PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
17
Cities
Ferrara
1
Florence
17
Italy (North)
1
Production method
Manuscript
17
Physical type
choirbook
10
partbook (single)
2
partbooks (complete set)
4
tablebook
1
Material
paper
12
paper (with parchment)
1
parchment
3
parchment (with paper)
1
Format
bound upright but prepared oblong
1
oblong
10
upright
6
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
none visible
14
rarely
1
Height of Staves
Colour of Staves
black
2
brown
9
dark brown
5
gold
1
reddish brown
1
Ruling Medium
double rastrum
4
freehand
2
quadruple rastrum
1
single rastrum
7
straightedge
1
triple rastrum
11
Number of staves
1
1
10
3
11
1
2
1
3
6
4
3
6
7
7
1
8
1
Disposition of Voice Parts
1-part single page
8
2-part opening
3
2-part score
1
2-part single page
3
3-part opening
10
3-part score
1
3-part single page
3
4-part opening
11
4-part score
1
4-part single page
5
5-part opening
3
6-part opening
1
Indentation for Initials
none
12
single
6
Extra Space Between Voice Parts
empty ruled staves on grid
11
left between voice parts as part of grid
1
none
5
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
9
not in dedicated space
8
provided, in dedicated space
3
Adhoc Adaptation
made for complete additional staves
3
notation and staves extended into margin
15
notation extended into margin
11
partial additional staves
6
staveline added
6
staves extended into margin
2
Copying of Music
Colour of Notation
black
4
brown
13
dark brown
1
gold
1
red
1
Type of Notation
chant (square)
1
full mensural
2
void mensural
16
Monophonic Notation
absent
16
present
1
Level of Calligraphy
fair
8
high
7
very high
2
Non-verbal Performance Instructions
coronae
2
end symbol
3
pointers
1
repeat signs
13
signa congruentiae
9
signes-de-renvoi
7
Copying of Text
Language
Dutch
4
Flemish
1
French
12
Italian
13
Latin
15
Spanish
4
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
11
fully texted with one text
10
fully texted with two or more texts
1
fully texted with two texts
1
partially texted with one or two texts
2
partially texted with one text
8
partially texted with two texts
1
provided with multiple incipits
1
provided with one or two incipits
3
provided with single incipit
14
provided with two incipits
2
untexted
12
Type of Script
cursive
3
cursive (bastarda)
2
cursive (humanistic)
2
cursive (italic)
9
hybrida
1
roman
2
textura
2
Level of Calligraphy
fair
10
high
7
poor
1
very high
1
Colour of Text
black
3
blue
1
brown
12
dark brown
1
gold
1
grey
1
red
3
Multiple Texts
no
10
yes
10
Decoration
Miniatures Frequency
rarely
2
Borders Frequency
rarely
2
Borders Size
full borders
1
partial borders: three-sided
1
partial borders: two-sided
1
Painted Initials Frequency
normally
2
rarely
2
sometimes
1
Painted Initials Type
decorated
3
historiated
1
zoomorphic initial
1
Penned Initials Frequency
always
1
normally
7
occasionally
2
often
2
rarely
1
sometimes
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
2
calligraphic with grotesque heads
2
decorated
1
flourished
1
historiated
1
plain initials
4
Planned Initials Frequency
always
1
normally
4
rarely
4
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
occasionally
1
often
1
rarely
3
sometimes
1
Other Decoration Type
decorative final long
2
end-symbol
1
littera notabilior
2
signa congruentiae
1
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Locations name: Milan
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Paris, France, Bibliothèque Nationale, fonds du conservatoire MS Rés. 862, c. 1503-5, 73-88
1