PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
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Locations of Origin
Countries
Belgium
3
Great Britain
1
Italy
2
Cities
Antwerp
1
Brussels
1
Florence
1
London
1
Mechelen
2
Naples
1
Production method
Manuscript
7
Physical type
chansonnier
1
choirbook
4
music treatise(s) containing polyphony
1
non-music manuscript with interpolated polyphony
1
Material
paper
2
paper (with parchment)
1
parchment
2
parchment (with paper)
2
Format
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
none visible
4
normally
2
rarely
1
Height of Staves
Colour of Staves
black
6
brown
1
gold
1
red
1
Ruling Medium
double rastrum
1
freehand
2
quadruple rastrum
1
single rastrum
3
straightedge
3
triple rastrum
1
Number of staves
1
7
10
3
11
2
2
4
3
4
4
4
5
5
6
3
7
3
8
5
9
4
Disposition of Voice Parts
1-part single page
1
2-part consecutive
3
2-part opening
3
2-part single page
1
3-part consecutive
1
3-part opening
5
3-part single page
2
4-part opening
4
4-part single page
1
5-part consecutive
1
5-part opening
5
6-part opening
1
Indentation for Initials
double
2
none
5
single
4
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
4
left between voice parts as part of grid
1
none
4
staves not ruled on grid
2
variable space, not on grid
1
Space Provided for Separate Text
no separate text
3
not in dedicated space
2
provided, in dedicated space
4
Adhoc Adaptation
notation and staves extended into margin
3
notation extended into margin
1
partial additional staves
2
staveline added
1
Copying of Music
Colour of Notation
black
6
dark brown
1
gold
1
Type of Notation
chant (Gothic)
1
full mensural
1
void mensural
7
Monophonic Notation
absent
6
present
1
Level of Calligraphy
fair
1
high
2
very high
4
Non-verbal Performance Instructions
coronae
1
end symbol
1
repeat signs
2
signa congruentiae
4
signes-de-renvoi
3
Copying of Text
Language
Dutch
1
English
1
French
2
Italian
1
Latin
6
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
7
fully texted with two or more texts
1
fully texted with two texts
2
partially texted with one text
2
provided with single incipit
2
untexted
4
Type of Script
cursive
1
cursive (Anglicana)
1
cursive (German)
1
cursive (bastarda)
2
display script
2
roman
1
textura
2
Level of Calligraphy
fair
1
high
4
very high
3
Colour of Text
black
6
blue
1
dark brown
1
dark red
1
gold
1
green
1
red
3
Multiple Texts
no
5
yes
3
Decoration
Miniatures Frequency
always
1
never
1
rarely
3
Borders Frequency
never
1
rarely
2
Borders Size
full borders
1
partial borders: one-sided
1
Painted Initials Frequency
never
1
occasionally
1
often
1
rarely
2
sometimes
2
Painted Initials Type
decorated
3
flourished
1
historiated
1
plain initials
1
trompe l'oeil
1
Penned Initials Frequency
normally
3
occasionally
2
often
3
rarely
2
sometimes
1
Penned Initials Type
calligraphic
2
calligraphic with decoration
1
calligraphic with grotesque heads
1
decorated
2
flourished
2
littera notabilior
1
plain initials
1
Planned Initials Frequency
rarely
4
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
2
often
1
Other Decoration Type
diagrams
1
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Ruling medium: freehand
Type of notation: chant (square)
Production method: Manuscript
Disposition of voice part: 3-part score
Monophonic notation: present
Type of script: cursive (Anglicana)
Penned initials frequency: rarely
Search results
1
Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 228, c. 1515, with additions around 1519, All folios
1