PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
2
Germany
1
Spain
1
Cities
Brussels
1
Catalonia
1
Germany (South)
1
Mechelen
2
Segovia
1
Toledo
1
Wittenberg
1
Production method
Manuscript
5
Physical type
choirbook
5
Material
paper
2
paper (with parchment)
1
parchment
2
Format
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
none visible
1
normally
1
often
2
Height of Staves
Colour of Staves
black
3
brown
3
dark brown
1
red
1
Ruling Medium
single rastrum
5
Number of staves
10
5
11
2
2
1
5
1
6
2
7
2
8
3
9
4
Disposition of Voice Parts
1-part single page
3
2-part opening
3
2-part single page
3
3-part opening
3
3-part single page
2
4-part opening
5
4-part single page
3
5-part opening
4
6-part opening
1
7-part opening
1
8-part opening
1
Indentation for Initials
double
3
none
1
single
5
triple
2
Extra Space Between Voice Parts
empty ruled staves on grid
5
none
1
staves not ruled
1
staves not ruled on grid
2
variable space, not on grid
1
Space Provided for Separate Text
no separate text
3
not in dedicated space
2
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
3
notation and staves extended into margin
3
notation extended into margin
2
other
1
partial additional staves
5
staveline added
2
Copying of Music
Colour of Notation
black
3
brown
1
dark brown
1
Type of Notation
chant (square)
2
full mensural
1
void mensural
5
Monophonic Notation
absent
2
present
5
Level of Calligraphy
fair
3
high
2
very high
1
Non-verbal Performance Instructions
coronae
1
end symbol
2
pointers
1
repeat signs
2
signa congruentiae
2
signes-de-renvoi
4
space-filler
2
Copying of Text
Language
Flemish
2
French
2
Latin
5
Spanish
2
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
5
fully texted with two or more texts
2
fully texted with two texts
1
partially texted with one text
2
provided with single incipit
2
untexted
2
Type of Script
cursive
2
cursive (bastarda)
2
display script
2
hybrida
1
textura
2
Level of Calligraphy
fair
3
high
3
poor
1
very high
1
Colour of Text
black
4
brown
2
dark brown
1
red
3
Multiple Texts
no
3
yes
4
Decoration
Miniatures Frequency
never
3
rarely
3
Borders Frequency
never
5
Borders Size
Painted Initials Frequency
never
1
often
1
rarely
3
Painted Initials Type
plain initials
1
Penned Initials Frequency
never
1
normally
3
occasionally
2
often
1
rarely
4
sometimes
1
Penned Initials Type
calligraphic
5
calligraphic with decoration
3
calligraphic with grotesque heads
2
decorated
1
decorated with grotesque heads
1
flourished
2
plain initials
2
Planned Initials Frequency
never
2
normally
1
often
2
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
3
often
1
rarely
1
sometimes
1
Other Decoration Type
decorative final long
1
end-symbol
1
littera notabilior
2
Filters applied
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Adhoc adaptation: partial additional staves
Borders frequency: never
Extra space: empty ruled staves on grid
Physical format: upright
Ruling medium: single rastrum
Type of notation: void mensural
Search results
1
Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Cantus partbook, all folios
1