PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
7
Germany
3
Italy
1
Cities
Augsburg
1
Brussels
6
Ferrara
1
Florence
1
Germany (South)
1
Mechelen
7
Munich
2
Production method
Manuscript
11
Physical type
choirbook
11
Material
paper
6
paper (with parchment)
1
parchment
4
Format
upright
11
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
none visible
4
occasionally
1
often
2
rarely
1
sometimes
1
Height of Staves
Colour of Staves
black
10
brown
2
Ruling Medium
single rastrum
11
Number of staves
10
11
11
4
12
2
2
2
3
3
4
6
5
8
6
11
7
8
8
10
9
10
Disposition of Voice Parts
1-part single page
2
2-part opening
7
2-part single page
5
3-part opening
9
3-part single page
1
4-part opening
11
4-part single page
2
5-part opening
8
6-part opening
6
8-part opening
1
Indentation for Initials
double
8
none
2
single
11
triple
6
Extra Space Between Voice Parts
empty ruled staves on grid
8
staves not ruled on grid
7
variable space, not on grid
5
Space Provided for Separate Text
no separate text
11
not in dedicated space
1
Adhoc Adaptation
made for complete additional staves
7
notation and staves extended into margin
7
notation extended into margin
3
partial additional staves
3
staveline added
1
staves extended into margin
2
Copying of Music
Colour of Notation
black
11
brown
1
Type of Notation
chant (square)
1
void mensural
11
Monophonic Notation
absent
9
present
3
Level of Calligraphy
fair
1
high
11
Non-verbal Performance Instructions
end symbol
1
repeat signs
1
signa congruentiae
2
signes-de-renvoi
9
Copying of Text
Language
Flemish
1
French
2
German
1
Latin
11
Presence or Absence of Text
fully texted with one text
11
fully texted with two or more texts
4
fully texted with two texts
1
provided with multiple incipits
1
provided with single incipit
2
untexted
1
Type of Script
cursive (bastarda)
7
display script
8
textura
4
Level of Calligraphy
fair
2
high
8
very high
3
Colour of Text
black
11
brown
1
red
10
Multiple Texts
no
6
yes
7
Decoration
Miniatures Frequency
never
1
rarely
5
Borders Frequency
never
2
occasionally
1
rarely
3
Borders Size
full borders
1
partial borders: one- and two-sided
1
partial borders: one-sided
2
partial borders: two-sided
1
Painted Initials Frequency
never
1
occasionally
2
often
1
rarely
4
Painted Initials Type
calligraphic with decoration
1
decorated
2
decorated with grotesque heads
5
flourished
1
historiated
1
zoomorphic initial
1
Penned Initials Frequency
always
1
normally
6
occasionally
3
often
1
rarely
3
sometimes
1
Penned Initials Type
calligraphic
9
calligraphic with decoration
1
calligraphic with grotesque heads
1
flourished
4
Planned Initials Frequency
never
1
normally
1
occasionally
1
often
1
rarely
2
Planned Initials Type
Other Decoration Frequency
never
2
occasionally
1
often
1
rarely
1
Other Decoration Type
Voice-names
1
decorative final long
1
Filters applied
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Level of calligraphy music: high
Number of staves: 10
Number of staves: 6
Presence absence of text: fully texted with one text
Ruling medium: single rastrum
Separate text: no separate text
Search results
1
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1