PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Casale Monferrato, Italy, Archivio Capitolare, Fondo Musicale 4 (olim D(F))

Manuscript type: choirbook

RISM siglum: I-CMac FM 4

DIAMM Source Key: 3231

Folio(s): All folios

Location of origin: Casale Monferrato, Italy

Provenance

Made for Casale Monferrato Cathedral; still in situ.

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe

Basis for description: original

Casale Monferrato, Italy, Archivio Capitolare, Fondo Musicale 4 (olim D(F)), All folios

Physical description

Material: paper

Number of leaves: ii + 126 + ii

Format: upright

Page dimensions: 460 x 325

Quire structure: Text version

Index / Table of Contents: none

Colophon: none

Other devices: 1. Modern library foliation, pencil top right, 1-7, 10-128.
2. Partial original foliation, ink top right, viiii-xiiii (= 2-7), 3-5 (= 11-13), xviiii-xxi (= 15-18), 22-55, 59-66, 69-107, 109-116, continued with a (later cancelled) modern pencil foliation 117-140.
3. Original quire signatures, ink bottom right, partially trimmed off.

Page details (zoom):

Preparation and Copying

1-14

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid always,
single line to left and right, no lines for text.
Ruling pattern highly regular
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
hard point always
Colour of staves Frequency Folios Note
brown always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
none always indented over ruled stave ti accommodate initial, sometimes.
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid sometimes
Space provided for separate text Frequency Folios Note
not in dedicated space always 6v-7r added hymn strophes

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation brown
Type(s) of notation void mensural
Type of notation note rhomboid shaped notation; at least three different hands
Monophonic notation absent
Level of calligraphy fair
Text
Types of script textura
Types of script note at least three different hands of various levels of calligraphy
Level of calligraphy fair
Colour(s) of text brown
Multiple texts no
Text repetitions fairly many
usually indicated by '2' or ./.
Abbreviations few
Non underlaid vocal text additional
6v-7r,
different hymn text added between and below voice parts (non-underlaid)
Liminary text Voice designations, sometimes Verte indications, sometimes
Later changes 6v-7r: different hymn text added under music;

Decoration

Level of Decoration very poor
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
initials planned always
15-128

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid always,
single line to left and right, no lines for text
Ruling pattern highly regular
all,
11 pentagrams, very parallel and even
Staves omitted from grid never
Incomplete staves never
Note quire signatures
Medium and colour of grid Frequency Folios Note
hard point always all
Colour of staves Frequency Folios Note
brown always
Ruling medium Frequency Folios Note
double and single rastra always 5 x 2 and 1 (from top)
Indentation for initials Frequency Folios Note
double always staves 1-2 and 7-8, c. 45-65 mm
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid sometimes
Space provided for separate text Frequency Folios Note
no separate text never
Adhoc adaptation Frequency Folios Note
Indentation for initials filled in often
made for complete additional staves occasionally
notation and staves extended into margin occasionally
partial additional staves occasionally

Copying of text and music

Language(s)
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts normally
untexted all voice parts rarely 26v-27r, 29v-30v
provided with single incipit discantus rarely 25v-26r
untexted all except discantus rarely 25v-26r
Music
Colour(s) of notation brown
Type(s) of notation chant (square), void mensural
Type of notation note rhomboid shapes notation, various (at least four different hands)
Monophonic notation present
107v, 112v-117r,
chant intonations and some tenors notated in square notation
Level of calligraphy fair
Non verbal performance instructions Folios Note
signes-de-renvoi occasionally
Line fillers Folios Note
sometimes extended final longs
Text
Types of script various
Types of script note at least four hands
Level of calligraphy fair
Colour(s) of text brown
Multiple texts yes
rarely, for hymn strophes
Text repetitions many
usually indicated by '2', ii, // or .//.
Abbreviations fairly few
Non underlaid vocal text none
Liminary text Voice designations, occasionally Composer ascriptions, rarely

Decoration

Level of Decoration very poor
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
initials planned normally
penned initials occasionally calligraphic , plain initials where present, small initials, plain or minimally calligraphic, beneath stave with verbal text, in margins or in indentations (but much smaller than indentations themselves, presumably added to complete the text rather than as originally planned
Other decoration frequency Folios Other decoration type(s) Size position Description Discrepancies
often decorative final long