Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 15075, All folios
Physical description
Material: parchment
Number of leaves: iii + 130 + ii
Format: upright
Page dimensions: 570 x 390
Quire structure: Text version
Index / Table of Contents: index on parchment flyleaf at front, written by Ch. van Hulthem, Ghent, 1821 (according to inscription)
Other devices: 1. Tabs pasted onto outer margin at beginning of masses, only two extant (ff. 1, 64).
2. Modern pencil foliation top right, 1-130.
Page details (zoom):
Preparation and Copying
All foliosPreparation
Disposition of Voice Parts Key
Pricking |
always,
Prickings in upper and lower margins for vertical bounding lines.No prickings visible for stave ruling |
Ruled grid |
often,
Single line to left and right, text on double line, added where required. |
Ruling pattern |
fairly regular
Staves matching on recto and verso pages, but not consistently ruled within quires |
Staves omitted from grid | often |
Incomplete staves |
rarely,
34r, 49r |
Medium and colour of grid | Frequency | Folios | Note |
---|---|---|---|
lead point | often | ||
light brown ink | occasionally | ||
Colour of staves | Frequency | Folios | Note |
black | always | ||
Ruling medium | Frequency | Folios | Note |
single rastrum | always | ||
Indentation for initials | Frequency | Folios | Note |
triple | rarely | 24v, 64v, 84v, 94v, 114v, 115v | |
double | often | ||
single | often | ||
Extra space between voice parts | Frequency | Folios | Note |
empty ruled staves on grid | sometimes | ||
staves not ruled on grid | often | ||
Space provided for separate text | Frequency | Folios | Note |
no separate text | never | ||
Adhoc adaptation | Frequency | Folios | Note |
notation and staves extended into margin | often |
Copying of text and music
Language(s) | Latin |
---|---|
Higlighting | none |
Order of Copying |
music first
always |
Presence/absence of text | Voice part | Frequency | Folios | Note |
---|---|---|---|---|
fully texted with one text | all voice parts | normally |
Music
Colour(s) of notation | black red |
Type(s) of notation | void mensural |
Monophonic notation | absent |
Level of calligraphy | very high |
Non verbal performance instructions | Folios | Note |
---|---|---|
signes-de-renvoi | Trefoil formed by three diamond shapes and a descending loop (ff. 2v-5r, 6v-8r, 9v-17r, 22v-26r, 29v-33r, 34v-35r, 36v-37r, 40v-41r, 45r, 46v-47r, 48v-49r, 50v-52r, 53v-56r, 57v-59r, 61v-63r, 64v-67r, 69v-71r, 72v-73r, 74v-78r, 79v-80r, 81v-83r, 84v-85r, 87v-91r, 93v-96r, 97v-102r, 105v-110r, 111v-112v, 124v-125r, 126v-127r), in red ink; once in black ink (f. 41v). | |
signa congruentiae | in form of three pyramidal dots ending in a stroke or loop | |
Line fillers | Folios | Note |
none |
Text 1
Types of script | cursive (bastarda) |
Level of calligraphy | very high |
Colour(s) of text | black red |
Multiple texts | no |
Text repetitions | very few |
Abbreviations | few |
Non underlaid vocal text | none |
Liminary text |
titles and composer's name,
22v, 42v, 65r, 84v, 94v, 114v |
Text 2
Types of script | display script |
Types of script size position | Rubrics introduced by large initials for voice-names after the discantus, 'residuum' rubrics and partly instructions at the end of voice-parts on empty stave or in empty space. |
Level of calligraphy | very high |
Colour(s) of text | black red |
Decoration
Level of Decoration | very high |
Decoration miniature frequency | Folios | Size position | Description | Discrepancies | ||
---|---|---|---|---|---|---|
rarely | 1v, 2r | three miniatures on first opening, three and four staves high (first stave omitted), at the beginning of voice-parts | 1v: Virgin of the Immaculate Conception 2r: Portrait of John III of Portugal with a lion and heraldic arms / Portrait of Catherine of Austria with St Catherine of Alexandria and heraldic arms | |||
Decoration border frequency | Border type | Folios | Size | Position | Description | Discrepancies |
rarely | None | 1v, 2r | partial borders: three-sided | lower margin, outer margin, upper margin | acanthus, flowers and strawberries, with a peacock, birds and snails, on a multi-coloured ground in gold, blue and red. | |
Decoration initial type | Frequency | Folios | Initial type(s) | Size position | Description | Discrepancies |
painted initials | rarely | 1v, 22v, 23r, 42v, 43r, 64v, 65r, 84v, 85r, 94v, 95r, 114v, 115r | at the beginning of the discantus, three to four staves high, for the following voice-parts, one to two staves high, at beginning of works | Initials in candelabrae style at the beginning of the discantus; once including a Virgin and Child on the Crescent Moon (f. 84v) and once a Crucifixion (f. 94v). Acanthus initials, partially decorated with flowers, birds etc, on coloured grounds at the beginning of the following voice-parts. | ||
penned initials | normally | at the beginning of voice-parts | ||||
initials planned | never | |||||
painted initials | rarely | 84v | at the beginning of the discantus, three to four staves high, for the following voice-parts, one to two staves high, at beginning of works | Initials in candelabrae style at the beginning of the discantus; once including a Virgin and Child on the Crescent Moon (f. 84v) | ||
painted initials | rarely | 94v | at the beginning of the discantus, three to four staves high, for the following voice-parts, one to two staves high, at beginning of works | Initials in candelabrae style at the beginning of the discantus; once including a Crucifixion (f. 94v). | ||
Other decoration frequency | Folios | Other decoration type(s) | Size position | Description | Discrepancies | |
never |