PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
10
France
3
Germany
4
Great Britain
2
Italy
24
Netherlands
1
Spain
2
Switzerland
3
Cities
Basel
3
Bologna
1
Bourges
1
Brussels
7
Casale Monferrato
1
Catalonia
1
Ferrara
2
Florence
13
France
3
Germany (South)
3
Girona
1
Glarus, Switzerland
1
Halberstadt
1
Italy
2
Italy (North)
1
Leipzig
1
London
2
Mantua
2
Mechelen
10
Milan
3
Naples
1
Paris
2
Rheinfelden
2
Rome
3
Seville
1
Spain
2
Torgau
1
Utrecht
1
Venice
1
Verona
1
Production method
Manuscript
56
Physical type
chansonnier
1
choirbook
42
choirbook (single quire(s))
1
music treatise(s) containing polyphony
1
non-music manuscript with interpolated polyphony
1
partbook (single)
3
partbooks (complete set)
4
partbooks (incomplete set)
1
poetry collection with some notated music
1
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
32
paper (with parchment)
5
parchment
17
parchment (with paper)
2
Format
oblong
11
upright
45
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
17
never
8
none visible
29
normally
3
occasionally
1
often
1
rarely
2
sometimes
1
Height of Staves
Colour of Staves
black
24
brown
27
dark brown
7
gold
1
light brown
2
red
1
Ruling Medium
double and single rastra
1
double rastrum
8
freehand
6
quadruple rastrum
2
single rastrum
40
straightedge
5
triple rastrum
9
Number of staves
1
3
10
25
11
10
12
7
13
3
2
9
3
9
4
9
5
10
6
24
7
15
8
20
9
18
Disposition of Voice Parts
1-part single page
20
2-part consecutive
2
2-part opening
15
2-part score
1
2-part single page
11
3-part consecutive
2
3-part opening
36
3-part single page
13
4-part consecutive
1
4-part opening
44
4-part single page
13
5-part opening
23
5-part single page
1
6-part opening
5
7-part opening
1
n/a
3
Indentation for Initials
double
14
none
26
quadruple
2
quintuple
1
single
35
triple
10
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
43
left below voice parts as part of grid
1
left between voice parts as part of grid
2
none
10
staves not ruled
2
staves not ruled on grid
15
variable space, not on grid
2
Space Provided for Separate Text
no separate text
34
not in dedicated space
19
provided, in dedicated space
14
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
20
none
1
notation and staves extended into margin
56
notation extended into margin
30
other
3
partial additional staves
22
staveline added
13
staves extended into margin
4
Copying of Music
Colour of Notation
black
34
blue
1
brown
27
dark brown
3
gold
1
light brown
1
red
4
reddish brown
1
Type of Notation
German hufnagel
1
chant (square)
6
full mensural
5
void mensural
55
Monophonic Notation
absent
50
present
11
Level of Calligraphy
fair
24
high
19
poor
7
very high
11
Non-verbal Performance Instructions
coronae
4
end symbol
8
none
1
pointers
6
repeat signs
24
signa congruentiae
30
signes-de-renvoi
33
space-filler
1
Copying of Text
Language
Dutch
8
English
2
Flemish
2
French
29
German
4
Italian
18
Latin
51
Spanish
6
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
20
fully texted with one text
47
fully texted with two or more texts
9
fully texted with two texts
4
partially texted with one or two texts
7
partially texted with one text
22
partially texted with two texts
1
provided with multiple incipits
2
provided with one or two incipits
9
provided with single incipit
31
provided with two incipits
4
untexted
28
varies
1
Type of Script
cursive
15
cursive (Anglicana)
1
cursive (German)
2
cursive (Italianate)
1
cursive (bastarda)
16
cursive (humanistic)
5
cursive (italic)
6
display script
12
humanistic
1
hybrida
6
roman
2
rotonda
1
textura
7
various
1
Level of Calligraphy
fair
23
high
21
poor
6
very high
10
Colour of Text
black
31
blue
3
brown
26
dark brown
5
gold
1
grey
1
light brown
1
red
23
reddish brown
1
yellow
1
Multiple Texts
no
26
yes
36
Decoration
Miniatures Frequency
never
5
rarely
15
Borders Frequency
always
1
never
3
occasionally
1
rarely
14
Borders Size
full and partial borders
1
full borders
5
partial borders: one- and two-sided
1
partial borders: one-sided
4
partial borders: three-sided
2
partial borders: two- and three-sided
1
partial borders: two-sided
4
Painted Initials Frequency
always
3
never
3
normally
4
occasionally
3
often
1
rarely
13
sometimes
1
Painted Initials Type
calligraphic with decoration
1
decorated
10
decorated with grotesque heads
1
flourished
2
historiated
1
plain initials
2
zoomorphic initial
1
Penned Initials Frequency
always
3
never
1
normally
24
occasionally
7
often
6
rarely
8
sometimes
3
Penned Initials Type
calligraphic
22
calligraphic with decoration
9
calligraphic with grotesque heads
9
decorated
1
decorated with grotesque heads
2
flourished
3
historiated
1
littera notabilior
1
plain initials
7
Planned Initials Frequency
always
2
never
7
normally
7
occasionally
2
often
3
rarely
15
sometimes
3
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
always
1
never
9
normally
2
occasionally
4
often
4
rarely
5
sometimes
1
Other Decoration Type
decorative final long
9
embellished final barline
1
end-symbol
4
littera notabilior
4
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Non verbal performance instructions: space-filler
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2
Bologna, Italy, Museo internazionale e biblioteca della musica di Bologna, MS A 71 (olim 159), c. 1510-20, All folios
Florence, Italy, Biblioteca Nazionale Centrale, MS Palatino 472, Late 15th century, before 1515, All folios
1