PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Uppsala, Sweden, Universitetsbiblioteket, MS Vokalmusik i Handskrift 76a

Manuscript type: choirbook

RISM siglum: S-Uu 76a

DIAMM Source Key: 2611

Folio(s): All folios

Date: c. 1490-1520

see Brown 1983

Location of origin: France

Provenance

Probably copied in southwestern France (Brown 1983).

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe

Basis for description: original

Uppsala, Sweden, Universitetsbiblioteket, MS Vokalmusik i Handskrift 76a, All folios

Physical description

Material: paper

Number of leaves: i + 81 + i

Format: upright

Page dimensions: 215 x 145

Quire structure: Text version

Non-musical texts: poems on bottom of 66r, 66v, bottom of 77v-78r and on 79r-81v; pentrials and maxims on 78v and front and rear endpapers

Other devices: 1. 19th-century (?) ink foliation recto top right, usually only every 5 folios. 2. Modern pencil foliation recto bottom right, 1-77 (78-81 taken up by ink foliation)

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking always,
for vertical bounding lines and for every stave, aligned with top line of stave
Ruled grid always,
single line to left and right, no lines for text
Ruling pattern highly regular
7 pentagrams, ruled absolutely regularly throughout. 79-81 unruled
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
reddish brown ink always
Colour of staves Frequency Folios Note
light brown always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
none always sometimes music and text indented over ruled stave to accommodate initial (scribe 2)
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid often
Space provided for separate text Frequency Folios Note
provided, in dedicated space sometimes in three-voice compositions, on blank staves underneath the D.
Adhoc adaptation Frequency Folios Note
partial additional staves occasionally 3r, 13r, 58v-66r
made for complete additional staves occasionally 58v-66r

Copying of text and music

Language(s) French, Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
untexted all except discantus often 1v-31r
provided with single incipit all except discantus sometimes 1v-31r
fully texted with one text discantus often 1v-31r
fully texted with one text all voice parts often 31v-37r, 43v-66r, 68v-73r
provided with single incipit discantus rarely
untexted discantus rarely
Music
Colour(s) of notation black brown
Type(s) of notation void mensural
Type of notation note variable, from rhomboid to teardrop. Probaby two main scribes and three adding further material later on (Brown 1983): 1: ff. 4v-31r, 37v-43r, 68v-73r, 78r; 2: ff. 31v-37r, 43v-57r, 67v-68r, 73v-77r; 3: ff. 1v-3r; 4: ff. 58v-66r; 5: ff. 57v-58r, top of f. 58r, f. 77v.
Monophonic notation absent
Level of calligraphy fair
Non verbal performance instructions Folios Note
signes-de-renvoi occasionally, some quite elaborate
Later changes Folios
material added by later copyists on ff. 1v-3r, 58v-66r, 57v-58r, 58v, and 77v.
Text
Types of script cursive (bastarda)
Level of calligraphy fair
Colour(s) of text brown
Multiple texts no
Text repetitions few
Abbreviations some
Non underlaid vocal text additional
additional strophes
Liminary text canonic inscription, f. 14r; voice designations, sometimes, some upside down; Duo or tacet inscriptions, rarely
Later changes some text underlaid later apparently by different hand(s)

Decoration

Level of Decoration very poor