PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
1
Germany
2
Cities
Augsburg
1
Munich
2
Vienna
1
Production method
Manuscript
3
Physical type
choirbook
3
Material
paper
3
Format
upright
3
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
none visible
2
sometimes
1
Height of Staves
Colour of Staves
black
3
Ruling Medium
single rastrum
3
Number of staves
2
3
3
3
4
3
5
3
6
3
7
3
8
3
Disposition of Voice Parts
2-part opening
2
2-part single page
1
3-part opening
3
4-part opening
3
5-part opening
3
6-part opening
1
Indentation for Initials
double
1
none
1
single
3
Extra Space Between Voice Parts
staves not ruled on grid
2
variable space, not on grid
2
Space Provided for Separate Text
no separate text
3
Adhoc Adaptation
Copying of Music
Colour of Notation
black
3
Type of Notation
void mensural
3
Monophonic Notation
absent
3
Level of Calligraphy
fair
3
Non-verbal Performance Instructions
signa congruentiae
1
signes-de-renvoi
1
Copying of Text
Language
German
1
Latin
3
Presence or Absence of Text
fully texted with one text
3
Type of Script
display script
1
textura
3
Level of Calligraphy
fair
2
high
1
Colour of Text
black
3
red
1
Multiple Texts
no
2
yes
1
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
rarely
1
Penned Initials Type
calligraphic
1
Planned Initials Frequency
normally
1
Planned Initials Type
Other Decoration Frequency
normally
1
Other Decoration Type
littera notabilior
1
Filters applied
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Adhoc adaptation: made for complete additional staves
Adhoc adaptation: staveline added
Copy language name: English
Extra space: empty ruled staves on grid
Painted initials type: plain initials
Ruling medium: freehand
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1
Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
1