PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Germany
2
Cities
Augsburg
2
Munich
2
Production method
Manuscript
2
Physical type
choirbook
2
Material
paper
1
parchment
1
Format
upright
2
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
none visible
2
Height of Staves
Colour of Staves
black
2
Ruling Medium
single rastrum
2
Number of staves
10
1
2
1
3
1
4
2
5
2
6
2
7
2
8
2
9
1
Disposition of Voice Parts
2-part opening
2
3-part opening
2
4-part opening
2
5-part opening
2
6-part opening
1
Indentation for Initials
double
2
single
2
Extra Space Between Voice Parts
staves not ruled on grid
2
variable space, not on grid
1
Space Provided for Separate Text
no separate text
2
Adhoc Adaptation
Copying of Music
Colour of Notation
black
2
Type of Notation
void mensural
2
Monophonic Notation
absent
2
Level of Calligraphy
fair
1
high
1
Non-verbal Performance Instructions
end symbol
1
signes-de-renvoi
1
Copying of Text
Language
Latin
2
Presence or Absence of Text
fully texted with one text
2
Type of Script
textura
2
Level of Calligraphy
fair
1
high
1
Colour of Text
black
2
Multiple Texts
no
2
Decoration
Miniatures Frequency
Borders Frequency
rarely
1
Borders Size
partial borders: one-sided
1
Painted Initials Frequency
rarely
1
Painted Initials Type
decorated
1
historiated
1
Penned Initials Frequency
rarely
1
Penned Initials Type
calligraphic
1
Planned Initials Frequency
normally
2
Planned Initials Type
Other Decoration Frequency
Other Decoration Type
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Locations name: Paris
Number of staves: 4
Number of staves: 6
Other decoration frequency: often
Penned initials type: calligraphic with grotesque heads
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3
Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Altus
Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor primus
Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor secundus
1