PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Italy
12
Cities
Belgium
1
Bruges
1
Florence
6
France
2
Italy (North)
2
Mantua
2
Naples
3
Pordenone
1
Rome
2
Spain
1
Production method
Manuscript
18
Physical type
choirbook
15
composite manuscript with interpolated polyphony
1
music treatise(s) with appended polyphony
1
non-music manuscript with interpolated polyphony
1
Material
paper
10
paper (with parchment)
1
parchment
6
parchment and paper (mixed)
1
Format
oblong
5
upright
13
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
2
none visible
10
normally
2
sometimes
2
Height of Staves
Colour of Staves
black
2
brown
10
dark brown
5
light brown
1
red-brown
1
reddish brown
1
Ruling Medium
double rastrum
1
freehand
1
quadruple rastrum
1
single rastrum
11
straightedge
1
triple rastrum
5
Number of staves
10
1
2
2
3
1
4
2
5
1
6
9
7
7
8
6
9
2
Disposition of Voice Parts
1-part single page
6
2-part opening
7
2-part single page
11
3-part opening
18
3-part score
1
3-part single page
8
4-part opening
16
4-part single page
10
5-part opening
5
5-part single page
1
Indentation for Initials
double
2
none
12
single
9
Extra Space Between Voice Parts
empty ruled staves on grid
18
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
7
not in dedicated space
13
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
6
notation and staves extended into margin
13
notation extended into margin
12
other
1
partial additional staves
8
staveline added
5
staves extended into margin
5
Copying of Music
Colour of Notation
black
9
blue
1
brown
11
gold
1
red
1
red-brown
1
Type of Notation
chant (square)
1
full mensural
1
void mensural
17
Monophonic Notation
absent
16
present
3
Level of Calligraphy
fair
13
high
3
very high
2
Non-verbal Performance Instructions
coronae
1
end symbol
8
pointers
4
repeat signs
12
signa congruentiae
9
signes-de-renvoi
18
space-filler
1
Copying of Text
Language
Dutch
8
Flemish
1
French
16
German
1
Italian
18
Latin
17
Spanish
8
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
12
fully texted with one text
10
fully texted with two texts
1
partially texted with one or two texts
6
partially texted with one text
11
provided with one or two incipits
5
provided with single incipit
15
provided with two incipits
1
untexted
15
Type of Script
cursive
6
cursive (bastarda)
2
cursive (humanistic)
4
cursive (italic)
2
display script
1
hybrida
3
rotonda
1
textura
1
Level of Calligraphy
fair
14
high
3
poor
3
Colour of Text
black
8
blue
1
brown
11
dark brown
3
red
5
red-brown
1
yellow
1
Multiple Texts
no
6
yes
14
Decoration
Miniatures Frequency
rarely
1
Borders Frequency
rarely
1
Borders Size
full borders
1
Painted Initials Frequency
normally
1
occasionally
1
Painted Initials Type
decorated
1
Penned Initials Frequency
always
2
normally
8
occasionally
2
often
2
rarely
4
sometimes
2
Penned Initials Type
calligraphic
11
calligraphic with decoration
6
calligraphic with grotesque heads
6
decorated
1
flourished
4
littera notabilior
2
Planned Initials Frequency
always
1
normally
3
occasionally
3
often
2
rarely
4
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
normally
3
occasionally
4
often
1
rarely
1
sometimes
3
Other Decoration Type
banner
1
decorated letters
1
decorative final long
5
embellished final barline
1
end-symbol
3
littera notabilior
1
signa congruentiae
1
Filters applied
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Copy language name: Italian
Non verbal performance instructions: signes-de-renvoi
Disposition of voice part: 3-part opening
Search results
1
Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
1