PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Germany
1
Great Britain
2
Italy
1
Spain
2
Cities
Bologna
1
England
1
Ferrara
1
Germany (South)
1
Segovia
1
Stirling
1
Toledo
1
Zaragoza
1
Production method
Manuscript
7
Physical type
choirbook
6
music treatise(s) containing polyphony
1
Material
paper
4
paper (with parchment)
1
parchment
2
Format
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
1
none visible
7
Height of Staves
Colour of Staves
black
6
brown
3
Ruling Medium
single rastrum
5
straightedge
2
Number of staves
10
7
11
4
12
2
13
1
14
1
4
1
5
3
6
3
7
3
8
6
9
6
Disposition of Voice Parts
1-part single page
1
10-part opening
1
19-part opening
1
2-part consecutive
1
2-part opening
2
2-part single page
2
3-part consecutive
1
3-part opening
4
3-part single page
3
4-part consecutive
2
4-part opening
6
4-part single page
1
5-part consecutive
1
5-part opening
6
5-part single page
1
6-part opening
1
8-part opening
1
Indentation for Initials
double
2
none
3
quadruple
1
single
7
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
6
none
2
staves not ruled on grid
2
variable space, not on grid
2
Space Provided for Separate Text
no separate text
5
not in dedicated space
2
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
3
notation and staves extended into margin
5
notation extended into margin
2
partial additional staves
3
staveline added
1
staves extended into margin
1
Copying of Music
Colour of Notation
black
6
brown
3
red
1
Type of Notation
chant (square)
1
full mensural
1
void mensural
6
Monophonic Notation
absent
3
present
7
Level of Calligraphy
fair
3
high
3
poor
1
very high
1
Non-verbal Performance Instructions
coronae
1
end symbol
2
numbers to indicate note lengths
1
pointers
1
repeat signs
2
signa congruentiae
2
signes-de-renvoi
4
space-filler
1
Copying of Text
Language
Flemish
1
French
2
German
1
Latin
6
Spanish
1
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
7
partially texted with one text
1
provided with single incipit
3
untexted
4
Type of Script
cursive
2
cursive (Anglicana)
1
cursive (bastarda)
1
display script
2
humanistic
1
hybrida
1
textura
2
Level of Calligraphy
fair
5
high
2
poor
1
very high
1
Colour of Text
black
6
brown
3
red
3
Multiple Texts
no
7
yes
2
Decoration
Miniatures Frequency
never
2
rarely
3
Borders Frequency
never
2
rarely
1
Borders Size
full borders
1
Painted Initials Frequency
normally
1
rarely
1
Painted Initials Type
decorated
1
Penned Initials Frequency
always
2
normally
2
occasionally
1
rarely
1
sometimes
1
Penned Initials Type
calligraphic
2
calligraphic with decoration
2
decorated
2
decorated with grotesque heads
1
flourished
1
plain initials
2
Planned Initials Frequency
never
1
normally
1
occasionally
1
rarely
1
Planned Initials Type
Other Decoration Frequency
always
1
never
3
normally
1
occasionally
1
sometimes
1
Other Decoration Type
banner
1
decorative final long
1
littera notabilior
1
Filters applied
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Disposition of voice part: 2-part score
Non verbal performance instructions: end symbol
Planned initials frequency: sometimes
Presence absence of text: untexted
Ruling medium: single rastrum
Search results
1
Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2440, 1515-1525, All folios
1