PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
France
1
Italy
15
Cities
Bruges
1
Florence
8
France
2
Italy (North)
2
Mantua
2
Naples
3
Paris
1
Pordenone
1
Rome
1
Siena
1
Production method
Manuscript
18
Printed work
2
Physical type
choirbook
14
composite manuscript with interpolated polyphony
1
non-music manuscript with interpolated polyphony
1
partbooks (complete set)
3
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
11
paper (with parchment)
3
parchment
5
parchment and paper (mixed)
1
Format
oblong
10
upright
10
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
n/a
2
never
2
none visible
13
normally
2
rarely
1
Height of Staves
Colour of Staves
black
4
brown
9
dark brown
5
gold
1
red-brown
1
reddish brown
1
Ruling Medium
double rastrum
1
freehand
2
quadruple rastrum
1
single rastrum
12
triple rastrum
6
Number of staves
1
1
10
1
2
1
3
2
4
3
5
1
6
9
7
3
8
5
9
1
Disposition of Voice Parts
1-part single page
8
2-part consecutive
1
2-part opening
6
2-part score
1
2-part single page
9
3-part opening
14
3-part score
2
3-part single page
8
4-part opening
15
4-part score
1
4-part single page
11
5-part opening
6
Indentation for Initials
double
1
none
15
single
8
Extra Space Between Voice Parts
empty ruled staves on grid
15
none
6
Space Provided for Separate Text
no separate text
8
not in dedicated space
13
provided, in dedicated space
3
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
6
notation and staves extended into margin
14
notation extended into margin
13
partial additional staves
5
staveline added
5
staves extended into margin
3
Copying of Music
Colour of Notation
black
9
brown
12
dark brown
1
gold
1
red-brown
1
Type of Notation
chant (square)
1
full mensural
2
void mensural
19
Monophonic Notation
absent
18
present
3
Level of Calligraphy
fair
12
high
4
n/a
2
very high
2
Non-verbal Performance Instructions
coronae
3
end symbol
7
pointers
1
repeat signs
11
signa congruentiae
9
signes-de-renvoi
11
Copying of Text
Language
Dutch
6
French
14
German
1
Italian
20
Latin
17
Spanish
4
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
13
fully texted with one text
13
fully texted with two texts
2
partially texted with one or two texts
3
partially texted with one text
10
provided with one or two incipits
2
provided with single incipit
15
provided with two incipits
1
untexted
11
Type of Script
Italic
1
cursive
5
cursive (bastarda)
2
cursive (humanistic)
3
cursive (italic)
4
display script
1
hybrida
2
roman
1
rotonda
2
textura
1
Level of Calligraphy
fair
14
high
5
n/a
2
very high
1
Colour of Text
black
9
blue
1
brown
13
dark brown
2
gold
1
red
3
red-brown
1
yellow
1
Multiple Texts
no
8
yes
15
Decoration
Miniatures Frequency
rarely
3
Borders Frequency
always
1
rarely
2
Borders Size
full borders
2
partial borders: two- and three-sided
1
Painted Initials Frequency
always
1
normally
1
occasionally
1
sometimes
1
Painted Initials Type
decorated
3
Penned Initials Frequency
always
2
normally
6
occasionally
1
often
3
rarely
2
sometimes
3
Penned Initials Type
calligraphic
11
calligraphic with decoration
3
calligraphic with grotesque heads
4
decorated
1
decorated with grotesque heads
1
flourished
3
littera notabilior
1
plain initials
3
Planned Initials Frequency
normally
2
occasionally
2
often
3
rarely
2
sometimes
3
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
normally
2
occasionally
1
often
2
rarely
1
sometimes
1
Other Decoration Type
banner
1
decorative final long
3
embellished final barline
2
end-symbol
3
littera notabilior
1
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Copy language name: Italian
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1
Paris, France, Bibliothèque Nationale, fonds français MS 1597 (olim Colbert 1625), c. 1500, All folios
1