PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
1
Belgium
1
Czech Republic
3
France
4
Germany
8
Great Britain
2
Italy
39
Italy (North)
1
Netherlands
2
Portugal
1
Spain
3
Switzerland
11
Cities
Augsburg
2
Austria
1
Basel
10
Belgium
1
Bourges
1
Bruges
1
Casale Monferrato
4
Catalonia
2
Cognac
1
Coimbra
1
Eton
1
Ferrara
1
Florence
15
France
8
Freiburg
1
Germany
6
Germany (South)
2
Girona
1
Glarus, Switzerland
2
Halberstadt
1
Hradec Králové
3
Innsbruck
1
Italy
6
Italy (North)
3
Leipzig
2
Maastricht
1
Mantua
2
Milan
2
Modena
6
Munich
1
Naples
3
Paris
2
Pisa
1
Rheinfelden
2
Rome
4
Segovia
1
Seville
1
Siena
2
Spain
1
St Gall
1
Staffarda
1
Stirling
1
Switzerland
1
Toledo
1
Torgau
1
Turin
1
Utrecht
1
Venice
1
Zwickau
1
Production method
Manuscript
92
Physical type
choirbook
56
choirbook (fragment(s))
4
choirbook (fragment)
1
choirbook (single quire(s))
1
music treatise(s) with appended monophony and polyphony
1
music treatise(s) with appended polyphony
1
partbook (fragment)
1
partbook (single)
6
partbooks (complete set)
9
partbooks (incomplete set)
6
poetry collection with some notated music
1
polyphonic music manuscript appended to polyphonic music print
2
printed treatise with added polyphony
1
single leaf
1
tablebook
1
Material
paper
74
paper (with parchment)
3
parchment
15
Format
bound upright but prepared oblong
1
oblong
25
upright
66
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
13
n/a
1
never
22
none visible
47
normally
5
occasionally
1
often
3
rarely
1
sometimes
4
Height of Staves
Colour of Staves
black
14
brown
58
dark brown
14
light brown
6
red
3
reddish brown
5
Ruling Medium
double and single rastra
2
double rastrum
11
freehand
6
printed staves
1
single rastrum
63
straightedge
13
triple rastrum
11
Number of staves
1
1
10
26
11
13
12
8
13
4
14
4
15
1
16
1
17
1
2
7
3
13
4
15
5
13
6
28
7
19
8
16
9
16
Disposition of Voice Parts
1-part single page
35
10-part opening
1
19-part opening
1
2-part consecutive
2
2-part opening
23
2-part score
1
2-part single page
16
3-part consecutive
6
3-part opening
47
3-part score
1
3-part single page
22
4-part consecutive
5
4-part opening
58
4-part score
1
4-part single page
20
5-part consecutive
2
5-part opening
22
5-part single page
2
6-part consecutive
1
6-part opening
8
7-part consecutive
1
8-part consecutive
1
8-part opening
3
9-part consecutive
1
9-part opening
1
n/a
2
Indentation for Initials
all staves indented
1
double
7
none
54
quintuple
1
single
46
triple
1
varies
3
Extra Space Between Voice Parts
empty ruled staves on grid
62
left below voice parts as part of grid
5
left between voice parts as part of grid
5
none
20
staves not ruled on grid
4
variable space, not on grid
5
Space Provided for Separate Text
no separate text
51
not in dedicated space
27
provided, in dedicated space
20
Adhoc Adaptation
Indentation for initials filled in
8
made for complete additional staves
28
none
2
notation and staves extended into margin
56
notation extended into margin
37
other
5
partial additional staves
35
staveline added
16
staves extended into margin
5
Copying of Music
Colour of Notation
black
29
blue
1
brown
75
dark brown
5
gold
1
light brown
2
red
2
reddish brown
1
Type of Notation
German hufnagel
1
chant (Central European)
1
chant (Gothic)
1
chant (square)
4
full mensural
5
void mensural
89
Monophonic Notation
absent
79
present
17
Level of Calligraphy
fair
54
high
28
poor
17
very high
2
Non-verbal Performance Instructions
coronae
8
cue notes
2
end symbol
13
none
3
numbers to indicate note lengths
1
pointers
5
repeat signs
28
signa congruentiae
30
signes-de-renvoi
36
space-filler
4
Copying of Text
Language
Czech
3
Dutch
10
Flemish
1
French
42
German
11
Italian
26
Latin
75
Spanish
10
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
28
fully texted with one text
70
fully texted with two texts
3
partially texted with one or two texts
9
partially texted with one text
30
partially texted with two texts
2
provided with multiple incipits
1
provided with one or two incipits
15
provided with single incipit
46
provided with two incipits
4
untexted
45
varies
2
Type of Script
cursive
26
cursive (Anglicana)
1
cursive (German)
11
cursive (bastarda)
15
cursive (humanistic)
16
cursive (italic)
12
display script
7
humanistic
1
hybrida
5
roman
1
rotonda
1
textura
11
various
2
Level of Calligraphy
fair
54
high
32
poor
19
very high
1
Colour of Text
black
22
blue
4
brown
92
dark brown
3
light brown
1
red
13
reddish brown
1
yellow
1
Multiple Texts
no
59
yes
42
Decoration
Miniatures Frequency
always
2
never
6
rarely
5
Borders Frequency
always
2
never
4
rarely
6
Borders Size
full borders
2
partial borders: one- and two-sided
2
partial borders: one-sided
1
partial borders: three-sided
1
partial borders: two- and three-sided
1
partial borders: two-sided
3
Painted Initials Frequency
always
3
never
2
normally
3
occasionally
1
often
1
rarely
5
sometimes
2
Painted Initials Type
calligraphic with decoration
2
decorated
9
decorated with grotesque heads
2
flourished
2
historiated
2
plain initials
1
zoomorphic initial
4
Penned Initials Frequency
always
12
never
1
normally
25
occasionally
11
often
10
rarely
15
sometimes
13
Penned Initials Type
calligraphic
43
calligraphic with decoration
23
calligraphic with grotesque heads
23
decorated
3
decorated with grotesque heads
5
flourished
19
historiated
1
littera notabilior
4
plain initials
21
zoomorphic initial
1
Planned Initials Frequency
always
5
normally
14
occasionally
5
often
11
rarely
7
sometimes
6
Planned Initials Type
Guide letters only
3
Other Decoration Frequency
always
3
never
1
normally
6
occasionally
10
often
11
rarely
9
sometimes
8
Other Decoration Type
Voice-names
1
banner
1
decorated letters
7
decorative final long
18
embellished final barline
6
end-symbol
7
littera notabilior
9
ornament
1
signes-de-renvoi
1
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1
Florence, Italy, Biblioteca Nazionale Centrale, MS Panciatichi 27, Early 16th century, All folios
1