PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
1
Belgium
12
Czech Republic
2
France
4
Germany
6
Great Britain
7
Italy
32
Netherlands
1
Silesia
3
Spain
1
Switzerland
4
Cities
Antwerp
1
Arundel
1
Basel
4
Belgium
1
Bologna
2
Bourges
1
Bruges
2
Brussels
9
Burgundy
1
Casale Monferrato
1
Cognac
1
England
1
Eton
1
Ferrara
4
Florence
13
Fossombrone
1
France
5
Germany (South)
2
Glarus, Switzerland
1
Halberstadt
1
Hradec Králové
2
Italy
4
Italy (North)
3
Leipzig
2
London
4
Mantua
2
Mechelen
9
Milan
3
Modena
2
Munich
1
Naples
1
Netherlands
1
Padua
1
Paris
2
Rheinfelden
2
Rome
2
Siena
1
Spain
1
Switzerland
1
Torgau
1
Utrecht
1
Venice
2
Vienna
1
Wittenberg
1
Zagan
3
Zaragoza
1
Production method
Manuscript
89
Printed work
4
Physical type
chansonnier
1
choirbook
54
choirbook (fragment)
2
choirbook (single quire(s))
1
composite manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
2
music treatise(s) with appended polyphony
1
partbook (fragment(s))
1
partbook (single)
6
partbooks (complete set)
16
partbooks (incomplete set)
5
poetry collection with some notated music
1
polyphonic music manuscript appended to polyphonic music print
1
tablebook
1
Material
paper
54
paper (with parchment)
1
parchment
35
parchment (with paper)
2
parchment and paper (mixed)
1
Format
bound upright but prepared oblong
1
oblong
25
upright
67
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
15
n/a
4
never
11
none visible
48
normally
6
often
7
rarely
3
sometimes
5
Height of Staves
Colour of Staves
black
41
brown
45
dark brown
3
gold
1
light brown
5
red
5
reddish brown
2
Ruling Medium
double rastrum
10
freehand
5
printed staves
3
quadruple rastrum
2
single rastrum
66
straightedge
7
triple rastrum
10
Number of staves
1
4
10
30
11
17
12
15
13
8
14
3
15
2
16
2
17
2
2
7
3
18
4
23
5
17
6
33
7
20
8
28
9
22
Disposition of Voice Parts
1-part single page
38
2-part consecutive
4
2-part opening
27
2-part single page
15
3-part consecutive
3
3-part opening
45
3-part single page
12
4-part consecutive
2
4-part opening
53
4-part single page
11
5-part consecutive
3
5-part opening
29
5-part single page
1
6-part consecutive
1
6-part opening
13
7-part consecutive
1
7-part opening
1
8-part consecutive
1
8-part opening
2
9-part consecutive
1
9-part opening
1
n/a
5
Indentation for Initials
all staves indented
1
double
26
none
50
quadruple
1
quintuple
1
single
50
triple
10
varies
2
Extra Space Between Voice Parts
empty ruled staves on grid
63
left below voice parts as part of grid
5
left between voice parts as part of grid
6
none
18
staves not ruled
1
staves not ruled on grid
16
variable space, not on grid
9
Space Provided for Separate Text
no separate text
62
not in dedicated space
25
provided, in dedicated space
17
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
22
none
2
notation and staves extended into margin
54
notation extended into margin
28
other
2
partial additional staves
32
staveline added
9
staves extended into margin
6
Copying of Music
Colour of Notation
black
62
brown
36
dark brown
4
gold
1
light brown
2
red
7
Type of Notation
German hufnagel
1
chant (square)
2
full mensural
6
void mensural
89
Monophonic Notation
absent
93
present
6
Level of Calligraphy
fair
39
high
33
n/a
4
poor
10
very high
13
Non-verbal Performance Instructions
coronae
8
cue notes
1
end symbol
7
none
3
pointers
6
repeat signs
23
signa congruentiae
33
signes-de-renvoi
32
space-filler
1
Copying of Text
Language
Czech
5
Dutch
5
English
1
Flemish
4
French
41
German
7
Italian
17
Latin
80
Spanish
4
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
23
fully texted with one text
75
fully texted with two or more texts
8
fully texted with two texts
4
partially texted with one or two texts
8
partially texted with one text
26
partially texted with two or more texts
1
provided with multiple incipits
1
provided with one or two incipits
11
provided with single incipit
36
provided with two incipits
4
untexted
35
varies
2
Type of Script
antiqua
2
cursive
19
cursive (Anglicana)
2
cursive (German)
6
cursive (bastarda)
27
cursive (humanistic)
9
cursive (italic)
7
display script
14
humanistic
2
hybrida
2
roman
3
rotonda
4
textura
16
Level of Calligraphy
fair
35
high
34
n/a
4
poor
9
very high
16
Colour of Text
black
57
blue
6
brown
39
dark brown
1
gold
1
grey
1
light brown
2
red
25
Multiple Texts
no
53
yes
45
Decoration
Miniatures Frequency
always
3
never
5
none visible
1
rarely
18
Borders Frequency
always
2
never
3
occasionally
2
rarely
19
sometimes
1
Borders Size
full and partial borders
2
full borders
7
partial borders: one- and two-sided
1
partial borders: one-sided
7
partial borders: two- and three-sided
2
partial borders: two-sided
7
Painted Initials Frequency
always
6
never
3
normally
5
occasionally
3
often
4
rarely
15
sometimes
3
Painted Initials Type
calligraphic with decoration
2
decorated
20
decorated with grotesque heads
5
flourished
5
historiated
6
plain initials
2
trompe l'oeil
1
zoomorphic initial
3
Penned Initials Frequency
always
10
never
1
normally
32
occasionally
7
often
11
rarely
12
sometimes
8
Penned Initials Type
calligraphic
29
calligraphic with decoration
13
calligraphic with grotesque heads
15
decorated
6
decorated with grotesque heads
3
flourished
17
historiated
1
littera notabilior
2
plain initials
18
Planned Initials Frequency
always
5
never
6
normally
6
occasionally
6
often
4
rarely
12
sometimes
3
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
4
never
7
normally
4
occasionally
6
often
8
rarely
6
sometimes
6
Other Decoration Type
banner
3
decorated letters
3
decorative final long
13
diagrams
1
embellished final barline
3
end-symbol
2
littera notabilior
6
ornament
1
signa congruentiae
1
signes-de-renvoi
1
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Monophonic notation: absent
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1
Bologna, Italy, Museo internazionale e biblioteca della musica di Bologna, MS A 71 (olim 159), c. 1510-20, All folios
1