PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Number of staves
Disposition of Voice Parts
Indentation for Initials
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Type of notation: chant (square) Disposition of voice part: 1-part single page Disposition of voice part: 2-part single page Adhoc adaptation: notation extended into margin Multiple texts: yes Disposition of voice part: 5-part single page Adhoc adaptation: notation and staves extended into margin Separate text: not in dedicated space Disposition of voice part: 3-part consecutive

Search results

10
  1. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
  2. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 9126, 1504-1505, All folios
  3. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.117, c. 1505-1515, All folios
  4. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Altus partbook, all folios
  5. Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 337 (olim Palatino 1178), c. 1520, All folios
  6. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Tenor partbook, all folios
  7. Modena, Italy, Biblioteca Estense Universitaria, alpha.X.1.11 (Lat. 471; olim VI.H.15), 1440s, with additions up c. 1480, All folios
  8. Florence, Italy, Biblioteca Riccardiana, MS 2356, c. 1480-1485, All folios
  9. Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
  10. Florence, Italy, Biblioteca Medicea-Laurenziana, MS Acquisti e doni 666, 1518, All folios