PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
France
1
Italy
5
Spain
2
Cities
Florence
4
France
3
Naples
1
Paris
1
Rome
1
Tarazona
2
Production method
Manuscript
10
Physical type
choirbook
7
partbook (single)
1
partbooks (incomplete set)
2
Material
paper
6
parchment
4
Format
oblong
5
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
never
1
none visible
5
normally
1
Height of Staves
Colour of Staves
brown
5
dark brown
4
red
1
Ruling Medium
double rastrum
1
single rastrum
7
triple rastrum
2
Number of staves
10
2
2
1
4
3
6
4
7
1
8
2
Disposition of Voice Parts
1-part single page
5
2-part opening
1
2-part single page
2
3-part opening
7
3-part single page
3
4-part opening
7
4-part single page
3
5-part opening
3
6-part opening
1
Indentation for Initials
none
5
single
7
Extra Space Between Voice Parts
empty ruled staves on grid
10
Space Provided for Separate Text
no separate text
7
not in dedicated space
4
provided, in dedicated space
1
Adhoc Adaptation
made for complete additional staves
1
none
1
notation and staves extended into margin
9
notation extended into margin
6
partial additional staves
3
staveline added
3
staves extended into margin
1
Copying of Music
Colour of Notation
black
2
brown
7
dark brown
2
light brown
1
Type of Notation
full mensural
1
void mensural
9
Monophonic Notation
absent
10
Level of Calligraphy
fair
6
high
4
very high
1
Non-verbal Performance Instructions
coronae
1
end symbol
2
pointers
1
repeat signs
10
signa congruentiae
8
signes-de-renvoi
5
Copying of Text
Language
Dutch
3
French
8
German
1
Italian
6
Latin
9
Spanish
4
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
8
fully texted with one text
9
fully texted with two texts
2
partially texted with one or two texts
2
partially texted with one text
7
provided with one or two incipits
2
provided with single incipit
7
provided with two incipits
3
untexted
7
Type of Script
cursive
2
cursive (bastarda)
3
cursive (humanistic)
3
cursive (italic)
2
display script
1
hybrida
2
roman
1
Level of Calligraphy
fair
4
high
8
poor
1
Colour of Text
black
3
brown
6
dark brown
3
light brown
1
red
1
yellow
1
Multiple Texts
no
5
yes
8
Decoration
Miniatures Frequency
rarely
3
Borders Frequency
always
2
rarely
1
Borders Size
full borders
1
partial borders: one- and two-sided
1
partial borders: two- and three-sided
1
Painted Initials Frequency
always
2
normally
2
occasionally
1
rarely
1
Painted Initials Type
decorated
4
historiated
1
Penned Initials Frequency
always
2
normally
1
occasionally
1
often
1
rarely
1
sometimes
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
2
calligraphic with grotesque heads
2
historiated
1
Planned Initials Frequency
normally
3
rarely
3
sometimes
1
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
often
1
Other Decoration Type
decorative final long
1
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Production method: Manuscript
Type of notation: chant (square)
Number of staves: 9
Penned initials frequency: rarely
Multiple texts: yes
Material: paper
Pricking frequency: normally
Search results
3
Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Altus
Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor primus
Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor secundus
1