PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Toggle navigation
Home
Search
About
How to use the resource
Source list
Bibliography
Search
Search:
Filters
Date
Locations of Origin
Countries
Belgium
12
France
1
Germany
5
Great Britain
2
Italy
17
Netherlands
1
Spain
4
Cities
Belgium
1
Brussels
7
Catalonia
1
England
1
Ferrara
5
Florence
6
France
5
Germany (South)
3
Halberstadt
1
Italy (North)
2
Leipzig
2
London
1
Mantua
2
Mechelen
12
Milan
1
Naples
2
Netherlands
1
Padua
1
Paris
1
Rome
2
Segovia
1
Seville
1
Tarazona
1
Toledo
1
Torgau
1
Utrecht
1
Venice
1
Zaragoza
1
Production method
Manuscript
51
Physical type
chansonnier
1
choirbook
46
music treatise(s) with appended polyphony
1
non-music manuscript with interpolated polyphony
1
poetry collection with some notated music
1
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
18
paper (with parchment)
5
parchment
24
parchment (with paper)
3
parchment and paper (mixed)
1
Format
oblong
1
upright
50
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
20
never
7
none visible
16
normally
5
occasionally
1
often
2
rarely
1
sometimes
3
Height of Staves
Colour of Staves
black
31
brown
16
dark brown
6
gold
1
light brown
2
red
1
reddish brown
1
Ruling Medium
double rastrum
2
freehand
3
quadruple rastrum
2
single rastrum
46
straightedge
5
triple rastrum
3
Number of staves
1
3
10
28
11
16
12
5
13
3
14
1
2
6
3
2
4
3
5
8
6
18
7
18
8
23
9
29
Disposition of Voice Parts
1-part single page
10
2-part consecutive
1
2-part opening
20
2-part single page
12
3-part consecutive
3
3-part opening
39
3-part score
1
3-part single page
14
4-part opening
46
4-part single page
13
5-part opening
26
5-part single page
3
6-part opening
9
8-part opening
2
n/a
2
Indentation for Initials
double
16
none
23
quadruple
2
single
35
triple
14
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
44
left below voice parts as part of grid
3
left between voice parts as part of grid
4
none
6
staves not ruled
2
staves not ruled on grid
16
variable space, not on grid
1
Space Provided for Separate Text
no separate text
32
not in dedicated space
17
provided, in dedicated space
7
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
19
notation and staves extended into margin
51
notation extended into margin
30
other
3
partial additional staves
18
staveline added
10
staves extended into margin
5
Copying of Music
Colour of Notation
black
37
brown
17
dark brown
5
gold
1
light brown
1
red
6
Type of Notation
German hufnagel
1
chant (square)
6
full mensural
5
strene notation
1
void mensural
51
Monophonic Notation
absent
39
present
16
Level of Calligraphy
fair
17
high
20
poor
4
very high
16
Non-verbal Performance Instructions
coronae
7
custodes
1
end symbol
13
none
1
pointers
5
repeat signs
20
signa congruentiae
30
signes-de-renvoi
37
space-filler
3
Copying of Text
Language
Dutch
7
English
2
Flemish
4
French
26
German
5
Italian
10
Latin
48
Spanish
5
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
15
fully texted with one text
47
fully texted with two or more texts
13
fully texted with two texts
4
partially texted with one or two texts
6
partially texted with one text
14
partially texted with two texts
1
provided with one or two incipits
9
provided with single incipit
22
provided with two incipits
3
untexted
23
varies
2
Type of Script
cursive
10
cursive (Anglicana)
2
cursive (German)
1
cursive (bastarda)
20
cursive (humanistic)
4
cursive (italic)
3
display script
16
humanistic
3
hybrida
5
roman
2
rotonda
1
textura
9
Level of Calligraphy
fair
19
high
23
poor
2
very high
14
Colour of Text
black
35
blue
2
brown
18
dark brown
6
gold
1
grey
1
light brown
1
red
24
yellow
1
Multiple Texts
no
23
yes
35
Decoration
Miniatures Frequency
never
8
rarely
22
Borders Frequency
always
1
never
7
occasionally
1
rarely
22
Borders Size
full and partial borders
1
full borders
5
partial borders: one- and two-sided
2
partial borders: one-sided
6
partial borders: three-sided
2
partial borders: two- and three-sided
1
partial borders: two-sided
7
Painted Initials Frequency
always
3
never
4
normally
4
occasionally
1
often
4
rarely
16
sometimes
3
Painted Initials Type
calligraphic
1
decorated
14
decorated with grotesque heads
2
flourished
6
historiated
1
plain initials
3
zoomorphic initial
3
Penned Initials Frequency
always
4
never
1
normally
27
occasionally
10
often
4
rarely
12
sometimes
2
Penned Initials Type
calligraphic
22
calligraphic with decoration
13
calligraphic with grotesque heads
11
decorated
3
decorated with grotesque heads
2
flourished
6
historiated
1
littera notabilior
2
plain initials
6
Planned Initials Frequency
always
3
never
11
normally
3
occasionally
3
often
3
rarely
12
sometimes
2
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
2
never
15
normally
2
occasionally
5
often
3
rarely
6
sometimes
3
Other Decoration Type
banner
2
decorative final long
10
embellished final barline
3
end-symbol
4
littera notabilior
2
signes-de-renvoi
1
Filters applied
Clear all filters
Adhoc adaptation: notation and staves extended into margin
Search results
1
Munich, Germany, Bayerische Staatsbibliothek, Musica MS 3 (olim H.C.1; = MaiM 8), c. 1520-5, All folios
1