PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
10
France
1
Germany
1
Italy
5
Cities
Antwerp
1
Brussels
6
Florence
3
Germany (South)
1
Glarus, Switzerland
1
Italy (North)
1
Mantua
1
Mechelen
9
Netherlands
1
Padua
1
Paris
1
Rome
1
Wittenberg
1
Production method
Manuscript
20
Physical type
choirbook
19
partbook (single)
1
Material
paper
3
paper (with parchment)
1
parchment
16
Format
oblong
2
upright
18
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
9
never
2
none visible
5
normally
1
often
3
sometimes
1
Height of Staves
Colour of Staves
black
14
brown
6
light brown
1
red
3
Ruling Medium
double rastrum
2
single rastrum
16
straightedge
1
triple rastrum
1
Number of staves
1
1
10
16
11
5
12
2
2
4
3
1
4
3
5
6
6
8
7
9
8
12
9
14
Disposition of Voice Parts
1-part single page
5
2-part consecutive
1
2-part opening
9
2-part single page
2
3-part opening
14
4-part opening
19
4-part single page
2
5-part opening
14
5-part single page
1
6-part opening
4
7-part opening
1
Indentation for Initials
double
14
none
4
quadruple
3
single
17
triple
9
Extra Space Between Voice Parts
empty ruled staves on grid
18
left between voice parts as part of grid
1
none
2
staves not ruled
3
staves not ruled on grid
11
variable space, not on grid
3
Space Provided for Separate Text
no separate text
16
not in dedicated space
3
provided, in dedicated space
4
Adhoc Adaptation
made for complete additional staves
5
notation and staves extended into margin
14
notation extended into margin
5
partial additional staves
9
staveline added
3
Copying of Music
Colour of Notation
black
19
brown
3
red
2
Type of Notation
chant (square)
1
full mensural
1
void mensural
19
Monophonic Notation
absent
17
present
5
Level of Calligraphy
fair
3
high
6
very high
12
Non-verbal Performance Instructions
coronae
2
end symbol
3
repeat signs
3
signa congruentiae
12
signes-de-renvoi
15
Copying of Text
Language
Dutch
1
Flemish
4
French
9
Italian
1
Latin
19
Spanish
1
Presence or Absence of Text
fully texted with one or two texts
4
fully texted with one text
18
fully texted with two or more texts
8
partially texted with one or two texts
1
partially texted with one text
2
partially texted with two texts
1
provided with one or two incipits
1
provided with single incipit
4
provided with two incipits
2
untexted
6
Type of Script
antiqua
1
cursive
1
cursive (bastarda)
15
cursive (humanistic)
2
cursive (italic)
1
display script
11
hybrida
1
textura
3
Level of Calligraphy
fair
3
high
7
very high
13
Colour of Text
black
19
blue
1
brown
2
red
14
Multiple Texts
no
11
yes
12
Decoration
Miniatures Frequency
always
1
never
1
rarely
14
Borders Frequency
never
3
rarely
14
Borders Size
full and partial borders
1
full borders
4
partial borders: one- and two-sided
1
partial borders: one-sided
5
partial borders: three-sided
2
partial borders: two-sided
1
Painted Initials Frequency
never
1
normally
2
often
2
rarely
20
sometimes
1
Painted Initials Type
calligraphic with decoration
1
decorated
6
decorated with grotesque heads
1
flourished
1
historiated
3
plain initials
1
trompe l'oeil
1
zoomorphic initial
2
Penned Initials Frequency
always
1
never
1
normally
14
occasionally
4
often
2
rarely
4
sometimes
1
Penned Initials Type
calligraphic
9
calligraphic with decoration
1
calligraphic with grotesque heads
4
decorated
1
decorated with grotesque heads
2
flourished
3
plain initials
3
Planned Initials Frequency
always
1
never
8
occasionally
1
often
2
rarely
5
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
9
occasionally
1
often
2
rarely
2
sometimes
1
Other Decoration Type
banner
1
decorative final long
2
littera notabilior
1
ornament
1
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Painted initials frequency: rarely
Search results
3
Obrecht: Misse, Venice, Italy, 1503, , "1503 die 24 Martii", All
Agricola: Misse, Venice, Italy, 1504, , "1504 die 23 Martij.",
Fioretti di frottole barzelette capitoli strambotti e sonetti libro secondo, Naples, Italy, 1519, , "Mccccc xviiii ad viiii de Octtobro", 48f.
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