PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
10
Cities
Bologna
1
England
1
Ferrara
4
Florence
6
France
1
Rome
1
Production method
Manuscript
13
Physical type
choirbook
11
composite manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
1
Material
paper
4
paper (with parchment)
1
parchment
6
parchment and paper (mixed)
2
Format
oblong
3
upright
10
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
never
1
none visible
7
normally
2
rarely
1
sometimes
1
Height of Staves
Colour of Staves
black
4
brown
8
gold
1
light brown
1
red
1
Ruling Medium
double rastrum
2
freehand
2
quadruple rastrum
2
single rastrum
8
straightedge
1
triple rastrum
4
Number of staves
1
1
10
3
11
1
4
1
5
1
6
6
7
4
8
5
9
6
Disposition of Voice Parts
1-part single page
4
2-part consecutive
1
2-part opening
7
2-part score
1
2-part single page
7
3-part consecutive
1
3-part opening
13
3-part score
2
3-part single page
9
4-part consecutive
1
4-part opening
11
4-part score
1
4-part single page
5
5-part opening
4
5-part single page
1
6-part opening
2
8-part opening
1
Indentation for Initials
none
8
single
7
Extra Space Between Voice Parts
empty ruled staves on grid
13
left below voice parts as part of grid
1
left between voice parts as part of grid
1
none
3
Space Provided for Separate Text
no separate text
6
not in dedicated space
13
provided, in dedicated space
4
Adhoc Adaptation
made for complete additional staves
6
notation and staves extended into margin
12
notation extended into margin
9
partial additional staves
6
staveline added
6
staves extended into margin
4
Copying of Music
Colour of Notation
black
8
brown
3
dark brown
3
gold
1
light brown
2
red
2
Type of Notation
chant (square)
2
full mensural
3
strene notation
1
void mensural
12
Monophonic Notation
absent
8
present
7
Level of Calligraphy
fair
6
high
4
poor
1
very high
3
Non-verbal Performance Instructions
coronae
1
end symbol
3
pointers
5
repeat signs
7
signa congruentiae
7
signes-de-renvoi
8
Copying of Text
Language
Dutch
3
English
1
French
7
Italian
6
Latin
10
Spanish
3
n/a
1
Presence or Absence of Text
fully texted with one or two texts
8
fully texted with one text
11
fully texted with two or more texts
3
fully texted with two texts
2
partially texted with one or two texts
2
partially texted with one text
8
provided with multiple incipits
1
provided with one or two incipits
1
provided with single incipit
9
provided with two incipits
1
untexted
9
Type of Script
cursive
3
cursive (Anglicana)
1
cursive (bastarda)
2
cursive (humanistic)
1
cursive (italic)
2
roman
1
textura
4
Level of Calligraphy
fair
8
high
2
poor
1
very high
3
Colour of Text
black
7
brown
2
dark brown
3
gold
1
light brown
2
red
3
Multiple Texts
no
6
yes
10
Decoration
Miniatures Frequency
never
1
rarely
4
Borders Frequency
never
1
rarely
5
Borders Size
full borders
1
partial borders: one-sided
1
partial borders: two-sided
3
Painted Initials Frequency
always
1
often
3
sometimes
2
Painted Initials Type
calligraphic
1
decorated
4
flourished
2
plain initials
1
Penned Initials Frequency
always
1
normally
4
often
2
rarely
2
sometimes
1
Penned Initials Type
calligraphic
6
decorated
1
flourished
3
littera notabilior
1
plain initials
1
Planned Initials Frequency
normally
2
occasionally
1
often
1
rarely
3
sometimes
2
Planned Initials Type
Other Decoration Frequency
rarely
4
Other Decoration Type
decorative final long
3
end-symbol
1
littera notabilior
1
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Disposition of voice part: 1-part single page
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3
Bologna, Italy, Biblioteca Universitaria, MS 2573 (2231), 1490s, All folios
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 337 (olim Palatino 1178), c. 1520, All folios
Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
1