PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
9
Cities
Brussels
6
Mechelen
8
Production method
Manuscript
10
Physical type
choirbook
10
Material
parchment
10
Format
upright
10
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
9
none visible
1
Height of Staves
Colour of Staves
black
10
Ruling Medium
single rastrum
10
Number of staves
10
10
11
6
12
2
13
1
2
2
4
2
5
3
6
5
7
6
8
8
9
10
Disposition of Voice Parts
1-part single page
2
2-part opening
6
2-part single page
1
3-part opening
10
4-part opening
10
5-part opening
9
5-part single page
1
6-part opening
2
Indentation for Initials
double
10
quadruple
2
single
9
triple
8
Extra Space Between Voice Parts
empty ruled staves on grid
10
staves not ruled
2
staves not ruled on grid
8
variable space, not on grid
1
Space Provided for Separate Text
no separate text
10
Adhoc Adaptation
made for complete additional staves
4
notation and staves extended into margin
10
notation extended into margin
2
partial additional staves
5
staveline added
1
Copying of Music
Colour of Notation
black
10
red
3
Type of Notation
void mensural
10
Monophonic Notation
absent
9
present
1
Level of Calligraphy
high
1
very high
9
Non-verbal Performance Instructions
coronae
1
custodes
1
end symbol
1
signa congruentiae
9
signes-de-renvoi
10
Copying of Text
Language
Flemish
1
French
4
Latin
10
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
10
fully texted with two or more texts
6
Type of Script
cursive (bastarda)
10
display script
9
Level of Calligraphy
high
1
very high
10
Colour of Text
black
10
blue
1
red
10
Multiple Texts
no
2
yes
8
Decoration
Miniatures Frequency
rarely
9
Borders Frequency
occasionally
1
rarely
9
Borders Size
full and partial borders
1
full borders
2
partial borders: one- and two-sided
2
partial borders: one-sided
2
partial borders: three-sided
1
partial borders: two-sided
2
Painted Initials Frequency
never
1
occasionally
1
rarely
8
Painted Initials Type
decorated
2
decorated with grotesque heads
2
Penned Initials Frequency
normally
10
occasionally
2
rarely
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
1
calligraphic with grotesque heads
1
decorated with grotesque heads
1
Planned Initials Frequency
never
7
rarely
1
Planned Initials Type
Other Decoration Frequency
never
8
Other Decoration Type
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Disposition of voice part: 3-part opening
Indentation for initials: double
Level of calligraphy text: very high
Adhoc adaptation: notation and staves extended into margin
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1
Montserrat, Spain, Monasterio de S Maria, MS 773, c. 1510-15, All folios
1