PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
2
Cities
Catalonia
1
Italy (North)
1
London
1
Naples
2
Rome
1
Windsor
1
Production method
Manuscript
5
Physical type
choirbook
4
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
4
parchment and paper (mixed)
1
Format
oblong
1
upright
4
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
2
normally
2
Height of Staves
Colour of Staves
black
2
brown
2
dark brown
2
Ruling Medium
single rastrum
4
straightedge
1
Number of staves
10
1
11
1
3
1
4
1
5
2
6
3
7
2
8
1
9
2
Disposition of Voice Parts
1-part single page
2
2-part consecutive
1
2-part opening
2
2-part single page
3
3-part consecutive
1
3-part opening
4
3-part single page
2
4-part opening
4
4-part single page
3
5-part opening
2
Indentation for Initials
none
3
single
3
Extra Space Between Voice Parts
empty ruled staves on grid
5
variable space, not on grid
1
Space Provided for Separate Text
no separate text
2
not in dedicated space
3
Adhoc Adaptation
made for complete additional staves
5
notation and staves extended into margin
5
notation extended into margin
5
other
1
partial additional staves
4
staveline added
4
staves extended into margin
1
Copying of Music
Colour of Notation
black
4
brown
2
dark brown
1
red
1
Type of Notation
chant (square)
1
full mensural
2
void mensural
4
Monophonic Notation
absent
3
present
2
Level of Calligraphy
fair
5
Non-verbal Performance Instructions
coronae
1
end symbol
4
pointers
1
repeat signs
2
signa congruentiae
3
signes-de-renvoi
4
space-filler
1
Copying of Text
Language
Dutch
1
English
1
French
2
German
1
Italian
3
Latin
4
Spanish
2
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
4
fully texted with two texts
1
partially texted with one or two texts
1
partially texted with one text
2
provided with one or two incipits
1
provided with single incipit
2
untexted
2
Type of Script
cursive
2
cursive (Anglicana)
1
cursive (italic)
1
display script
1
hybrida
1
Level of Calligraphy
fair
5
high
1
Colour of Text
black
5
brown
4
dark brown
2
red
2
yellow
1
Multiple Texts
no
3
yes
3
Decoration
Miniatures Frequency
never
1
Borders Frequency
never
1
Borders Size
Painted Initials Frequency
normally
1
Painted Initials Type
flourished
1
plain initials
1
Penned Initials Frequency
normally
1
occasionally
1
often
1
rarely
2
sometimes
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
3
calligraphic with grotesque heads
3
decorated
1
decorated with grotesque heads
1
flourished
1
littera notabilior
1
plain initials
3
Planned Initials Frequency
often
2
rarely
2
sometimes
1
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
normally
1
often
2
rarely
1
sometimes
2
Other Decoration Type
decorative final long
4
embellished final barline
2
end-symbol
2
littera notabilior
1
Filters applied
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Colour of text: black
Locations name: Bruges
Non verbal performance instructions: signa congruentiae
Physical format: upright
Planned initials frequency: often
Presence absence of text: provided with single incipit
Ruling medium: single rastrum
Search results
1
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 337 (olim Palatino 1178), c. 1520, All folios
1