PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Italy
3
Spain
1
Cities
Brussels
1
Catalonia
1
Ferrara
1
Florence
1
Mechelen
1
Naples
2
Rome
1
Vic
1
Production method
Manuscript
6
Physical type
choirbook
6
Material
paper
6
Format
upright
6
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
1
none visible
3
normally
1
Height of Staves
Colour of Staves
black
3
brown
2
dark brown
2
Ruling Medium
double rastrum
1
single rastrum
5
straightedge
1
Number of staves
10
4
11
2
12
1
5
1
6
4
7
2
8
1
9
2
Disposition of Voice Parts
1-part single page
2
2-part opening
3
2-part single page
6
3-part opening
5
3-part single page
3
4-part opening
6
4-part single page
5
5-part opening
3
6-part opening
1
Indentation for Initials
double
2
none
2
single
4
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
6
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
3
not in dedicated space
4
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
6
notation and staves extended into margin
6
notation extended into margin
6
other
1
partial additional staves
4
staveline added
4
staves extended into margin
1
Copying of Music
Colour of Notation
black
5
brown
2
dark brown
2
Type of Notation
chant (square)
2
full mensural
1
void mensural
6
Monophonic Notation
absent
3
present
3
Level of Calligraphy
fair
3
high
3
Non-verbal Performance Instructions
coronae
2
end symbol
4
pointers
1
repeat signs
3
signa congruentiae
4
signes-de-renvoi
6
space-filler
1
Copying of Text
Language
Dutch
1
French
3
German
1
Italian
2
Latin
6
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
2
fully texted with one text
5
fully texted with two or more texts
2
fully texted with two texts
1
partially texted with one or two texts
1
partially texted with one text
2
provided with multiple incipits
1
provided with one or two incipits
1
provided with single incipit
5
untexted
4
Type of Script
cursive
2
cursive (bastarda)
1
cursive (humanistic)
1
display script
2
hybrida
1
textura
1
Level of Calligraphy
fair
3
high
4
Colour of Text
black
6
brown
3
dark brown
3
red
3
yellow
1
Multiple Texts
no
3
yes
5
Decoration
Miniatures Frequency
never
3
Borders Frequency
never
3
Borders Size
Painted Initials Frequency
never
1
Painted Initials Type
Penned Initials Frequency
always
1
normally
1
occasionally
1
often
2
rarely
3
Penned Initials Type
calligraphic
5
calligraphic with decoration
3
calligraphic with grotesque heads
3
decorated
1
flourished
2
littera notabilior
1
plain initials
1
Planned Initials Frequency
normally
1
often
1
rarely
4
sometimes
1
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
never
1
often
1
rarely
2
sometimes
3
Other Decoration Type
decorative final long
3
embellished final barline
1
end-symbol
1
littera notabilior
2
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Adhoc adaptation: made for complete additional staves
Adhoc adaptation: notation extended into margin
Colour of text: black
Disposition of voice part: 2-part single page
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1
Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F VI 26 d, First quarter of the 16th century, All folios
1