PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Czech Republic
1
Germany
1
Great Britain
1
Italy
2
Switzerland
1
Cities
Basel
1
Bologna
1
England
1
Ferrara
1
France
2
Freiburg
1
Mechelen
1
Modena
1
Prague
1
Production method
Manuscript
8
Physical type
choirbook
5
music treatise(s) containing polyphony
1
non-music manuscript with interpolated polyphony
1
partbooks (complete set)
1
Material
paper
6
parchment
1
parchment and paper (mixed)
1
Format
oblong
1
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
1
none visible
3
normally
1
occasionally
1
sometimes
2
Height of Staves
Colour of Staves
black
3
brown
3
dark brown
1
light brown
3
Ruling Medium
freehand
2
single rastrum
5
straightedge
3
Number of staves
1
1
10
4
11
2
2
1
3
2
4
1
5
1
6
2
7
3
8
4
9
4
Disposition of Voice Parts
1-part single page
3
2-part consecutive
3
2-part opening
8
2-part single page
4
3-part consecutive
3
3-part opening
6
3-part score
1
3-part single page
3
4-part consecutive
2
4-part opening
6
4-part single page
1
5-part consecutive
1
5-part opening
4
5-part single page
2
6-part opening
2
Indentation for Initials
double
1
none
5
single
4
Extra Space Between Voice Parts
empty ruled staves on grid
5
left below voice parts as part of grid
2
none
3
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
1
not in dedicated space
5
provided, in dedicated space
8
Adhoc Adaptation
made for complete additional staves
5
notation and staves extended into margin
4
notation extended into margin
3
partial additional staves
6
staveline added
2
staves extended into margin
2
Copying of Music
Colour of Notation
black
5
brown
3
dark brown
1
light brown
1
red
1
Type of Notation
chant (Gothic)
1
chant (square)
1
full mensural
2
strene notation
1
void mensural
8
Monophonic Notation
absent
4
present
5
Level of Calligraphy
fair
7
high
1
Non-verbal Performance Instructions
coronae
1
end symbol
1
pointers
2
repeat signs
3
signa congruentiae
2
signes-de-renvoi
4
Copying of Text
Language
Czech
1
English
1
French
3
German
1
Latin
7
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
7
fully texted with two or more texts
3
fully texted with two texts
1
partially texted with one or two texts
1
partially texted with one text
2
partially texted with two texts
1
provided with multiple incipits
1
provided with one or two incipits
2
provided with single incipit
5
untexted
6
Type of Script
cursive
1
cursive (Anglicana)
1
cursive (German)
1
cursive (bastarda)
2
cursive (humanistic)
2
cursive (italic)
1
Level of Calligraphy
fair
8
Colour of Text
black
3
brown
3
dark brown
1
light brown
1
red
2
Multiple Texts
no
4
yes
4
Decoration
Miniatures Frequency
never
1
Borders Frequency
never
1
Borders Size
Painted Initials Frequency
sometimes
1
Painted Initials Type
flourished
1
plain initials
1
Penned Initials Frequency
normally
1
rarely
3
sometimes
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
1
littera notabilior
1
plain initials
1
Planned Initials Frequency
normally
1
often
1
rarely
1
Planned Initials Type
Other Decoration Frequency
rarely
2
Other Decoration Type
decorated letters
1
decorative final long
1
end-symbol
1
Filters applied
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Separate text: provided, in dedicated space
Level of calligraphy text: fair
Disposition of voice part: 2-part opening
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1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1