PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Size of Music Text Area
Pricking
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Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
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Presence or Absence of Text
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Multiple Texts
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Miniatures Frequency
Borders Frequency
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Penned Initials Frequency
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Planned Initials Frequency
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Disposition of voice part: 5-part single page Adhoc adaptation: notation extended into margin Adhoc adaptation: staves extended into margin Disposition of voice part: 1-part single page Type of notation: void mensural Ruling medium: freehand Type of notation: full mensural Painted initials type: plain initials Extra space: empty ruled staves on grid

Search results

6
  1. Paris, France, Bibliothèque Nationale, MS Rés. Vmc. 57, c. 1470, All folios
  2. London, Great Britain, British Library, MS Harley 5242, c. 1509-1514, All folios
  3. Paris, France, Bibliothèque Nationale, fonds français MS 1597 (olim Colbert 1625), c. 1500, All folios
  4. Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
  5. Paris, France, Bibliothèque Nationale, fonds latin MS 16664 (olim Sorbonne 1479), Late 15th century, All folios
  6. Paris, France, Bibliothèque Nationale, fonds français MS 2245, c. 1490-8, All folios