PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
1
Belgium
1
England
1
Germany
2
Italy
20
Cities
Bologna
5
Brussels
1
Casale Monferrato
4
Italy
3
Italy (North)
1
Leipzig
1
Mechelen
1
Milan
3
Modena
6
Munich
1
Naples
1
Northamptonshire
1
Rome
1
Siena
1
Venice
1
Vienna
1
Production method
Manuscript
30
Physical type
choirbook
23
choirbook (single quire(s))
1
partbooks (incomplete set)
3
polyphonic music manuscript appended to polyphonic music print
1
printed book with interpolated polyphony
1
printed treatise with added polyphony
1
Material
paper
30
Format
oblong
3
upright
27
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
4
never
6
none visible
17
occasionally
1
sometimes
2
Height of Staves
Colour of Staves
black
9
brown
21
dark brown
1
light brown
1
Ruling Medium
double and single rastra
2
double rastrum
8
freehand
1
single rastrum
23
straightedge
2
Number of staves
10
8
11
10
12
9
13
5
14
3
15
2
2
1
3
1
4
5
5
2
6
3
7
5
8
4
9
7
Disposition of Voice Parts
1-part single page
7
2-part opening
10
2-part single page
4
3-part consecutive
2
3-part opening
14
3-part single page
3
4-part consecutive
1
4-part opening
21
4-part single page
5
5-part opening
14
6-part opening
7
7-part opening
1
n/a
3
Indentation for Initials
double
3
none
23
single
7
triple
3
Extra Space Between Voice Parts
empty ruled staves on grid
25
left below voice parts as part of grid
2
left between voice parts as part of grid
2
none
2
staves not ruled on grid
2
variable space, not on grid
2
Space Provided for Separate Text
no separate text
27
not in dedicated space
3
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
3
made for complete additional staves
9
notation and staves extended into margin
18
notation extended into margin
6
partial additional staves
10
staves extended into margin
2
Copying of Music
Colour of Notation
black
14
brown
14
dark brown
2
Type of Notation
chant (square)
1
void mensural
30
Monophonic Notation
absent
26
present
6
Level of Calligraphy
fair
17
high
11
poor
3
Non-verbal Performance Instructions
cue notes
2
none
3
pointers
2
signa congruentiae
5
signes-de-renvoi
9
space-filler
1
Copying of Text
Language
French
6
German
2
Italian
2
Latin
25
Spanish
1
Presence or Absence of Text
fully texted with one or two texts
3
fully texted with one text
25
fully texted with two or more texts
1
provided with one or two incipits
3
provided with single incipit
5
untexted
6
varies
1
Type of Script
antiqua
4
cursive
2
cursive (Anglicana)
1
cursive (German)
1
cursive (bastarda)
3
cursive (humanistic)
6
cursive (italic)
1
display script
3
hybrida
2
textura
8
various
1
Level of Calligraphy
fair
16
high
10
poor
2
Colour of Text
black
11
blue
1
brown
18
dark brown
1
red
4
Multiple Texts
no
19
yes
11
Decoration
Miniatures Frequency
never
2
rarely
1
Borders Frequency
never
2
rarely
1
Borders Size
partial borders: one-sided
1
Painted Initials Frequency
never
1
rarely
1
Painted Initials Type
Penned Initials Frequency
always
4
normally
7
occasionally
3
often
6
rarely
3
sometimes
4
Penned Initials Type
calligraphic
15
calligraphic with decoration
7
calligraphic with grotesque heads
8
decorated with grotesque heads
1
flourished
7
littera notabilior
2
plain initials
4
Planned Initials Frequency
always
2
normally
2
occasionally
3
often
2
rarely
2
sometimes
1
Planned Initials Type
Other Decoration Frequency
always
2
never
1
normally
3
occasionally
2
often
5
rarely
3
sometimes
4
Other Decoration Type
Voice-names
1
decorated letters
5
decorative final long
7
embellished final barline
4
end-symbol
1
littera notabilior
3
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Material: paper
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2
Bologna, Italy, Museo internazionale e biblioteca della musica di Bologna, MS Q 16 (olim 109), 1487-1510, All folios
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
1