PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Toggle navigation
Home
Search
About
How to use the resource
Source list
Bibliography
Search
Search:
Filters
Date
Locations of Origin
Countries
Belgium
19
France
5
Germany
5
Great Britain
5
Italy
26
Spain
7
Switzerland
2
Cities
Antwerp
1
Basel
1
Belgium
1
Bourges
1
Brussels
12
Catalonia
1
Cognac
1
England
1
Ferrara
2
Flanders
1
Florence
17
France
6
Germany (South)
3
Glarus, Switzerland
2
Italy
5
Italy (North)
1
London
4
Mantua
1
Mechelen
17
Milan
1
Munich
1
Naples
1
Padua
1
Paris
2
Pisa
1
Rome
2
Segovia
1
Seville
2
Siena
2
Spain
2
St Gall
1
Switzerland
1
Tarazona
3
Toledo
1
Troyes
1
Venice
1
Wittenberg
2
Zaragoza
1
Production method
Manuscript
89
Physical type
chansonnier
1
choirbook
64
music treatise(s) with appended monophony and polyphony
1
music treatise(s) with appended polyphony
1
non-music manuscript with interpolated polyphony
1
partbook (single)
2
partbooks (complete set)
9
partbooks (incomplete set)
8
polyphonic music manuscript appended to polyphonic music print
1
tablebook
1
Material
paper
47
paper (with parchment)
5
parchment
35
parchment (with paper)
2
Format
bound upright but prepared oblong
1
oblong
26
upright
62
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
31
n/a
1
never
12
none visible
36
normally
4
occasionally
1
often
5
rarely
2
sometimes
3
Height of Staves
Colour of Staves
black
40
brown
32
dark brown
13
gold
2
light brown
4
red
3
reddish brown
3
Ruling Medium
double and single rastra
1
double rastrum
7
freehand
3
printed staves
5
quadruple rastrum
1
single rastrum
64
straightedge
8
triple rastrum
11
Number of staves
1
3
10
39
11
18
12
8
13
3
14
1
2
7
3
14
4
15
5
17
6
31
7
24
8
35
9
31
Disposition of Voice Parts
1-part single page
32
12-part opening
1
2-part consecutive
1
2-part opening
21
2-part score
1
2-part single page
14
3-part consecutive
1
3-part opening
52
3-part score
1
3-part single page
14
4-part consecutive
1
4-part opening
63
4-part score
1
4-part single page
16
5-part opening
31
5-part single page
3
6-part opening
8
7-part opening
1
8-part opening
1
n/a
1
Indentation for Initials
double
32
none
30
quadruple
5
quintuple
1
single
62
triple
17
Extra Space Between Voice Parts
empty ruled staves on grid
75
left below voice parts as part of grid
1
left between voice parts as part of grid
1
none
10
staves not ruled
3
staves not ruled on grid
25
variable space, not on grid
7
Space Provided for Separate Text
no separate text
60
not in dedicated space
25
provided, in dedicated space
14
Adhoc Adaptation
Indentation for initials filled in
5
made for complete additional staves
23
none
1
notation and staves extended into margin
60
notation extended into margin
35
other
3
partial additional staves
29
staveline added
17
staves extended into margin
6
Copying of Music
Colour of Notation
black
51
brown
33
dark brown
10
gold
2
light brown
3
red
6
Type of Notation
chant (square)
7
full mensural
7
void mensural
85
Monophonic Notation
absent
76
present
15
Level of Calligraphy
fair
34
high
32
poor
3
very high
23
Non-verbal Performance Instructions
coronae
7
custodes
1
end symbol
12
pointers
6
repeat signs
36
signa congruentiae
46
signes-de-renvoi
49
space-filler
5
Copying of Text
Language
Dutch
10
Flemish
6
French
44
German
3
Italian
24
Latin
74
Spanish
13
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
31
fully texted with one text
73
fully texted with two or more texts
16
fully texted with two texts
7
partially texted with one or two texts
9
partially texted with one text
20
partially texted with two texts
1
provided with multiple incipits
2
provided with one or two incipits
8
provided with single incipit
41
provided with two incipits
4
untexted
35
Type of Script
antiqua
1
cursive
17
cursive (German)
1
cursive (bastarda)
35
cursive (humanistic)
12
cursive (italic)
10
display script
25
humanistic
3
hybrida
7
roman
2
rotonda
1
textura
11
Level of Calligraphy
fair
34
high
39
poor
7
very high
20
Colour of Text
black
49
blue
4
brown
38
dark brown
9
gold
1
grey
1
light brown
2
red
38
yellow
1
Multiple Texts
no
42
yes
54
Decoration
Miniatures Frequency
always
1
never
5
none visible
1
often
1
rarely
30
Borders Frequency
always
2
never
7
occasionally
1
rarely
25
Borders Size
full and partial borders
2
full borders
8
partial borders: one- and two-sided
3
partial borders: one-sided
6
partial borders: three-sided
2
partial borders: two- and three-sided
2
partial borders: two-sided
6
Painted Initials Frequency
always
3
never
5
normally
6
occasionally
2
often
1
rarely
25
sometimes
2
Painted Initials Type
calligraphic with decoration
1
decorated
15
decorated with grotesque heads
2
flourished
1
historiated
2
plain initials
1
trompe l'oeil
1
zoomorphic initial
3
Penned Initials Frequency
always
10
never
1
normally
41
occasionally
14
often
12
rarely
16
sometimes
6
Penned Initials Type
calligraphic
34
calligraphic with decoration
14
calligraphic with grotesque heads
17
decorated
9
decorated with grotesque heads
5
flourished
11
historiated
1
plain initials
17
Planned Initials Frequency
always
1
never
13
normally
9
occasionally
3
often
5
rarely
17
sometimes
7
Planned Initials Type
Guide letters only
3
Other Decoration Frequency
always
3
never
18
normally
4
occasionally
5
often
6
rarely
9
sometimes
4
Other Decoration Type
Voice-names
1
banner
1
decorative final long
13
embellished final barline
1
end-symbol
5
littera notabilior
8
ornament
2
signa congruentiae
1
signes-de-renvoi
1
Filters applied
Clear all filters
Production method: Manuscript
Search results
0
Sorry, no results found.
1