Archivo Capitular de la Catedral, MS 2-3, All folios

Physical description

Material: paper

Number of leaves: i + 298 + i

Format: upright

Page dimensions: 545 x 390

Quire structure: Text version

Title page / Frontispiece: Pasted inside back cover, bookplate from 2002 (restoration): 'Magnum hoc opus praestantium regum nostrorum Elisabeth a Castilla et Ferdinandi ab Aragonia capellae musicae, eximia liturgicae poliphonicae musicae opera, a preclaris magistris composita, continens, denuo reparatum, pristina magnificentia ipsius recuperata, anno a nativitate domini bis millesimo secundo, excmi. Turiasonensis ecclesiae canonicorum capituli, Caesaraugustanae diputationis et institutionis 'Fernando el Catolico' sumptibus eiusdemque sectionis musicae antiquae intento labore, et sororum cisterciensium a monasterio sanctae luciae in civitate caesaraugustana cura diligentissima et accuratissimo nisu refectum fuit. Resonet in aeternum gloria deo.'

Index / Table of Contents: ff. 1r-3r: Table of contents

Other devices: 1. Original foliation starts on f. 4: i-lvii (ff. 4-59), lxii-ccxcix (ff. 60-297).
2. Separate foliation for MS 3, 1-119 (now ff. 66-294).
Watermark of eagle.

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking always,
usually visible in upper margins for bounding lines (lower margins have deteriorated in many places)
Ruled grid always
Ruling pattern highly regular
vertical bounding lines only
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
lead point always
Colour of staves Frequency Folios Note
dark brown always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
single normally Staves 1 and 7 normally indented, although sometimes stave lines have been filled in. ff. 4v-5r, 8r: first stave only indented. f. 5v: staves 1 and 8 indented (13 stave page).
double often Notation is often indented on two staves, particularly at the start of songs, even though only one stave is indented.
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid normally
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
partial additional staves rarely 98r
notation extended into margin rarely
notation and staves extended into margin occasionally
staveline added occasionally
Indentation for initials filled in sometimes

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black dark brown
Type(s) of notation chant (square), void mensural
Monophonic notation present
65v, 66v, 67v, 68v, 69v, 220v, 230v 233v, 235v
Level of calligraphy high
Non verbal performance instructions Folios Note
end symbol several closely spaced lines
signes-de-renvoi several forms: hand, finger, hand holding branch, pairs of matching symbols, cross-hatched bar...
signa congruentiae occasionally
Later changes Folios
Lower part of folio torn, now reattached, but inserted is a re-copied version of the lowest stave, presumable from when the lowest stave had been detached. 265r
Text
Types of script textura
Level of calligraphy high
Colour(s) of text black red dark brown
red only used in table of contents (1r-3r)
Multiple texts no
Text repetitions fairly few
Abbreviations fairly few
Non underlaid vocal text none
Liminary text Liturgical assignment, composer attribution, instructions on hymn choice (in Spanish, f. 24r), 'tacet', 'ut supra', 'duo', 'canon', canon instructions. Voice designations very rare.

Decoration

Level of Decoration fair
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
penned initials normally calligraphic , calligraphic with decoration, calligraphic with grotesque heads At the start of each voice part (indented), two or sometimes one stave tall Some drawn in similar ink to text/notation, others not. With a yellow wash ff. 4v-23r only. occasionally one voice part has a missing initial, e.g. ff. 88r, 123v
initials planned occasionally one stave indented, cue letter often visible often (but not always) occur when notation is not indented on second stave
Other decoration frequency Folios Other decoration type(s) Size position Description Discrepancies
normally littera notabilior second letter of underlaid text larger slightly decorative letter drawn by text scribe yellow wash 4v-23r