PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Search
Filters
Date
Locations of Origin
Countries
Cities
Production method
Physical type
Material
Format
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
Height of Staves
Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
Language
Presence or Absence of Text
Type of Script
Level of Calligraphy
Colour of Text
Multiple Texts
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
Penned Initials Type
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
Other Decoration Type

Filters applied

Clear all filters
Non verbal performance instructions: signes-de-renvoi Disposition of voice part: 6-part opening Copy language name: Flemish Other decoration frequency: never Presence absence of text: fully texted with two or more texts Presence absence of text: fully texted with one text Type of script: display script Physical format: upright Painted initials frequency: rarely Number of staves: 5 Type of script: cursive (bastarda) Pricking frequency: often Penned initials frequency: rarely Number of staves: 8 Penned initials type: calligraphic with grotesque heads

Search results

25
  1. Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
  2. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.117, c. 1505-1515, All folios
  3. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Altus partbook, all folios
  4. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Tenor partbook, all folios
  5. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Altus
  6. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor primus
  7. Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
  8. Udine, Italy, Biblioteca Comunale Vincenzo Joppi, MS Joppi 165, 1494-1501, All folios
  9. Florence, Italy, Biblioteca Nazionale Centrale, MS Palatino 472, Late 15th century, before 1515, All folios
  10. Seville, Spain, Biblioteca Capitular y Colombina, MS 7-1-28, Late 15th century, All folios
  11. Montecassino, Italy, Biblioteca dell'Abbazia, MS 871, late 15th century, pp. 247-434
  12. London, Great Britain, British Library, MS Additional 31922, c. 1510-20, All folios
  13. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Cantus partbook, all folios
  14. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2441, 1510-1515, All folios
  15. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167, c. 1515-c. 1540, MS Magliabechi XIX.165 (Bassus), All folios
  16. Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
  17. Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
  18. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2440, 1515-1525, All folios
  19. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167, c. 1515-c. 1540, MS Magliabechi XIX.164 (Altus), All folios
  20. Paris, France, Bibliothèque Nationale, fonds français MS 2245, c. 1490-8, All folios