PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Cambrai, France, Bibliothèque Municipale, MS 18 (20)

Manuscript type: choirbook

RISM siglum: F-CA 18

DIAMM Source Key: 1668

Image repositories: BVMM (IHRT)

Folio(s): All folios

Date: c. 1520

(Douglas 1969).

Location of origin: Cambrai, France

Provenance

Copied at and for the Cathedral in Cambrai.

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe

Basis for description: microfilm

Cambrai, France, Bibliothèque Municipale, MS 18 (20), All folios

Physical description

Material: paper

Number of leaves: ii + 268 + i

Format: upright

Page dimensions: 385 x 280

Quire structure: Text version

Index / Table of Contents: Original index, pasted to inside of front cover.

Other devices: Original foliation ink top right, 1-270.

Page details (zoom):

Preparation and Copying

1-51, 200-220

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid none visible
Ruling pattern highly regular
9 or 10 pentragrams, parallel and even
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
n/a always
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
none always
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid sometimes
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
notation and staves extended into margin occasionally
made for complete additional staves rarely 215-v216r, 217v-218r extra staves on separate pieces of paper pasted onto bottom of page

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note rounded rhomboid shaped notation
Monophonic notation absent
Level of calligraphy fair
Non verbal performance instructions Folios Note
signes-de-renvoi sometimes
Text
Types of script cursive (bastarda)
Level of calligraphy fair
Colour(s) of text black
Multiple texts no
Text repetitions very few
Abbreviations fairly many
Non underlaid vocal text none
Liminary text Voice designations, always

Decoration

Level of Decoration very poor
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
penned initials rarely 208-210 calligraphic , calligraphic with grotesque heads
initials planned often 1-51, 200-206, 211-220 Initials planned for D (first letter of verbal text missing), voice designations beginning with litterae notabiliores in other voices, no initials planned
221-229

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid none visible
Ruling pattern highly regular
8 pentragrams, parallel and even
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
n/a always
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
single sometimes first stave on every page often indented; lower voice sometimes music and text indented for initials
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid sometimes
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
made for complete additional staves sometimes 221v, 223v staves added at bottom for 'Tenor ad longum'

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note rounded rhomboid shaped notation. Two different hands on ff. 221v-224r (main scribe) and 224v-229r (smaller and squat rather than slender)
Monophonic notation absent
Level of calligraphy fair
Non verbal performance instructions Folios Note
signes-de-renvoi
Later changes Folios
addition of 'Tenor ad longum' by different hand 221v-224r
Text 1
Types of script cursive (bastarda)
Types of script folios 221v-224r
Types of script note same as ff. 1-51, 200-220
Level of calligraphy fair
Colour(s) of text black
Multiple texts no
Text repetitions none
Abbreviations fairly many
Non underlaid vocal text none
Liminary text Voice designations, always
Text 2
Types of script cursive (bastarda)
Types of script folios 224v-229r
Types of script note smaller and more angular than main scribe
Level of calligraphy fair
Colour(s) of text black
Multiple texts no
Text repetitions fairly many
Abbreviations many
Non underlaid vocal text none
Liminary text Voice designations, normally

Decoration

Level of Decoration very poor
i, 52-197, 230-270

Preparation

Disposition of Voice Parts Key

Pricking none visible
Ruled grid always,
single vertical line on left and right, no text lines visible
Ruling pattern highly regular
Staves omitted from grid never
Incomplete staves never
Medium and colour of grid Frequency Folios Note
hard point or lead point always
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
single rastrum always
Indentation for initials Frequency Folios Note
single always Top stave on every page indented, for lower voices music and text indented over ruled stave to accommodate initial
double rarely 52v-53r Staves 1-2 and 6-7 indented for main opening initials
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid often
Space provided for separate text Frequency Folios Note
no separate text always
Adhoc adaptation Frequency Folios Note
made for complete additional staves rarely 80r, 121r, 191r, 267v-268r
notation and staves extended into margin occasionally
partial additional staves rarely 136r, 190v

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black
Type(s) of notation void mensural
Type of notation note rhomboid-shaped notation
Monophonic notation absent
Level of calligraphy fair
Non verbal performance instructions Folios Note
signes-de-renvoi frequent, often quite elaborate
Later changes Folios
Resolution of tenores ad longum by different hand
Addition of pieces on empty ruled pages at end by different hand(s) 264v-269r
Text
Types of script textura
Types of script note with bastarda elements
Level of calligraphy high
Colour(s) of text black
Multiple texts no
Text repetitions few
Abbreviations some
Non underlaid vocal text none
Liminary text Voice designations, always, fully written out (also with initials missing) 'Verte', 'Verte folium' etc., frequent (even at the end of sections) 'Duo', occasionally Canon instructions, sometimes
Later changes Addition of canonic tenores ad longum by different hand, consistently

Decoration

Level of Decoration very poor
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
initials planned normally Indentation present and first letter of text word consistently missing. Occasional guide letters
penned initials occasionally 230v-244r calligraphic , flourished Cadel-type initials, some with very modest penflourishing