PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Toggle navigation
Home
Search
About
How to use the resource
Source list
Bibliography
Search
Search:
Filters
Date
Locations of Origin
Countries
Great Britain
2
Cities
England
1
France
1
London
1
Savoy, France
1
Windsor
1
Production method
Manuscript
4
Physical type
choirbook
4
Material
paper
1
parchment
1
parchment and paper (mixed)
2
Format
upright
4
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
1
normally
2
Height of Staves
Colour of Staves
brown
4
Ruling Medium
freehand
1
single rastrum
2
straightedge
2
Number of staves
10
1
11
2
3
1
4
1
5
1
6
2
7
2
8
3
9
3
Disposition of Voice Parts
1-part single page
1
2-part opening
2
2-part single page
1
3-part consecutive
2
3-part opening
4
3-part score
1
3-part single page
1
4-part opening
4
5-part opening
1
5-part single page
1
6-part opening
1
Indentation for Initials
none
2
single
4
Extra Space Between Voice Parts
empty ruled staves on grid
4
left below voice parts as part of grid
1
none
1
variable space, not on grid
1
Space Provided for Separate Text
no separate text
2
not in dedicated space
1
provided, in dedicated space
2
Adhoc Adaptation
made for complete additional staves
2
notation and staves extended into margin
3
notation extended into margin
2
partial additional staves
2
staveline added
2
staves extended into margin
1
Copying of Music
Colour of Notation
black
3
brown
1
dark brown
1
red
2
Type of Notation
chant (square)
1
full mensural
2
strene notation
1
void mensural
3
Monophonic Notation
absent
3
present
1
Level of Calligraphy
fair
2
high
2
very high
1
Non-verbal Performance Instructions
coronae
1
end symbol
2
pointers
1
repeat signs
1
signa congruentiae
2
signes-de-renvoi
3
Copying of Text
Language
English
2
French
2
Latin
3
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
4
fully texted with two or more texts
1
partially texted with one text
2
provided with one or two incipits
2
provided with single incipit
1
untexted
3
Type of Script
cursive
1
cursive (Anglicana)
2
cursive (bastarda)
2
display script
1
Level of Calligraphy
fair
3
high
2
very high
1
Colour of Text
black
2
blue
1
brown
1
dark brown
1
red
3
Multiple Texts
no
3
yes
1
Decoration
Miniatures Frequency
never
1
Borders Frequency
never
1
often
1
rarely
1
Borders Size
full borders
1
partial borders: one-sided
1
Painted Initials Frequency
normally
1
often
1
sometimes
2
Painted Initials Type
decorated
2
flourished
4
plain initials
2
zoomorphic initial
1
Penned Initials Frequency
rarely
2
sometimes
1
Penned Initials Type
calligraphic
2
calligraphic with decoration
1
calligraphic with grotesque heads
1
flourished
1
plain initials
2
Planned Initials Frequency
often
1
rarely
2
sometimes
1
Planned Initials Type
Other Decoration Frequency
normally
1
occasionally
1
often
1
rarely
2
Other Decoration Type
banner
1
decorative final long
3
end-symbol
1
Filters applied
Clear all filters
Type of script: cursive (Anglicana)
Type of notation: chant (square)
Number of staves: 11
Ruling medium: freehand
Borders frequency: never
Painted initials type: plain initials
Non verbal performance instructions: signa congruentiae
Search results
1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1