PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Toggle navigation
Home
Search
About
How to use the resource
Source list
Bibliography
Search
Search:
Filters
Date
Locations of Origin
Countries
Belgium
12
France
1
Germany
2
Great Britain
4
Italy
25
Netherlands
1
Spain
4
Switzerland
2
Cities
Basel
2
Belgium
1
Bologna
1
Bourges
1
Bruges
1
Brussels
8
Casale Monferrato
1
England
1
Eton
1
Ferrara
7
Flanders
1
Florence
11
France
3
Italy
1
Italy (North)
2
London
2
Mantua
2
Mechelen
10
Modena
1
Munich
2
Naples
2
Netherlands
1
Rheinfelden
2
Rome
2
Segovia
1
Seville
2
Spain
2
Toledo
1
Utrecht
1
Verona
1
Vic
1
Production method
Manuscript
62
Physical type
chansonnier
2
choirbook
50
music treatise(s) containing polyphony
1
music treatise(s) with appended polyphony
1
non-music manuscript with interpolated polyphony
1
partbook (single)
2
partbooks (complete set)
1
partbooks (incomplete set)
1
poetry collection with some notated music
1
polyphonic music manuscript appended to polyphonic music print
1
tablebook
1
Material
paper
32
paper (with parchment)
2
parchment
25
parchment (with paper)
2
parchment and paper (mixed)
1
Format
bound upright but prepared oblong
1
oblong
8
upright
53
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
18
never
6
none visible
26
normally
6
occasionally
1
often
3
rarely
2
sometimes
4
Height of Staves
Colour of Staves
black
31
brown
24
dark brown
6
gold
1
light brown
2
red
2
reddish brown
2
Ruling Medium
double rastrum
6
freehand
6
quadruple rastrum
1
single rastrum
51
straightedge
7
triple rastrum
7
Number of staves
1
4
10
28
11
17
12
7
13
2
14
1
15
1
16
1
17
1
2
9
3
7
4
11
5
15
6
30
7
21
8
28
9
27
Disposition of Voice Parts
1-part single page
19
12-part opening
1
2-part consecutive
3
2-part opening
24
2-part score
2
2-part single page
18
3-part consecutive
2
3-part opening
49
3-part score
3
3-part single page
18
4-part consecutive
2
4-part opening
51
4-part score
1
4-part single page
17
5-part consecutive
1
5-part opening
29
5-part single page
3
6-part consecutive
1
6-part opening
13
7-part consecutive
1
7-part opening
1
8-part consecutive
1
8-part opening
3
9-part consecutive
1
9-part opening
1
n/a
1
Indentation for Initials
all staves indented
1
double
16
none
28
quadruple
3
quintuple
1
single
38
triple
12
Extra Space Between Voice Parts
empty ruled staves on grid
55
left below voice parts as part of grid
1
left between voice parts as part of grid
3
none
6
staves not ruled
1
staves not ruled on grid
16
variable space, not on grid
3
Space Provided for Separate Text
no separate text
35
not in dedicated space
24
provided, in dedicated space
13
Adhoc Adaptation
Indentation for initials filled in
6
made for complete additional staves
26
notation and staves extended into margin
62
notation extended into margin
40
other
2
partial additional staves
28
staveline added
18
staves extended into margin
5
Copying of Music
Colour of Notation
black
38
blue
1
brown
25
dark brown
7
gold
1
light brown
2
red
4
Type of Notation
German hufnagel
1
chant (square)
5
full mensural
5
strene notation
1
void mensural
61
Monophonic Notation
absent
49
present
15
Level of Calligraphy
fair
20
high
26
poor
5
very high
14
Non-verbal Performance Instructions
coronae
8
custodes
1
end symbol
16
pointers
6
repeat signs
26
signa congruentiae
35
signes-de-renvoi
43
space-filler
1
Copying of Text
Language
Dutch
10
English
3
Flemish
3
French
31
German
2
Italian
16
Latin
56
Spanish
7
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
3
fully texted with one or two texts
19
fully texted with one text
53
fully texted with two or more texts
11
fully texted with two texts
5
partially texted with one or two texts
7
partially texted with one text
22
partially texted with two texts
1
provided with multiple incipits
2
provided with one or two incipits
12
provided with single incipit
31
provided with two incipits
1
untexted
31
Type of Script
cursive
15
cursive (Anglicana)
2
cursive (bastarda)
20
cursive (humanistic)
3
cursive (italic)
6
display script
17
humanistic
2
hybrida
7
roman
2
rotonda
1
textura
11
Level of Calligraphy
fair
22
high
25
poor
8
very high
13
Colour of Text
black
38
blue
3
brown
25
dark brown
8
gold
1
light brown
2
red
25
yellow
1
Multiple Texts
no
31
yes
35
Decoration
Miniatures Frequency
never
6
rarely
19
Borders Frequency
never
6
rarely
23
Borders Size
full borders
6
partial borders: one- and two-sided
1
partial borders: one-sided
7
partial borders: three-sided
2
partial borders: two-sided
10
Painted Initials Frequency
always
2
never
4
normally
5
occasionally
3
often
6
rarely
14
sometimes
2
Painted Initials Type
calligraphic
1
decorated
16
decorated with grotesque heads
5
flourished
5
historiated
2
plain initials
3
zoomorphic initial
5
Penned Initials Frequency
always
2
normally
27
occasionally
10
often
8
rarely
12
sometimes
5
Penned Initials Type
calligraphic
33
calligraphic with decoration
11
calligraphic with grotesque heads
13
decorated
1
decorated with grotesque heads
2
flourished
10
historiated
1
littera notabilior
1
plain initials
7
Planned Initials Frequency
never
7
normally
6
occasionally
1
often
3
rarely
18
sometimes
5
Planned Initials Type
Guide letters only
3
Other Decoration Frequency
always
1
never
12
normally
3
occasionally
4
often
7
rarely
6
sometimes
2
Other Decoration Type
Voice-names
2
banner
3
decorative final long
7
embellished final barline
3
end-symbol
6
littera notabilior
5
signes-de-renvoi
1
Filters applied
Clear all filters
Adhoc adaptation: notation and staves extended into margin
Search results
1
Florence, Italy, Biblioteca Nazionale Centrale, MS Palatino 472, Late 15th century, before 1515, All folios
1