PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530

Manuscript: Eton, Great Britain, Eton College Library, MS 178

Manuscript type: choirbook

RISM siglum: GB-WRec 178

DIAMM Source Key: 202

Image repositories: DIAMM

Folio(s): All folios

Date: c. 1500-04

Williamson 2010

Location of origin: Eton, Great Britain

Provenance

Copied for use at Eton College; the coats of arms of Eton College and of its Provost, Henry Bost (d. 1502), are found in decorated initials in the manuscript.

Artists/Scribes

Person: Anonymous, Anonymous
Person type: scribe

Bibliography

James 1895, 108-112; Squire 1898; Hughes 1926–7; MGG1, II, 1591-5, Tafel 48; Harrison 1952; Harrison 1953; Harrison 1963, 307-329; Williams 1979; Census-Catalogue 1979-88, I, 213, IV, 369; Williamson 2010

Basis for description: high-quality image

Eton, Great Britain, Eton College Library, MS 178, All folios

Physical description

Material: parchment

Number of leaves: vi + 126 + vi

Format: upright

Page dimensions: 595 x 425

Quire structure: Text version

Index / Table of Contents: Two indices, on f. 1r (complete) and f. 126v (partial)

Other devices: 1. Modern foliation, pencil top right
2. Original quire signatures (A 1-8, B 1-8, etc.), ink bottom right.
3. Later 16th-century foliation, ink top right.
The parchment flyleaves are from a 12th-century Bible copied by an English hand.

Page details (zoom):

Preparation and Copying

All folios

Preparation

Disposition of Voice Parts Key

Pricking normally,
five patterns (Williamson 2010): i) pricking in upper and lower margins for boundary lines, quires a and g (ff. 1-7, 30-37) ii) pricking in upper and lower margins for boundary lines, and fifteen holes often duplicated in outer margins for staves, quire h (ff. 38-45) iii) pricking in upper margin and sometimes lower margin for boundary lines, fifteen holes were pricked for staves, quires b, c, i, k, l (ff. 8-17, 46-69) iv) pricking in upper margin for boundary lines, fifteen holes for staves in outer margins, the fifteenth often duplicated, quires d, f and q (ff. 18-29, 88-95) v) pricking in upper and lower margins for boundary lines, pricking in outer margin often trimmed, quires r, t, v, x, z, bb, ee (ff. 96-126
Ruled grid always,
single line to left and right, sometimes double line for text (where present). Horizontal frame line across the entire page, sometimes also at bottom (but there only between the vertical bounding lines).
Ruling pattern fairly regular
Staves omitted from grid rarely
Incomplete staves never
Medium and colour of grid Frequency Folios Note
black ink and pencil always black ink for boundary lines, faint double parallel lines for text
Colour of staves Frequency Folios Note
black always
Ruling medium Frequency Folios Note
straightedge always
Indentation for initials Frequency Folios Note
all staves indented sometimes 8r-17v, 62r-77v, 111r-118v all staves indented, staves extended to left boundary line when no initial is needed (i.e. usually)
single occasionally 1v-7v, 62r-69v stave indented as necessary, at the start of each voice part; some deviation from this pattern
single sometimes 18r-25v, 78r-110v, 119r-126v 18r-25v: first stave indented on verso only, for all other initials notation is indented on stave 78r-110v, 119r-126v: first stave indented on each page, for all other initials notation is indented on stave
Extra space between voice parts Frequency Folios Note
empty ruled staves on grid often
staves not ruled on grid occasionally 7v
Space provided for separate text Frequency Folios Note
not in dedicated space rarely 27r in lower margin
Adhoc adaptation Frequency Folios Note
notation extended into margin sometimes
made for complete additional staves occasionally 5r, 13v-14v, 17v-20r, 23r, 40v-41r, 59v-60r, 65v-66r, 67v-68r, 72v-73r, 74v-76r, 88v, 89v-90v, 103v-105r, 119v, 121v
partial additional staves rarely 28v, 51r, 81r, 83r, 91r, 93v, 103r
Indentation for initials filled in sometimes 8r-17v, 62r-77v, 111r-118v all staves indented, staves extended to left boundary line when no initial is needed (i.e. usually)
notation and staves extended into margin sometimes
staveline added occasionally

Copying of text and music

Language(s) Latin
Order of Copying music first
always
Presence/absence of text Voice part Frequency Folios Note
fully texted with one text all voice parts always
Music
Colour(s) of notation black red dark brown
Type(s) of notation full mensural
Type of notation note asymmetrical teardrop shape, with red coloration, intermingled with void coloration towards the end of the manuscript
Monophonic notation absent
Level of calligraphy high
Non verbal performance instructions Folios Note
end symbol single or multiple black lines, often touched with red or occasionally other colours (e.g. blue)
Text
Types of script textura
Types of script size position underlaid text
Level of calligraphy high
Colour(s) of text black red brown
Multiple texts no
Text repetitions few
Abbreviations fairly many
Non underlaid vocal text none
Liminary text Voice names in left or outer margins on second and subsequent openings of each piece, rarely on first opening; Composer attributions in upper margin of recto; Indication of range of voices (22 notarum, 23 notarum, etc); 27r: 'Antiphona hec Christi laudem sonat atque...' in lower margin; 14v??: chant source written in red within stave lines

Decoration

Level of Decoration high
Decoration initial type Frequency Folios Initial type(s) Size position Description Discrepancies
penned initials occasionally plain initials under stave, slightly larger than script of underlaid text small blue, red or black initials
initials planned rarely 26r cue letter for initial, no indent
penned initials sometimes calligraphic , calligraphic with decoration, calligraphic with grotesque heads one stave tall, at the start of first voice or each voice part indented, sometimes positioned mid-stave where necessary calligraphic (brown/black) initials with brown/black flourishing; used in conjunction with monochrome painted, flourished initials
painted initials often decorated, decorated with grotesque heads, historiated, zoomorphic initial one stave tall, at the start of first voice or each voice part indented, sometimes positioned mid-stave where necessary Multicoloured painted and illuminated initials were reserved for the first opening of each piece Some foliate or zoomorphic designs historiated ff. 26v-27r: company of angels Coats of arms of Eton College and of its Provost, Henry Bost (d. 1502), are found in decorated initials.
penned initials sometimes decorated with grotesque heads, flourished, plain initials one stave tall, at the start of first voice or each voice part indented, sometimes positioned mid-stave where necessary blue initials with red pen flourishing, red initials with black/brown pen flourishing,
Other decoration frequency Folios Other decoration type(s) Size position Description Discrepancies
occasionally banner banners sometimes found within the initials
often decorative final long elongated and expanded vertically, often touched with red