PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Great Britain
2
Italy
2
Spain
1
Cities
Bologna
1
Brussels
1
England
1
Eton
1
Ferrara
1
Mechelen
1
Netherlands
1
Vic
1
Production method
Manuscript
8
Physical type
choirbook
8
Material
paper
3
parchment
4
parchment and paper (mixed)
1
Format
upright
8
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
never
1
none visible
1
normally
2
sometimes
1
Height of Staves
Colour of Staves
black
5
brown
2
dark brown
1
Ruling Medium
double rastrum
2
freehand
1
single rastrum
4
straightedge
3
Number of staves
10
5
11
5
12
5
13
2
14
1
15
1
16
1
17
1
5
1
6
3
7
2
8
3
9
4
Disposition of Voice Parts
1-part single page
3
2-part opening
4
2-part single page
2
3-part consecutive
1
3-part opening
4
3-part score
1
3-part single page
2
4-part consecutive
1
4-part opening
6
4-part single page
2
5-part consecutive
1
5-part opening
7
5-part single page
1
6-part consecutive
1
6-part opening
8
7-part consecutive
1
8-part consecutive
1
8-part opening
2
9-part consecutive
1
9-part opening
1
Indentation for Initials
all staves indented
1
double
4
none
3
single
5
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
8
left below voice parts as part of grid
1
none
1
staves not ruled on grid
3
variable space, not on grid
1
Space Provided for Separate Text
no separate text
5
not in dedicated space
3
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
3
made for complete additional staves
4
notation and staves extended into margin
8
notation extended into margin
8
partial additional staves
5
staveline added
5
staves extended into margin
1
Copying of Music
Colour of Notation
black
8
dark brown
4
red
2
Type of Notation
chant (square)
2
full mensural
2
strene notation
1
void mensural
7
Monophonic Notation
absent
4
present
4
Level of Calligraphy
fair
1
high
4
very high
3
Non-verbal Performance Instructions
coronae
3
end symbol
5
pointers
1
repeat signs
2
signa congruentiae
4
signes-de-renvoi
5
Copying of Text
Language
English
1
Latin
8
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
1
fully texted with one text
8
fully texted with two or more texts
2
partially texted with one text
1
provided with one or two incipits
1
provided with single incipit
1
untexted
2
Type of Script
cursive (Anglicana)
1
cursive (bastarda)
2
cursive (humanistic)
1
display script
1
textura
4
Level of Calligraphy
fair
2
high
3
very high
3
Colour of Text
black
7
brown
1
dark brown
3
red
5
Multiple Texts
no
5
yes
3
Decoration
Miniatures Frequency
never
2
rarely
2
Borders Frequency
never
2
rarely
3
Borders Size
full borders
2
partial borders: two-sided
1
Painted Initials Frequency
often
3
rarely
2
sometimes
1
Painted Initials Type
calligraphic
1
decorated
2
decorated with grotesque heads
2
flourished
2
historiated
2
plain initials
1
zoomorphic initial
2
Penned Initials Frequency
always
1
normally
3
occasionally
1
rarely
2
sometimes
1
Penned Initials Type
calligraphic
5
calligraphic with decoration
3
calligraphic with grotesque heads
3
decorated with grotesque heads
1
flourished
1
plain initials
2
Planned Initials Frequency
never
1
normally
1
occasionally
2
rarely
4
Planned Initials Type
Other Decoration Frequency
never
1
normally
1
occasionally
1
often
1
rarely
2
sometimes
1
Other Decoration Type
banner
2
decorative final long
2
end-symbol
1
littera notabilior
2
Filters applied
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Adhoc adaptation: notation extended into margin
Colour of notation: black
Disposition of voice part: 6-part opening
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1
Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F VI 26 b, First quarter of the 16th century, All folios
1