PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Casale Monferrato, Italy, Archivio Capitolare, Fondo Musicale 3 (olim P(E))

Manuscript type: choirbook

RISM siglum: I-CMac FM 3

DIAMM Source Key: 3230

Folio(s): All folios

Location of origin: Casale Monferrato, Italy

Provenance

Made for Casale Monferrato Cathedral; still in situ.

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe

Basis for description: original

Casale Monferrato, Italy, Archivio Capitolare, Fondo Musicale 3 (olim P(E)), All folios

Physical description

Material: paper

Number of leaves: ii + 129 + ii

Format: upright

Page dimensions: 467 x 337

Quire structure: Text version

Other devices: 1. Original foliation ink top right, 1-64, 67-133 (see quire structure).
2. Modern library foliation pencil bottom centre, 1-130.

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid always,
single line on left and right, no lines for text
Ruling pattern highly regular
all,
9 pentagrams, very parallel and even
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
hard point always
Colour of staves Frequency Folios Note
brown always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
none always indented over ruled stave to accommodate initial, sometimes.
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid sometimes
Space provided for separate text Frequency Folios Note
no separate text never
Adhoc adaptation Frequency Folios Note
notation and staves extended into margin sometimes notation sometimes extended into right margin to finish a line or for other space reasons, rarely on extended staves
made for complete additional staves rarely 16r
partial additional staves rarely 40v, 82r

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation brown
Type(s) of notation void mensural
Type of notation note rhomboid shaped notation; in main coprus very neat and straight, more uneven in additions by various hands.
Monophonic notation absent
Level of calligraphy fair
Line fillers Folios Note
few many substantially extended final notes, but not obviously functioning as line-fillers. Occasionally extra custodes as line-fillers where residuum continues on next opening
Later changes Folios
Variously added on over time and/or previously separate quires bound with main corpus.
Text
Types of script textura
Types of script note main body textura; additions in various cursive scripts (mostly italic/humanistic)
Level of calligraphy fair,
variable
Colour(s) of text brown
Multiple texts no
Text repetitions fairly few
sometimes indicated by ii or .//. signs
Abbreviations many
Non underlaid vocal text none
Liminary text No composer ascriptions, few voice designations. Occasional Tacet inscriptions, reduced voice designations ('Duo" etc.), performance instructions either above or in staves

Decoration

Level of Decoration fair
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
initials planned sometimes 19v, 24v-25r
penned initials sometimes calligraphic , flourished, plain initials modestly ornate cadels (especially ff. 1-19), some with additional penwork; sometimes simple capitals