PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Czech Republic
3
France
1
Germany
2
Great Britain
5
Italy
16
Netherlands
1
Portugal
1
Silesia
3
Spain
2
Switzerland
1
Cities
Basel
1
Belgium
1
Bologna
2
Casale Monferrato
1
Catalonia
1
Coimbra
1
Ferrara
1
Florence
9
France
3
Germany (South)
1
Glarus, Switzerland
1
Hradec Králové
3
Italy (North)
2
Leipzig
1
London
5
Mantua
2
Padua
1
Paris
1
Segovia
1
Siena
2
Switzerland
1
Toledo
1
Utrecht
1
Zagan
3
Zaragoza
1
Production method
Manuscript
43
Physical type
choirbook
21
composite manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
1
music treatise(s) with appended polyphony
1
partbook (fragment(s))
1
partbook (single)
4
partbooks (complete set)
12
partbooks (incomplete set)
1
poetry collection with some notated music
1
Material
paper
36
parchment
6
parchment and paper (mixed)
1
Format
oblong
19
upright
24
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
6
never
10
none visible
27
normally
1
sometimes
2
Height of Staves
Colour of Staves
black
14
brown
23
dark brown
5
light brown
2
red
3
reddish brown
1
Ruling Medium
double and single rastra
1
double rastrum
1
freehand
3
printed staves
4
quadruple rastrum
1
single rastrum
26
straightedge
3
triple rastrum
9
Number of staves
1
1
10
8
11
5
12
2
13
3
14
1
2
5
3
13
4
9
5
7
6
10
7
8
8
10
9
7
Disposition of Voice Parts
1-part single page
22
2-part consecutive
2
2-part opening
13
2-part score
1
2-part single page
11
3-part consecutive
1
3-part opening
19
3-part single page
6
4-part consecutive
1
4-part opening
23
4-part single page
8
5-part opening
11
5-part single page
1
6-part opening
2
7-part opening
1
8-part opening
2
n/a
2
Indentation for Initials
double
7
none
23
single
18
triple
2
varies
2
Extra Space Between Voice Parts
empty ruled staves on grid
31
left below voice parts as part of grid
2
left between voice parts as part of grid
3
none
10
staves not ruled on grid
2
variable space, not on grid
2
Space Provided for Separate Text
no separate text
25
not in dedicated space
18
provided, in dedicated space
6
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
16
none
1
notation and staves extended into margin
29
notation extended into margin
12
other
2
partial additional staves
19
staveline added
5
staves extended into margin
3
Copying of Music
Colour of Notation
black
24
blue
1
brown
23
dark brown
2
light brown
2
red
1
Type of Notation
German hufnagel
1
chant (Central European)
1
chant (Gothic)
1
chant (square)
4
full mensural
4
void mensural
42
Monophonic Notation
absent
36
present
12
Level of Calligraphy
fair
39
high
3
poor
4
very high
1
Non-verbal Performance Instructions
coronae
2
end symbol
7
none
1
pointers
6
repeat signs
14
signa congruentiae
11
signes-de-renvoi
19
space-filler
3
Copying of Text
Language
Czech
6
Dutch
5
English
1
Flemish
2
French
21
German
6
Italian
13
Latin
39
Spanish
7
n/a
1
Presence or Absence of Text
fully texted with one or two texts
15
fully texted with one text
32
fully texted with two or more texts
1
fully texted with two texts
3
partially texted with one or two texts
5
partially texted with one text
12
partially texted with two or more texts
1
provided with one or two incipits
2
provided with single incipit
23
provided with two incipits
2
untexted
24
varies
1
Type of Script
antiqua
1
cursive
18
cursive (German)
4
cursive (bastarda)
4
cursive (humanistic)
4
cursive (italic)
6
display script
4
humanistic
1
hybrida
2
rotonda
1
textura
3
various
1
Level of Calligraphy
fair
43
high
5
poor
3
Colour of Text
black
25
blue
3
brown
24
dark brown
2
light brown
2
red
9
Multiple Texts
no
24
yes
24
Decoration
Miniatures Frequency
never
4
rarely
3
Borders Frequency
always
1
never
3
rarely
3
Borders Size
partial borders: one- and two-sided
2
partial borders: one-sided
1
partial borders: two-sided
1
Painted Initials Frequency
always
3
never
1
rarely
4
Painted Initials Type
calligraphic with decoration
1
decorated
5
flourished
1
historiated
1
plain initials
1
Penned Initials Frequency
always
3
normally
11
occasionally
3
often
5
rarely
7
sometimes
5
Penned Initials Type
calligraphic
13
calligraphic with decoration
4
calligraphic with grotesque heads
4
decorated
6
flourished
7
littera notabilior
1
plain initials
15
Planned Initials Frequency
always
4
never
1
normally
8
occasionally
3
often
4
rarely
4
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
1
never
2
normally
2
occasionally
3
often
3
rarely
2
sometimes
3
Other Decoration Type
banner
1
decorated letters
2
decorative final long
6
end-symbol
3
littera notabilior
4
signa congruentiae
1
Filters applied
Clear all filters
Type of notation: chant (square)
Adhoc adaptation: notation extended into margin
Type of script: cursive (Anglicana)
Production method: Manuscript
Type of notation: strene notation
Disposition of voice part: 5-part opening
Search results
2
St Gall, Switzerland, Stiftsbibliothek, MS 462, 1510-c. 1530, All folios
Paris, France, Bibliothèque Nationale, fonds français MS 2245, c. 1490-8, All folios
1