PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Germany
1
Great Britain
3
Italy
2
Cities
England
1
Halberstadt
1
Italy
1
Italy (North)
1
Leipzig
1
London
1
Naples
1
Pisa
1
Stirling
1
Torgau
1
Windsor
1
Production method
Manuscript
7
Physical type
choirbook
4
music treatise(s) containing polyphony
1
music treatise(s) with appended monophony and polyphony
1
printed treatise with added polyphony
1
Material
paper
4
parchment
1
parchment and paper (mixed)
2
Format
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
3
none visible
2
normally
2
Height of Staves
Colour of Staves
black
2
brown
6
dark brown
1
red
1
Ruling Medium
freehand
1
single rastrum
1
straightedge
7
Number of staves
1
1
10
4
11
3
12
2
13
1
2
1
3
2
4
3
5
3
6
4
7
3
8
3
9
6
Disposition of Voice Parts
1-part single page
2
10-part opening
1
19-part opening
1
2-part consecutive
1
2-part opening
2
2-part single page
3
3-part consecutive
7
3-part opening
5
3-part score
1
3-part single page
5
4-part consecutive
3
4-part opening
4
4-part single page
1
5-part consecutive
2
5-part opening
3
5-part single page
1
6-part opening
2
n/a
1
Indentation for Initials
none
5
single
4
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
2
left below voice parts as part of grid
2
left between voice parts as part of grid
1
none
5
variable space, not on grid
2
Space Provided for Separate Text
no separate text
4
not in dedicated space
1
provided, in dedicated space
4
Adhoc Adaptation
made for complete additional staves
3
notation and staves extended into margin
4
notation extended into margin
2
other
1
partial additional staves
5
staveline added
2
staves extended into margin
1
Copying of Music
Colour of Notation
black
5
brown
3
dark brown
2
light brown
1
red
2
Type of Notation
chant (square)
1
full mensural
3
strene notation
1
void mensural
6
Monophonic Notation
absent
5
present
2
Level of Calligraphy
fair
4
high
1
poor
2
very high
1
Non-verbal Performance Instructions
coronae
1
end symbol
2
numbers to indicate note lengths
1
pointers
1
repeat signs
1
signa congruentiae
3
signes-de-renvoi
3
Copying of Text
Language
English
2
French
1
German
1
Italian
2
Latin
6
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
7
fully texted with two or more texts
1
partially texted with one text
2
provided with one or two incipits
3
provided with single incipit
2
untexted
3
varies
1
Type of Script
cursive
2
cursive (Anglicana)
3
cursive (German)
1
cursive (humanistic)
1
textura
1
Level of Calligraphy
fair
5
poor
1
very high
1
Colour of Text
black
4
brown
4
dark brown
1
red
2
Multiple Texts
no
5
yes
3
Decoration
Miniatures Frequency
never
2
Borders Frequency
never
1
Borders Size
Painted Initials Frequency
never
1
normally
1
occasionally
1
sometimes
1
Painted Initials Type
decorated
1
flourished
2
plain initials
2
Penned Initials Frequency
always
2
never
1
normally
1
occasionally
1
often
1
rarely
3
Penned Initials Type
calligraphic
2
calligraphic with decoration
1
decorated
1
decorated with grotesque heads
1
flourished
1
plain initials
4
Planned Initials Frequency
always
1
normally
1
rarely
3
Planned Initials Type
Other Decoration Frequency
normally
1
often
1
rarely
1
sometimes
1
Other Decoration Type
decorative final long
2
diagrams
1
end-symbol
1
Filters applied
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Presence absence of text: fully texted with one text
Ruling medium: straightedge
Disposition of voice part: 3-part consecutive
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1
Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2439, c. 1505-10, All folios
1