PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 15075

Manuscript type: choirbook

RISM siglum: B-Br 15075

DIAMM Source Key: 1634

Image repositories: IDEM

Folio(s): All folios

Date: c. 1525

For John III of Portugal and Catherine of Austria (their portraits and heraldic arms, f. 2r), perhaps for their wedding on 25 February 1525.

Location of origin: Mechelen, Belgium

Provenance

1) John III of Portugal and Catherine of Austria (their portraits and heraldic arms, f. 2r). 2) M. le comte de Lichtervelde (inscription by following owner on parchment flyleaf at front). 3) Ch. van Hulthem, Ghent, 1821 (exlibris inside upper cover; inscription on parchment flyleaf at front). 3) Bibliothèque Royale de Belgique / Koningklijke Bibliotheek.

Artists/Scribes

Person: Scribe F, (member of Habsburg-Burgundian 'Alamire' workshop (Mechelen, Belgium))
Person type: scribe
Note: copied the music (<a href="/bibliography/#entry640" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Kiel, Jacobijn and Flynn Warmington, ‘Overview of the Scribes’, in Kellman 1999, 47–52 "><i class="fa fa-book"></i>Kiel/Warmington 1999</a>, 52).

Person: Master of John III of Portugal
Person type: artist
Note: ff. 1v-2r

Person: Scribe Z, (member of Habsburg-Burgundian 'Alamire' workshop (Mechelen, Belgium))
Person type: scribe
Note: copied the text (<a href="/bibliography/#entry640" data-tooltip="" class="has-tip tip-top reference" data-placement="top" rel="tooltip" data-original-title="" title="Kiel, Jacobijn and Flynn Warmington, ‘Overview of the Scribes’, in Kellman 1999, 47–52 "><i class="fa fa-book"></i>Kiel/Warmington 1999</a>, 52).

Bibliography

Winkler 1925, 129, 167; Van den Borren 1933, 69; Boom 1935, 189-95; Roediger 1935, I, 97; Kellman 1976, 209; Census-Catalogue, I, 95-96, IV, 296; Brown 1983; Kellman 1999, no. 5.

Basis for description: original

Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 15075, All folios

Physical description

Material: parchment

Number of leaves: iii + 130 + ii

Format: upright

Page dimensions: 570 x 390

Quire structure: Text version

Index / Table of Contents: index on parchment flyleaf at front, written by Ch. van Hulthem, Ghent, 1821 (according to inscription)

Other devices: 1. Tabs pasted onto outer margin at beginning of masses, only two extant (ff. 1, 64).
2. Modern pencil foliation top right, 1-130.

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking always,
Prickings in upper and lower margins for vertical bounding lines.No prickings visible for stave ruling
Ruled grid often,
Single line to left and right, text on double line, added where required.
Ruling pattern fairly regular
Staves matching on recto and verso pages, but not consistently ruled within quires
Staves omitted from grid often
Incomplete staves rarely,
34r, 49r
Medium and colour of grid Frequency Folios Note
lead point often
light brown ink occasionally
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
triple rarely 24v, 64v, 84v, 94v, 114v, 115v
double often
single often
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid sometimes
staves not ruled on grid often
Space provided for separate text Frequency Folios Note
no separate text never
Adhoc adaptation Frequency Folios Note
notation and staves extended into margin often

Copying of text and music

Language(s) Latin
Higlighting none
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts normally
Music
Colour(s) of notation black red
Type(s) of notation void mensural
Monophonic notation absent
Level of calligraphy very high
Non verbal performance instructions Folios Note
signes-de-renvoi Trefoil formed by three diamond shapes and a descending loop (ff. 2v-5r, 6v-8r, 9v-17r, 22v-26r, 29v-33r, 34v-35r, 36v-37r, 40v-41r, 45r, 46v-47r, 48v-49r, 50v-52r, 53v-56r, 57v-59r, 61v-63r, 64v-67r, 69v-71r, 72v-73r, 74v-78r, 79v-80r, 81v-83r, 84v-85r, 87v-91r, 93v-96r, 97v-102r, 105v-110r, 111v-112v, 124v-125r, 126v-127r), in red ink; once in black ink (f. 41v).
signa congruentiae in form of three pyramidal dots ending in a stroke or loop
Line fillers Folios Note
none
Text 1
Types of script cursive (bastarda)
Level of calligraphy very high
Colour(s) of text black red
Multiple texts no
Text repetitions very few
Abbreviations few
Non underlaid vocal text none
Liminary text titles and composer's name,
22v, 42v, 65r, 84v, 94v, 114v
Text 2
Types of script display script
Types of script size position Rubrics introduced by large initials for voice-names after the discantus, 'residuum' rubrics and partly instructions at the end of voice-parts on empty stave or in empty space.
Level of calligraphy very high
Colour(s) of text black red

Decoration

Level of Decoration very high
Decoration miniature frequency Folios Size position Description Discrepancies
rarely 1v, 2r three miniatures on first opening, three and four staves high (first stave omitted), at the beginning of voice-parts 1v: Virgin of the Immaculate Conception 2r: Portrait of John III of Portugal with a lion and heraldic arms / Portrait of Catherine of Austria with St Catherine of Alexandria and heraldic arms
Decoration border frequency Border type Folios Size Position Description Discrepancies
rarely None 1v, 2r partial borders: three-sided lower margin, outer margin, upper margin acanthus, flowers and strawberries, with a peacock, birds and snails, on a multi-coloured ground in gold, blue and red.
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
painted initials rarely 1v, 22v, 23r, 42v, 43r, 64v, 65r, 84v, 85r, 94v, 95r, 114v, 115r at the beginning of the discantus, three to four staves high, for the following voice-parts, one to two staves high, at beginning of works Initials in candelabrae style at the beginning of the discantus; once including a Virgin and Child on the Crescent Moon (f. 84v) and once a Crucifixion (f. 94v). Acanthus initials, partially decorated with flowers, birds etc, on coloured grounds at the beginning of the following voice-parts.
penned initials normally at the beginning of voice-parts
initials planned never
painted initials rarely 84v at the beginning of the discantus, three to four staves high, for the following voice-parts, one to two staves high, at beginning of works Initials in candelabrae style at the beginning of the discantus; once including a Virgin and Child on the Crescent Moon (f. 84v)
painted initials rarely 94v at the beginning of the discantus, three to four staves high, for the following voice-parts, one to two staves high, at beginning of works Initials in candelabrae style at the beginning of the discantus; once including a Crucifixion (f. 94v).
Other decoration frequency Folios Other decoration type(s) Size position Description Discrepancies
never